Continue reading: Mesmer Review
Maybe I over-hyped it in my mind, becoming too hopeful in the face of overwhelming praise for the film. Or maybe I know Egoyan's tricks too well by now. Either way, I left the film extremely pleased but depressed: partly because the movie is such a downer, and partly because I know Egoyan can do even better.
Continue reading: The Sweet Hereafter Review
The action in Exotica jumps from one character to another, from location to location, and back into Brown's past occasionally, teasing the viewer with bits of information about how these people's lives are eventually going to gel into a cohesive story. As the story progresses, there are plenty of blanks left for the viewer to fill in as the action springs around. The seamless editing makes this seem natural, albeit a bit overdone at times, but eventually it all comes together to make perfect sense in the end.
Continue reading: Exotica Review
In 1947, Dalton (Bryan Cranston) is the film industry's top-paid screenwriter, so of course the House Un-American Activities Commission goes after...
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This lively romp is entertaining enough to amuse the audience even when it veers off the rails.