Unlike the Condor, the viewer may only pick up the salient points. There's a smattering of names for several chiefs and directors: Wicks, Wabash, Atwood, Higgins, etc. Even the switchboard operator is given the title "The Major." There's a woman, Catherine Hale (Faye Dunaway), whom the Condor takes hostage and quickly embarks on a semi-romantic partnership with. When he's not busy connecting the dots, the Condor is being hunted by a tall gun-for-hire with a foreign accent given the codename Joubert (the indefatigable Max Von Sydow) and another assassin named simply The Mailman. It doesn't seem to matter much but, for what it's worth, it all seems to have something to do with a possible war in the Middle East and oil.
Continue reading: Three Days of the Condor Review
The story is as threadbare as something that might have been conceived over bottomless goblets of wine at 3am in a smoke-filled Montmartre jazz club. Francis Borler (François Cluzet) is absolutely obsessed with sax player Dale Turner (real-lilfe musician Dexter Gordon), to the point where he leaves his pre-teen daughter at home and spends his nights sitting outside clubs in the rain while Dale plays his sax inside.
Continue reading: 'Round Midnight Review