If there is a universal law in cinema, it is this: Make a western for cable TV, and Tom Skerritt will come a-running. Doesn't matter if the movie's any good or not, Skerritt is your man.

High Noon, a remake of the 1952 film starring Gary Cooper, puts Skerritt in the role of the now-immortal cop on the eve of his retirement. Newly married, our sheriff hero finds that his arch-enemy (Michael Madsen) has been pardoned by the governer, and he's on his way to the town to exact his revenge. The train arrives at noon... will he stay and fight or run away like the rest of the town?

Continue reading: High Noon (2000) Review