Jack Ryan is a young office worker at CIA headquarters whose life turns upside down when his cosy desk job turns into a major physical operation. He's been able to hide his dangerous career from his new wife Cathy for a couple of years, but now that someone is trying to kill him, things get a little trickier. He is enlisted to help thwart a major Russian terrorist plot that threatens the lives of millions of people in all the major cities of the world, but when he makes it to Moscow, he finds a very angry wife waiting for him. However, as things turn out, she has a crafty head on her herself and agrees to get involved with the operation as a diversion, but when her life is suddenly at risk, Jack has to decide where his priorities lie.
Based on the Tom Clancy book series which kicked off with 1984's 'The Hunt for Red October', Kenneth Branagh ('Thor', 'As You Like It', 'The Magic Flute') directs action thriller 'Jack Ryan: Shadow Recruit' - the fifth film in the movie series produced by Mace Neufeld ('The Aviator', 'Beverly Hills Cop III', 'Asylum'). David Koepp ('War of the Worlds', 'Angels & Demons', 'Jurassic Park') and Adam Cozad are screenwriters and it will be released in the UK on December 26th 2013.
Jack Ryan is a young CIA analyst who joined Intelligence hoping for a comfortable office job that he could easily cover up so that his wife Cathy, who he met three years ago, won't find out what he does for a living. However, things don't exactly go according to plan and he finds himself being targeted by an assassin while uncovering a frightening plot involving Russian terrorists launching a major terrorist strike at the main cities of the world in a bid to destroy the US economy. He is charged to go to Moscow to stop the conspiracy from going ahead but then finds he has other problems to deal with when his wife follows him and discovers the extent of his deception.
A year after they met, San Francisco chef Tom (Segel) proposes to his girlfriend Violet (Blunt), but their excited wedding plans are interrupted when Violet gets a post-doc position at the University of Michigan. So they postpone the wedding and head to the snowy Midwest. There, Violet's career soars while Tom has little to do beyond making sandwiches in a deli and going hunting with his new friends. And before they can set a new date, Violet's sister (Brie) marries and has two kids with Tom's best pal (Pratt).
Continue reading: The Five-Year Engagement Review
Its dialogue like that that makes Payback the first great film of 1999. Everybody likes to watch jerks on screen. They walk around with a cockiness and lack of respect for anything and everyone that you can't help but love to watch them. In this movie, I think everybody falls into this category.
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Loren Dean (Enemy of the State, Apollo 13) does a decent job as Dr. Mumford, the most popular psychologist in the small town to which he just moved. Listening attentively to the tormented visitors of the treatment couch, his apparent peace of mind and even temper become infectious. Ubiquitously available and sounding less like a shrink than a wise uncle who gives just enough advice at just the right time, it's no wonder Dr. Mumford is everyone's favorite confidant. But will those he's helped to see through their own faults be just as understanding if they find out the truth of his past?
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Instead of a rigged bus that must stay above 55 mph, Chill Factor introduces a chemical weapon so powerful that it can destroy a third of the country's population--- but only if it's temperature rises above 50 degrees Fahrenheit.
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City Hall is a drama/thriller with most of the thrill sucked out of it. After a ridiculously convoluted opening, filled with the weak voice-over of the Deputy Mayor of New York City, Kevin Calhoun (John Cusack), we find ourselves embroiled in the world of Mayor John Pappas (Pacino). As the film opens, we find a cop and mobster killed in a shoot-out, taking with them the life of a six-year old boy.
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Whatever else may be said, this film is the work of consummate professionals, and that doesn't mean it's soulless but competent hackwork. Writer/director Paul Weitz showed with his wonderful, glowing adaptation of Nick Hornby's About a Boy that he could tell heartwarming stories that didn't insult the mind and could inject just enough acidity into a romance to keep a movie from flopping into a messy, Love, Actually-style mess. The directing and writing here are superbly crisp, and one really couldn't ask for better performances, both from the stars and supporting cast.
Continue reading: In Good Company Review
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