David Thewlis (born David Wheeler, 20.03.1963)
David Thewlis is an English actor perhaps best known for his role as Professor Lupin in 'Harry Potter and the Prisoner of Azkaban'.
Childhood: David Thewlis was born in Blackpool, Lancashire. His parents were Maureen Thewlis and Alec Raymond Wheeler who worked in the family toy/wallpaper shop. He enjoyed music as a teenager and played in the bands QED and Door 66. He attended Highfield High School and then the Guildhall School of Music and Drama in London. He changed his surname to Thewlis, his mother's maiden name, after attempting to register with the actors' union and discovering that his birth name was already being used by someone else.
Acting career: David Thewlis had his first big role in 1993's 'Naked' alongside Lesley Sharp and Katrin Cartlidge. That year also saw him in 'Prime Suspect 3' as an equally unpleasant character opposite Helen Mirren. In 1994, he was in 'Black Beauty' alongside Alan Cumming, Sean Bean and Peter Davison. The following year he appeared in the historical drama film 'Restoration' with Robert Downey, Jr., Hugh Grant and Ian McKellen, as well as 'Total Eclipse' with Leonardo DiCaprio. In 1996, he was in 'The Island of Dr. Moreau' with Val Kilmer and 'Dragonheart' alongside Pete Postlethwaite and Sean Connery. In 1997, he became blocked from entering thePeople's Republic of China after appearing in the war film 'Seven Years in Tibet' with Brad Pitt. The next year he was nominated for a British Independent Film Award for Best Performance by a British Actor in an Independent Film in the movie 'Divorcing Jack' opposite Jason Isaacs and Robert Lindsay. In 2004, he appeared as Professor Remus Lupin in 'Harry Potter and the Prisoner of Azkaban' alongside Gary Oldman, Daniel Radcliffe and Alan Rickman. He reprised his role in the subsequent sequels, 2007's 'Harry Potter and the Order of the Phoenix', 2009's 'Harry Potter and the Half-Blood Prince' and 'Harry Potter and the Deathly Hallows' parts 1 and 2 in 2010 and 2011 respectively. In 2005 and 2006, he was in Ridley Scott's 'Kingdom of Heaven' with Orlando Bloom, 'The New World' oppostite Colin Farrell and 'The Omen' alongside Julia Stiles, Liev Schreiber and Mia Farrow. In 2008, he played a Nazi SS Commandant in 'The Boy in the Striped Pyjamas' with Asa Butterfield, Jack Scanlon and Vera Farmiga. 2011 saw him star in the Aung San Suu Kyi biopic 'The Lady' opposite Michelle Yeoh.
Personal life: David Thewlis married Sara Sugarman in 1992 but they subsequently divorced in 1994. He has also had relationships with Bill Oddie's daughter Kate Hardie, and Anna Friel with whom he has one child but split with after 10 years in 2010. In 2007 he published a novel called 'The Late Hector Kipling'.
Anomalisa is a new film from directors Charlie Kaufman and Duke Johnson. Kaufman (Eternal Sunshine of the Spotless Mind and Being John Malkovich) also wrote the film - his first animation. Initial funding for the movie was achieved on Kickstarter, the project raised over 400,000 dollars, doubling their initial asking price.
The stop-motion film used 3-D printers to create the puppets and the story follows the day to day life of Michael Stone, a man who's struggling with going through the same processes every day. When he meets a stranger in a hotel, she might just be able to show Michael a new view point.
Continue: Anomalisa Trailer
Shakespeare's Scottish play returns to the big screen with earthy energy, visual style and roaring performances. Acclaimed Australian filmmaker Justin Kurzel (Snowtown) takes an artistic approach that makes terrific use of sweeping landscapes and harsh weather, which allows the cast to put their guts into their roles. Yet while the film looks absolutely amazing, the sound mix is so muddled that anyone unfamiliar with the play will find it difficult to follow.
Michael Fassbender plays Macbeth, an 11th century general who has just triumphed on the Highland battlefield but is struggling internally after he and Lady Macbeth (Marion Cotillard) lost their infant child. So when three witches tell him that he is destined to become king, his wife encourages him to make it happen sooner rather than later. In secret, Macbeth murders King Duncan (David Thewlis) and pins the blame on his son Malcolm (Jack Reynor), who flees in fear, raising suspicion. Now on the throne, King and Queen Macbeth are overwhelmed by paranoia about any hint of a threat to their power, raising distrust of loyal friends like Banquo (Paddy Considine) and Duncan's defender Macduff (Sean Harris). Meanwhile, Malcolm has raised an army in England and is coming back to claim his title.
