Nick Twisp (Cera) is a 16-year-old who feels out of sync with the world. He has a summer job in a caravan park, where he instantly falls in love with Sheeni (Doubleday), the fiercely protected daughter of religious nutcases (Walsh and Place). Sheeni is like a female version of him, only sexy and smarter, and he creates an imaginary alter ego named Francois Dillinger to give him the confidence to seduce her. But of course things go wrong from the start.
Continue reading: Youth In Revolt Review
Kicked out of his latest boarding school for entrepreneurial ingenuity (he made fake IDs), Charlie Bartlett (Anton Yelchin) finally makes his way to public school. His mother (Hope Davis), medicated into oblivion, thinks it will be a perfect outlet for his creativity. As if it weren't written on the wall, Bartlett can only find friends on the short bus and other clique-less annals of the teenage population. That is until he finds the blessings of prescription narcotics and the passivity of modern adults towards their children's problems.
Continue reading: Charlie Bartlett Review
There's no denying that Griffin has an easy confidence and a practiced style on stage. It's just that his material and delivery aren't superior enough to entice comedy fans to put their butts in movie theater seats. Even when Griffin's content is witty and thought provoking -- like his view of a short "racism-free" period after September 11 -- his windup and pitch just don't get you laughing out loud.
Continue reading: Dysfunktional Family Review
Orlando Jones does a better job in those 7-Up commercials than in the role of Darryl Chase, an uptight investment banker set up by a combination of the CIA, the FBI, a Mexican drug cartel, the Federales, and an emu farmer as part of a double murder/embezzlement scheme. Running from the law, Chase changes clothes and identity with Freddy Tiffany, a two-bit hustler named played by Eddie Griffin he encounters on the street. Together, the pair travel across the country to Mexico, where a certain CIA agent holds the key to Chase's freedom. And of course, during the journey, Darryl Chase rediscovers his roots as a black man while Freddy Tiffany shucks and jives his way through every situation like he's the bastard son of Eddie Murphy and Jerry Lewis.
Continue reading: Double Take Review
It's well known or, at least, widely surmised, that the teamster's local, the union that drives the wheels of production, is mob controlled. So when often-overlooked FBI agent Joe Devine (Alec Baldwin) suggests to his superiors that the way to take down local mobster Tommy Sanz (Tony Shalhoub) is to lure him into a sting operation based on the illusion of a new Hollywood production, he's given the Bureau's green light.
Continue reading: The Last Shot Review
Maybe this would work if you saw it before any other Michael Cera movies. Or...
New year, new pile of movies straight from the Hollywood dumping ground of badly test-screened,...
This is a sometimes hilarious sometimes flat takeoff on the allure of Hollywood make believe...