Little more than a paint-by-numbers action thriller, it's anyone's guess why the filmmakers have bothered to make a connection with the 1980s TV series of the same name. Because this film bears almost no resemblance to it. Instead, this is a reunion of Denzel Washington and Antoine Fuqua, who last collaborated on the Oscar-winning Training Day. And since it's packed with brutal violence and questionable morality, that's clearly where this movie's roots truly lie.
Washington stars as Robert, a meek shelf-stacker at a DIY warehouse store in Boston. He can't sleep at night, so he heads to the local diner to read classic novels. That's where he meets Teri (Chloe Grace Moretz), a teen hooker who is having problems with her psychotic Russian pimp (David Meunier). Ever so quietly, and clearly relying on some external source of income, Robert goes about helping Teri secure a free future. But when he offers to settle her debts, the pimp and his thugs just laugh at him. So Robert mercilessly kills them all, drawing on his secret past as a black-ops agent. The problem is that this puts Robert at odds with the top Russian boss Teddy (Marton Csokas), who heads to Boston to get even.
In standard action movie tradition, Robert works his way right through the entire Russian mob, along the way cleaning up Boston's corrupt police force before the requisite final confrontation. His only distraction is a brief visit to his old CIA boss (Melissa Leo) and her husband (Bill Pullman) for a bit of moral support and added starry cameo value. Yes, there isn't much about this movie that doesn't feel concocted for the box office, which means that the story is both achingly predictable and littered with gaping plot-holes. And with Washington in the focal role, everyone else fades into the woodwork. Moretz is excellent but badly underused, while Csokas is never given much to do with his one-note villain.
Continue reading: The Equalizer Review
Director Antoine Fuqua (Training Day, Olympus Has Fallen) talks about what makes The Equalizer (Denzel Washington) different from other action movie heroes. The name comes from how he spends his days as a "regular Joe", but uses hand-to-hand combat in order to fight his way through legions of bad guys "levelling the playing field". Producer Todd Black (A Knight's Tale, The Pursuit of Happiness) goes on to explain The Equalizer's skill set. He uses impeccable awareness of his surroundings to manipulate his environment into a weapon - this leads to stunt coordinator Keith Woulard discussing Washington's desire to make the fight scenes "dirty and gritty, but he want[ed] it smart".
Continue: The Equalizer - Featurette and Clip
Robert McCall has a modest job at a hardware store in Boston where he longs for a peaceful life on his own to live out the rest of his days. He is a retired black ops commando and, unfortunately for him, that part of his life is not over - merely laying dormant. After meeting a young girl named Teri and seeing her trapped in a circle of abuse and danger within what appears to be a gang of pimps, he vows to help her. However, after taking them down with an extraordinary amount of grace and dexterity, he discovers that they are in fact part of the powerful Russian mafia who are hellbent on killing him. The odds aren't looking good for McCall, whose sense of justice and responsibility has been quickly reignited, but when it really comes down to it, it's difficult to tell who should be afraid of whom.
Continue: The Equalizer Trailer
Corgan took to Instagram to confirm rumours of new Pumpkins material, saying the first songs could arrive as early as May.
Little more than a paint-by-numbers action thriller, it's anyone's guess why the filmmakers have bothered...
Director Antoine Fuqua (Training Day, Olympus Has Fallen) talks about what makes The Equalizer (Denzel...
Robert McCall has a modest job at a hardware store in Boston where he longs...