This is one of Shakespeare's bleakest, leanest plays, and Kurzel gives it an intriguingly expansive tone by setting most of the action outdoors in the elements rather than in shadowy castle corridors. In addition to adding a gritty, muddy kick, this allows the battle sequences to take on a Lord of the Rings-scale intensity. So the effect of this violence on the characters is that much more resonant. Lady Macbeth turns inward, tormenting herself in an extended dream sequence, while Macbeth goes the other way, killing anyone who seems even remotely shifty. But of course they also understand that their ambition and guilt are causing these extreme reactions.
Continue reading: Macbeth Review
Written and directed with a rakish swagger, and featuring two full-on performances from Tom Hardy, this true London gangster drama is hugely entertaining, even if it feels undercooked. Aside from that generic title, the film basically has no plot at all, and it strips real-life people of their complexity. It's as if the filmmakers were afraid to challenge the audience in any way. But the edgy mix of comedy and violence is riveting.
The events recounted took place over about two years in the early 1960s, although the film's anecdotal structure makes it feel more like a decade. As it begins, the fearsome young Kray brothers (both played by Tom Hardy) are consolidating their gangland grip on East London and expanding around the city, with their next target being South London boss Charlie Richardson (Paul Bettany). Reggie Kray is the tough-minded businessman, while identical twin Ronnie is a terrifying thug who happens to be openly gay at a time when being so was illegal. As they blatantly manipulate the rule of law, a Scotland Yard inspector (Christopher Ecclestone) is desperately looking for a way to take them down. Meanwhile, Reggie is romancing the 16-year-old Frances (Emily Browning), much to the annoyance of her imperious mother (Tara Fitzgerald).
The tumultuous relationship between Reggie and Frances is the only thing that adds a sense of narrative momentum to the film. Otherwise, it's a series of set-pieces that take a darkly humorous approach to family clashes and criminal violence. Writer-director Brian Helgeland infuses even the grisliest brutality with an amusing smirk, which makes the movie much more engaging than expected. And Hardy storms through the film with real charisma in both roles, as the steely, magnetic Reggie and the more unstable, fearsome Ronnie. Both performances are scene-stealing, nicely conveying how these men managed to hold the entire city in their grip, even though they were only in their early 30s at the time.
Continue reading: Legend Review
David Thewlis - the World Premiere of 'Legend' at the Odeon Leicester Square, London on September 3rd 2015 at Leicester Square, Odeon Leicester Square - London, United Kingdom - Thursday 3rd September 2015
Basic training for the Korean War is tough on a group of young British cadets. It's specifically tough on Bill Rohan (Callum Turner), as their sergeant hates him. The only consoling factor is the trainee nurses school just outside of his basecamp. When he's not trying to woo the nurses in the town, he's sneaking over to their school to see the woman he has fallen in love with. But when the sergeant's prize clock is stolen, Rohan must do everything to save his best friend from court marshalling, catch the girl of his dreams, and prepare for war.
Continue: Queen And Country Trailer
Macbeth is a Scottish Duke who is greeted by three witches following a victorious battle. They reveal to him a prophecy which speaks of him one day becoming King of Scotland, and not only that, but he shall not be killed by any of woman born. Poisoned by greed, he confides in his wife Lady Macbeth, who is equally consumed with fantasies of riches and royalty. She convinces him to kill the current King to gain power and succeeds, though not without a price. From that moment on, this noble man transforms into a tyrant bound by guilt and paranoia and willing to do anything to maintain his throne and keep his dark secret hidden. But the more he tries to find peace within himself, the more danger he is faced with.
Continue: Macbeth - Clips
After a long, hard battle, a Scottish Thane learns of a prophesy that will change his life forever. Macbeth (Michael Fassbender) is confronted by three witches, who inform him that he shall one day be king, and that no man born by a woman shall ever kill him. When another of their prophecies comes true, he confronts his wife (Marion Cotillard), who convinces him that he must murder King Duncan (David Thewlis). From there, Macbeth falls into the darkest depths of the human soul, as he betrays those he loves for power, and abandons his friends for the love of prophesies.
Continue: Macbeth - Teaser Trailer
Throughout the 1950s and 1960s, London was at the mercy of the terrifying Kray twins (Tom Hardy). Reggie Kray was forced to spend most of his life holding back his identical twin brother, Ronnie, who suffered from paranoid schizophrenia. As acclaimed night club owners and feared gangsters, the two twins were seen to own London, and lived a life of glitz and glamour, as well as blood and brutality. That is, until Detective Superintendent Leonard "Nipper" Read (Christopher Eccleston) took the task of bringing two of the most powerful and dangerous criminals in the city's history to justice, by any means necessary.
