For anyone overtaken by Johnny Depp's recent filmography, the trailer for 'Black Mass' can serve as a great reminder that he is a phenomenal actor.
With the recent trailer release for 'Black Mass', it's clear to see why the world fell in love with Johnny Depp. A short clip within the trailer perfectly demonstrates the veteran actor's ability to switch at will between fun-loving and friendly, to nightmarishly monstrous, in a great acting showcase. And that creepy make-up job certainly helps.
Johnny Depp shows off his more villainous side in 'Black Mass'
In recent years, Johnny Depp has received a critical savaging, specifically for films like 'The Lone Ranger' and 'Transcendence', but this triumphant return to form may be just what he needs before launching into an 'Alice in Wonderland' sequel, and a fifth 'Pirates of the Caribbean' film.
Sometimes, the greatest hiding place is in plain sight. For twelve years from the mid-1990s, he was the FBI's second most wanted fugitive, behind Osama Bin Laden. Throughout the 1970s, he was an FBI informant, revealing information to bring down an Italian American crime family, and he was the brother of a US senator. But really, his informant years were to stop another family from invading his own turf. Whitey Bulger (Johnny Depp) was one of the most brutal and violent criminals in Boston, being the secret puppet master behind one of the most dangerous crime families in history.
Continue: Black Mass - First Look Trailer
David Harbour - A host of stars were snapped as they arrived for NBC/Universal's 72nd Annual Golden Globes after party. The party was sponsored in part by Chrysler, Hilton, and Qatar and was held at The Beverly Hilton Hotel in Beverly Hills, Los Angeles, California, United States - Monday 12th January 2015
Sheila Vand, David Harbour, Katherine Heigl, Adam Kaufman, Alfre Woodard, Cliff Chamberlain and Jennifer Salke - 'The Big Bash,' a fundraising party for Big Brothers Big Sisters of Greater Los Angeles (BBBSLA) - Arrivals at Beverly Hilton Hotel - Beverly Hills, California, United States - Friday 24th October 2014
Little more than a paint-by-numbers action thriller, it's anyone's guess why the filmmakers have bothered to make a connection with the 1980s TV series of the same name. Because this film bears almost no resemblance to it. Instead, this is a reunion of Denzel Washington and Antoine Fuqua, who last collaborated on the Oscar-winning Training Day. And since it's packed with brutal violence and questionable morality, that's clearly where this movie's roots truly lie.
Washington stars as Robert, a meek shelf-stacker at a DIY warehouse store in Boston. He can't sleep at night, so he heads to the local diner to read classic novels. That's where he meets Teri (Chloe Grace Moretz), a teen hooker who is having problems with her psychotic Russian pimp (David Meunier). Ever so quietly, and clearly relying on some external source of income, Robert goes about helping Teri secure a free future. But when he offers to settle her debts, the pimp and his thugs just laugh at him. So Robert mercilessly kills them all, drawing on his secret past as a black-ops agent. The problem is that this puts Robert at odds with the top Russian boss Teddy (Marton Csokas), who heads to Boston to get even.
In standard action movie tradition, Robert works his way right through the entire Russian mob, along the way cleaning up Boston's corrupt police force before the requisite final confrontation. His only distraction is a brief visit to his old CIA boss (Melissa Leo) and her husband (Bill Pullman) for a bit of moral support and added starry cameo value. Yes, there isn't much about this movie that doesn't feel concocted for the box office, which means that the story is both achingly predictable and littered with gaping plot-holes. And with Washington in the focal role, everyone else fades into the woodwork. Moretz is excellent but badly underused, while Csokas is never given much to do with his one-note villain.
Continue reading: The Equalizer Review
Although the plot isn't particularly original, a darkly internalised tone makes this low-key thriller oddly compelling. It may be the usual serial killer nastiness, but it also pays attention to earthier themes like morality and the futility of revenge. Meanwhile, Liam Neeson is able to combine his more recent action-hero persona with his serious acting chops this time. And writer-director Scott Frank infuses the film with moody grit, quietly subverting each cliche of the genre.
The action picks up eight years after Matt (Neeson) stopped drinking and quit the police force, following a shootout that went horribly wrong. It's now 1999, and New York is in the grip of Y2K paranoia. Matt is working as an unlicensed private detective who uses word-of-mouth to find clients. So Matt is intrigued when one of his 12-step friends (Boyd Holbrook) introduces his brother Kenny (Dan Stevens), a wealthy drug trafficker whose wife was kidnapped and then murdered even though he paid the ransom. As Matt digs into the case, he realises that the two killers (David Harbour and Adam David Thompson) have a left a string of similar victims in their wake, and that the murders are connected. Meanwhile, Matt takes in homeless teen TJ (Brian "Astro" Bradley), an observant kid who helps him work piece together the clues. And together they try to figure out where the killers will strike next.
This story unfolds with a remarkably gloomy tone, combining horrific violence with introspective drama. This mixture can feel rather jarring, especially as it wallows in the nastier side of human existence. Every character is tortured in more ways than one, with lost loves, physical afflictions and internal demons. Even the smaller side roles are packed with detail, including Olafur Darri Olafsson's creepy cemetery worker and Sebastian Roche's frazzled Russian mobster. All of this adds texture to the film, a welcome distraction from the grisly central plot, which is never played as a mystery, but rather as an inevitability.
Continue reading: A Walk Among the Tombstones Review
Director Antoine Fuqua (Training Day, Olympus Has Fallen) talks about what makes The Equalizer (Denzel Washington) different from other action movie heroes. The name comes from how he spends his days as a "regular Joe", but uses hand-to-hand combat in order to fight his way through legions of bad guys "levelling the playing field". Producer Todd Black (A Knight's Tale, The Pursuit of Happiness) goes on to explain The Equalizer's skill set. He uses impeccable awareness of his surroundings to manipulate his environment into a weapon - this leads to stunt coordinator Keith Woulard discussing Washington's desire to make the fight scenes "dirty and gritty, but he want[ed] it smart".
Continue: The Equalizer - Featurette and Clip