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Cowboys & Aliens Trailer

Jake Lonergan is a wanted criminal but when he awakes in the middle of nowhere with no memory of his past, he enters the town of Absolution, one of the places that has imposed a bounty Lonergan's capture by Colonel Woodrow Dolarhyde, a man who governs with an iron fist.

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The Kid Review

Based on a true story, this gripping film features solid acting and a strong visual sensibility. And even though the plot meanders, it's an important story of someone who survived a severe failure in the British child welfare system.

Kevin Lewis (Miller, Prew, then Friend) was born in South London into a violent home in which his sharp wit sparks extra physical abuse from his mother (McElhone), while his drunken father (O'Neill) either watches helplessly or is bullied into taking part. But along the way Kevin finds compassion from a care home manager (Hill), an alert teacher (Gruffudd), a compassionate foster father (Fox) and a supportive girlfriend (Whittaker). But all of this could be undone by his dodgy business decisions.

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Harry Potter and the Deathly Hallows (Part 1) Trailer

The final instalment of the Harry Potter series is almost upon us! Harry Potter and the Deathly Hallows will bring the much loved set of films to a close.

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Doomsday Review

Step aside, zombie films -- there's a new derivative genre in town. The post-apocalyptic thriller is out to trump your ongoing redundancy. Instead of bringing something new to the dystopian brave new world, writer/director Neil Marshall's Doomsday has simply decided to reference each and every offering in the oeuvre. A substantial slip from his championed efforts (Dog Soldiers and The Descent), this Escape from Newcastle calamity is like watching George Miller channel John Carpenter. Toss in a little Aliens, a few medieval riffs, and enough Mad Max references to choke Mel Gibson's ego and you've got a disaster pretending to be profound.

When the Reaper virus devastates Glasgow, the British government quarantines all of Scotland. A few survivors make it out. The rest are locked behind heavy steel walls and guarded gates. Nearly three decades later, the plague reappears, this time in downtown London. Desperate to find a cure, Cabinet Minister Caranis (David O'Hara) gets Police Chief Nelson (Bob Hoskins) to send his top officer back into the hot zone. He chooses lady loose cannon Eden Sinclair (Rhona Mitra). Her goal? Lead a group of soldiers to Kane (Malcolm McDowell), a doctor who was once in charge of Reaper research. Seems the satellites have been picking up images of humans in the supposedly uninhabitable realm, and if Kane has found a cure, they may be able to stop the insidious disease.

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Tristan & Isolde Review

Kevin Reynolds is one of Hollywood's most unjustly maligned filmmakers. I'm frequently astounded by the fact that his superior craftsmanship is not more widely recognized. Surely his attention to detail and sensual prowess is equal that of championed filmmakers like Ridley and Tony Scott (who both produced this film).

I suspect that most of this disregard is due to the fact that more often than not Reynolds' films are burdened with clunky and sentimental scripts. Films like Rapa Nui and Robin Hood: Prince of Thieves were gorgeously shot and produced but weighed down by melodrama and hobbled by sentimentality. And then there was the whole Waterworld debacle from which it seems Reynolds has never really recovered. The Count of Monte Cristo was a start, but this is the film that should bring Reynolds back to the table. (I happen to think Waterworld is fantastically accomplished and enormously entertaining but don't tell anyone I said that.)

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Braveheart Review

Mel Gibson deserves a lot more credit than I've been giving him. A few years ago, no one could have conceived that the action star could pull off the lead role in a dazzling, epic, historical adventure-thriller-romance, let alone direct it. But he does, making Braveheart a vastly entertaining and powerful film.

Gibson plays Scottish hero William Wallace, a Scotsman with simple roots who finds himself thrust into a role as leader of the Scottish revolt against England in the late 13th century. After the despicable King Edward the Longshanks (Edward I) decrees that English nobles will have the right to sexual relations with all newly-wed Scottish women, the revolution is set in motion. Wallace takes up the cause, only to find himself facing incredible odds against a superior English army and fighting Scottish nobles who want to negotiate peace instead of fight. In fact, it's the nobles who turn out to be the bigger obstacle.

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Made Review

Practically heckled out of the ring at their boxing match, best friends Bobby and Ricky (Jon Favreau and Vince Vaughn) are hardly your titans of the fights. In fact, they aren't much in the way of titans of anything. They're almost losers. Whenever Bobby gets ahead, Ricky's antics pull him back down -- never on purpose, he just doesn't know how to behave any better.

When Bobby gets kicked off his L.A. construction job, he pleads with minor crime boss Max (Peter Falk) to give him something better to do than smooth concrete and fistfight his buddies. And so the hijinks begin... as Bobby and Ricky head for New York in an unspecified role as heavies for some deal of Max's.

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Stander Review

Johannesburg. The late '70s. Nelson Mandela is still in jail. Cries of "Amandla!" ("Freedom!") still ring from protesters. White police still put down these riots with brutality. Andre Stander (Thomas Jane) is an appalled police captain, complicit in these acts. Stander tells the true story of what happens when he can take no more, with surprisingly tepid results.

The film opens with a brief window on Stander's life. He's just re-married his ex, Bekkie (Deborah Kara Unger). His star is on the rise in the department. All is well. Until he finds himself shooting an unarmed black youth during a particularly bloody demonstration. He can't shake the feeling that the "wrong people" are dying. He resigns from Riot Patrol, only to find that when everyone else is out on that task, "a white man can get away with anything." So he does. As if on a whim, he robs a bank.

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Janice Beard: 45 Words Per Minute Review

Janice Beard is frequently compared to Amelie. Or more to the point, Janice Beard's producers frequently compare it to Amelie, which is as scurrilous a comparison as you can find.

While both films star single girls with a fondness for fantasy life, Eileen Walsh's Janice isn't half as charming as Audrey Tautou's French pixie. How so? While Amelie spends her days in bistros and on amazing adventures in her neighborhood, Janice works as a relatively incompetent temp in Scotland. Janice's fantasies are drawn from her attempts to entertain her mother, who went crazy when Janice's father died during mom's childbirth. (Har har!) While Amelie takes great pains to appear stylish (oh, that hair!), Janice is a wallflower, dressed in hand-me-downs, with bug eyes and buckteeth, a la Toni Collette in Muriel's Wedding, a film which Janice Beard offers a far stronger resemblance to than Amelie.

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Crossfire Trail Review

Quigley Down Under comes up and over for this old west extravaganza, with Tom Selleck hamming it up the best he can in a tale adapted from a book by Louis L'Amour.

Dunno if it's a very good book, but it's not a very good movie. While Selleck's acting muscle is always a special treat solo, contending with co-stars Virginia Madsen, Wilford Brimley, and Mark Harmon(!), all in period costume and/or moustaches makes for a very rare juxtaposition of atrocious acting from the school of Schmaltz.

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Made Review


"Swingers" lounge lizards Jon Favreau and Vince Vaughn are reunited in "Made" as a pair of feckless part-time boxers who try to make something of themselves by becoming inept bagmen for the mafia.

Another sardonic -- but more cinematically mature -- comedy written by Favreau (who also directed this time), the flick features Fav as Bobby, a hapless amateur of a pug who just wants to do right by his stripper girlfriend (Famke Janssen) and her angelic little daughter.

A downhearted but upright palooka, Bobby gets kicked off his "day" job as driver for his girlfriend's tease gigs when he punches out a grabby guest at a bachelor party. But his boss, a cranky back-room operator played with comedic panache by Peter Falk, gives him a chance to make up for it by going to New York to do a money drop for a high-rolling uptown gangster called Ruiz (hip-hop mogul Sean "Puffy" Combs).

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