David Klass

David Klass

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Emperor Review


OK

An attempt to spice up a true story with fictional characters and events leaves this film feeling artificial. And it doesn't help that the two likeable lead actors never quite crack the surface. But this is still a fascinating moment in history, and the film captures a strong sense of the setting as well as the importance of this urgent meeting of two cultures.

It takes place in August 1945, just after Japan surrenders to the Americans. General MacArthur (Jones) is now charged with determining whether Emperor Hirohito (Kataoka) should be tried for war crimes. So he assigns General Fellers (Fox) to define Hirohito's role. Fellers has experience with Japanese culture: he lived there before the war and fell in love with university student Aya (Hatsune). But he never knew what happened to her, so in addition to working with his translator Takahashi (Haneda) to meet with various wartime officials, he also looks for news about Aya.

There's something fishy about this whole Aya business right from the start, as we doubt that such a high-ranking military officer, charged with such a vitally important task, would spend so much time on his own personal search. We also never really care about Fellers' feelings for Aya, so nothing about this plot-thread and its gauzy flashbacks feels realistic. And sure enough, a bit of research reveals that it's complete fiction. The far more interesting relationship here is between Fellers and Takahashi, which is played with intriguing texture by Fox and especially Haneda but is never properly explored on-screen.

Continue reading: Emperor Review

Desperate Measures Review


Grim
Michael Keaton as a serial killer? Well, why not, I guess. He was the original Batman, after all. But Michael Keaton as a serial killer who happens to be the only man alive whose DNA matches the son of the cop who busted him and needs some kind of transplant? Er, someone needs to go back to reality school.

Walking Tall (2004) Review


OK
Ironically, Walking Tall runs short. Credits included, the testosterone opera two-fists its way through 77 sweat-soaked minutes, and it's just enough. You won't be hungry for seconds by the time the last baddie hits the floor, but you won't be checking your watch repeatedly, either.

Let's not sugarcoat it. Tall remains a one-note genre picture specifically tailored to its shining star - The Rock. For what it is, though, Tall is quite good. It has fun with its limitations. It boasts strong fight choreography and interesting direction by Kevin Bray, who keeps the spotlight on its charismatic and camera-friendly leading man.

Continue reading: Walking Tall (2004) Review

David Klass

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