Diana is a princess and one of the best fighters on the island she was raised on. Her homeland was very different to what we know, it's a beautiful paradise inhabited only by women and Diana herself was brought to like by the mighty god Zeus. When a body washes up on the shore of the island, Diana cannot believe what she sees, a man has somehow found his way to their land and is in need of help.
Nursing the his back to help, the two bond and Diana learns that the man, an American pilot by the name of Steve Trevor was flying a plane when he crashed and found himself at her mercy. Steve regales many tail about the outside world and tells Diana of a catastrophic world war that's currently happening.
Moved by the pilot's stories, much to the dismay of the queen, Diana decides to leave her homeland and help fight with the Allies. The new outer world is a completely different place for Diana and she soon sees that life is very different for women outside of her normal environment. Demonstrating her fierce fighting method and lasso and sword skills, the superhero learns that her abilities are needed to protect the humans and must only be used for the greater good.
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Not fazed by their previous experiences, Lorraine and Ed Warren are still successful paranormal investigators and their reputations have made them known around the world. As they hunt for new cases to investigate they decide to travel to England, Enfield just outside London to help a single mother and her children who are being haunted by a nasty spirit.
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As he did in films like Being John Malkovich and Eternal Sunshine of the Spotless Mind, Charlie Kaufman continues to explore the nature of human identity in this bracingly original stop-motion animated feature. It's an exquisitely crafted drama following a man and woman who find a way to see beyond the sameness of the world around them. And with his co-director Duke Johnson, Kaufman creates a witty, complex, dreamlike world that's unashamedly aimed at grown-ups.
It's the story of Michael (voiced by David Thewlis), an efficiency expert who travels to Cincinnati to deliver a lecture at a conference. But his mind is preoccupied with Bella, an ex who lives there. He phones his wife and son to clear his conscience before arranging to meet Bella in his hotel. Then later that evening he runs into Lisa (Jennifer Jason Leigh), a fan of his book who feels like such an anomaly that she can't quite believe that Michael might be interested in her. But there's a spark of attraction between them, something that feels rare in this soft, bland place.
This is a story about how life is essentially selfish and lonely, only livened up by hopeful connections we make with the people around us. Yes, it's sometimes rather bleak and dark, but it's also breathtakingly honest. And the film is packed with staggeringly clever touches that touch on ideas in ways that cut right through to our hearts (we'll never year Girls Just Wanna Have Fun in quite the same way again). Aside from Michael and Lisa, all of the characters are voiced by Tom Noonan, a stylistic flourish that feels gimmicky until its meaning becomes clear. As played out by these delicately crafted puppets on remarkably detailed sets, the film looks simply astonishing. It's almost hyper-realistic, with characters who are packed with visible quirks that echo in the actors' vocal performances.
Continue reading: Anomalisa Review
Excitement builds as the trailer for the Stephen Hawking biopic is released.
Excitement for the forthcoming British biopic, The Theory of Everything, based on the life of cosmologist and theoretical physicist Stephen Hawking has been propelled forward twice this week: firstly with a still of the two main characters, Hawking and his wife Jane, and now with a full trailer.
The first still released from the Stephen Hawking forthcoming biopic, The Theory of Everything
Eddie Redmayne and Felicity Jones assume the roles of the two main characters and will take audiences on a journey through the early stages of Hawking’s studies and the difficulties the couple face when he is diagnosed with motor neurone disease at the age of 21.
Mel Gibson is honoured at Czech festival, while the Apes sequel and What If premiere in New York, and Legend and Grimsby film on streets around London. Plus new trailers for heavy-hitters Exodus, Gone Girl and Foxcatcher...
This is a week when most attention was on the sporting world, with the Wimbledon finals, the Formula One British Grand Prix and the Tour de France starting in Britain, and of course the World Cup in Brazil. So most people didn't notice that the Karlovy Vary Film Festival kicked off in the Czech Republic by awarding Mel Gibson with the Crystal Globe for outstanding artistic contribution to world cinema. The festival wraps up on Saturday. Here's Mel Gibson at the 49th Karlovy Vary International Film Festival - Mad Max screening .
