David Hedison

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David Hedison Saturday 24th November 2012 Memorabilia Birmingham: The Ultimate Collectors Show at the NEC

David Hedison

David Hedison Saturday 17th October 2009 Big Apple Comic Con 2009 at Pier 94 New York City, USA

David Hedison

David Hedison and Roger Moore - David Hedison, Roger Moore and Christina 'Kiki' Tholstrup Thursday 11th October 2007 at Star On The Hollywood Walk Of Fame Hollywood, California

David Hedison and Roger Moore
David Hedison and Roger Moore

David Hedison and Roger Moore - David Hedison and Roger Moore Thursday 11th October 2007 at Star On The Hollywood Walk Of Fame Hollywood, California

David Hedison and Roger Moore
David Hedison
David Hedison and Roger Moore
David Hedison and Roger Moore
David Hedison and Roger Moore
David Hedison

Licence To Kill Review


Bad
Timothy Dalton's second (and final) Bond outing is mainly memorable for nothing in the film itself. The title, Licence to Kill, was a change from the original Bond story, Licence Revoked, when it was revealed that a large percentage of Americans didn't know what "revoked" meant. And then there was the issue of whether to spell the first word "licence" or "license." Ultimately less was said about the film, which is one of the least successful Bond movies ever at the box office, especially in adjusted dollars. The problem? The story isn't very Bond-like: He leaves MI-6 for most of the film to avenge best bud Felix Leiter's death at the hands of a drug kingpin while canoodling with Carey Lowell, a poor Bond girl choice if ever there was one. A cameo by Wayne Newton pushes the film into full-on kitsch, and many feared the series was dead after Licence's poor showing. It would be six years until the next film, GoldenEye, the longest period without a Bond release since the series began in 1963.

Aka License to Kill.

Continue reading: Licence To Kill Review

Live And Let Die Review


Very Good
A true guilty pleasure among Bond films. Who can forget a young Jane Seymour as Solitaire, a psychic held captive? Or Clifton James as Louisiana Sheriff Pepper, the most colorful character the Bond series has produced? Or Tee Hee and his mechanical arm? Or Geoffrey Holder (the voice of 7-UP) as the evil Baron Samedi? Or the best theme song ever (by Paul McCartney and Wings)? Certainly not me, though I had to be reminded that this was a Bond-gets-drug-smugglers story. But the early-'70s pop culture exudes throughout this flick. It's certainly a unique entry into the Bond oeuvre (not to mention the first appearance of Roger Moore.)

Continue reading: Live And Let Die Review

Live And Let Die Review


Very Good
A true guilty pleasure among Bond films. Who can forget a young Jane Seymour as Solitaire, a psychic held captive? Or Clifton James as Louisiana Sheriff Pepper, the most colorful character the Bond series has produced? Or Tee Hee and his mechanical arm? Or Geoffrey Holder (the voice of 7-UP) as the evil Baron Samedi? Or the best theme song ever (by Paul McCartney and Wings)? Certainly not me, though I had to be reminded that this was a Bond-gets-drug-smugglers story. But the early-'70s pop culture exudes throughout this flick. It's certainly a unique entry into the Bond oeuvre.
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