Continue: Legend - First Look Trailer
An arch approach makes this bonkers thriller rather enjoyable, even if it never quite cracks the surface. The story comes from the Edgar Allan Poe story The System of Doctor Tarr and Professor Fether, written in 1845, so director Brad Anderson (The Call) has fashioned the movie as bit of riotous Victorian mental institution nuttiness. Cue the mad-eyed acting, gothic production design and ludicrously batty plot. But if you take it for what it is, it's pretty entertaining.
It takes place in December 1999, as the new century is about to dawn and young doctor Edward (Jim Sturgess) arrives at Stonehearst Lunatic Asylum in a freakishly isolated corner of England. Instantly smitten with the inmate Eliza (Kate Beckinsale), Edward struggles to concentrate on the tasks given to him by his sinister boss Silas (Ben Kingsley), while being constantly watched over by the glowering groundsman Mickey Finn (David Thewlis). Silas' revolutionary system of treatment involves indulging the patients in their specific delusions, which has created a deranged sense of community in the sprawling hospital. Then one night stumbling around in the darkness, Edward discovers a group of people locked in prison cells in the basement, and their leader Benjamin (Michael Caine) claims to be the true head doctor. Yes, the inmates have taken over the asylum!
This premise allows the cast to indulge in a variety of hilariously shifty performances, hamming up every scene with constant innuendo. There isn't anyone in this place who looks remotely sane. Sturgess is fine as the dull Edward, while Beckinsale keeps her character's madness just out of sight, so both of them pale in this colourful company. Kingsley and Caine camp it up marvellously, while Thewlis adds a strong sense of menace and Sophie Kennedy Clark almost steals the film as an amusingly sex-mad virginal nurse. It's also worth watching the background players, as each has a ball his or her brand of craziness.
Continue reading: Stonehearst Asylum Review
An unusual point of view prevents this from ever turning into the standard biopic, but it's Eddie Redmayne's staggeringly committed performance as Stephen Hawking that makes the film unmissable. Based on the book by Stephen's wife Jane Hawking, the film uses her perspective to recount the events with their relationship firmly at the centre, which adds a personal angle the audience can engage with. This diverts the attention from Hawking's scientific breakthroughs, but makes the film both energetic and emotionally riveting.
It opens in 1963 when Stephen (Redmayne) is a rising-star at Cambridge, already a genius who thinks far outside the box. But he also has a sharp sense of humour, which makes it easy to see what Jane (Felicity Jones) sees in this brainy black-hole-obsessed geek. Then just as their relationship begins to get serious, he is diagnosed with motor neurone disease and given two years to live. Instead of giving up, Jane marries him and has three kids as Stephen defies the doctor's prognosis. As his physical condition deteriorates, they get help from two people who become unexpectedly close: widowed choir director Jonathan (Charlie Cox) and medical assistant Elaine (Maxine Peake). And even as their marriage comes apart under the pressure, Jane and Stephen remain deeply connected to each other.
Anthony McCarten's script cleverly lets big ideas swirl around each scene without swamping the more human story. The central factor in Stephen and Jane's interaction centres on faith: his in science, hers in God. Stephen continues to seek a theory that will scientifically explain the nature of existence, while Jane catches him out when he takes a leap of faith himself. And the film lets all of this play out through their interaction with a variety of terrific side characters, including Stephen's tutor (David Thewlis), his colleagues (Harry Lloyd and Enzo Cilenti), his father (Simon McBurney) and Jane's mother (Emily Watson). Each performance is packed with telling nuance, while Jones gives the film a textured heart and soul.
Continue reading: The Theory Of Everything Review
Excitement builds as the trailer for the Stephen Hawking biopic is released.
Excitement for the forthcoming British biopic, The Theory of Everything, based on the life of cosmologist and theoretical physicist Stephen Hawking has been propelled forward twice this week: firstly with a still of the two main characters, Hawking and his wife Jane, and now with a full trailer.
The first still released from the Stephen Hawking forthcoming biopic, The Theory of Everything
Eddie Redmayne and Felicity Jones assume the roles of the two main characters and will take audiences on a journey through the early stages of Hawking’s studies and the difficulties the couple face when he is diagnosed with motor neurone disease at the age of 21.
Date of birth
20th March, 1963