Meanwhile in New York, the stars turned out on Tuesday for the premiere of Dawn of the Planet of the Apes. Cast members Andy Serkis and Keri Russell were joined by visiting filmmakers Darren Aronofsky and Paul Haggis and actors Alex Karpovsky and Bridget Moynahan. The film opens this week in the US and next week in the UK. Here's a Dawn Of The Planet Of The Apes clip to get you in the mood.
In 16th century London Edward (Ifans), Earl of Oxford, has a passion for writing, which is forbidden by the puritan leaders of the day. So he passes his anonymous work to playwright Ben Jonson (Armesto), who allows actor William Shakespeare (Spall) to take the credit. Edward's life is inextricably linked with Queen Elizabeth (Redgrave): they were lovers several years ago (played by Bower and Richardson), and the political fallout is still being controlled by William Cecil (Thewlis) and his son Robert (Hogg).
Continue reading: Anonymous Review
In rural England during the First World War, a horse named Joey befriends a young boy called Albert. One day Joey is sold to the cavalry and sent to the trenches in France, seeing firsthand the horrors of the Great War, yet touching the hearts of everyone he meets, including a French farmer, a German soldier and the British army. Although too young to enlist, 16 year old Albert joins the army and heads to France to find his friend.
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Cranking up the action and emotion, JK Rowling's Harry Potter saga moves into the first half of its extended grand finale. It's a relatively harrowing film punctuated by real violence, and it cleverly starts weaving together both the plot and the relationships.
After the tragic events of the previous school year, Harry (Radcliffe) and his pals Ron and Hermoine (Grint and Watson) know that they can't go back to normal. Instead, they're on the run from Voldemort (Fiennes) and his fearsome Death Eaters. They also have an overwhelming task: collecting the horcruxes that Voldemort has hidden to ensure his immortality. But where to look? And when they find one, how do they destroy it? Then a rebel journalist (Ifans) tells them the story of the Deathly Hallows, which makes their quest even more urgent.
The plot has a very different structure, as our three heroes are propelled by startling events into increasingly uncertain situations. Persistently chased by the bad guys and unable to trust anyone, they are profoundly alone and constantly in danger. We strongly feel their lonely desperation all the way through the film, so when another nasty thing happens to push them further along, it's genuinely unsettling.
Although it feels far too long, Yates and Kloves thankfully mix the dark drama with lighter comedy, allowing the characters to grow organically. Over seven films the story has grown increasingly gloomy but, despite the relentless anxiety, this chapter has an insistent pace, which is helpful since pretty nightmarish things are happening. There's also some subtext in the political storyline, as the villains seize control first of the media and then the government.
By now, the three central actors have settled solidly into their roles, adding subtle edges in every scene. Intriguingly, Grint has emerged as the most complex performer, but all three are excellent. And the who's who of British acting talent around them is fantastic. Stand-outs this time are Nighy (as a slippery politician), Isaacs (as a disgraced baddie) and Mullan (as a vicious security guy). But several others get a chance to shine as well, and of course there's a lot more action to come in Part 2.
Born in a rugby-mad Welsh mining town, Howard Marks (Ifans) knew he didn't fit in and proved it by getting into Oxford against the odds. There he immediately falls into the early-1960s brainy/druggy crowd, dealing marijuana but never anything harder. Despite efforts to go straight, he continually returns to trafficking, arguing that it's not a crime to break an immoral law. But his associations with a notorious IRA terrorist (Thewlis) and a rule-bending Indian businessman (Djalili) attract the attentions of a tenacious American agent (Tosar).
Continue reading: Mr Nice Review
In the 1970's Howard Marks was one of the biggest weed smugglers in the world but the Welshman from the small town of Kenfig never indented to become such a major player in the industry. In the beginning Marks started out as a relatively minor drug dealer, supplying small amounts of dope but as his connections began to grow more opportunities became available.
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