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Randy Quaid Suffers New Setback In Quest For Canadian Citizenship

Randy Quaid Heath Ledger David Carradine

US actor Randy Quaid suffered a new set back in his quest to assume Canadian citizenship, some two years after the actor said he had won his legal fight to remain in Canada.

According to CBC News, the Federal Refugee Protection Division have denied Quaid and his wife from assuming Canadian citizenship after the two fled their native America after allegedly being targeted by so-called Hollywood "star-whackers." With their latest rebuttal, Quaid and his wife have now made an appeal to the Canadian Federal Court, claiming that their lives are still in danager.

In their application for judicial review, obtained by CBC, the Oscar-nominated actor and his wife plead that they are victims of an "organised crime" organisation and their attempts to claim refuge in Canada should not be taken lightly. The statement obtained by CBC, also says, "The refugee claims should remain intact as should Evi and Randy Quaid's heads remain attached to their necks and it is their firm belief that their lives are at stake and being racketeered on."

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Corman's World: Exploits Of A Hollywood Rebel Review

An essential documentary for movie fans, this exploration of the work of iconic filmmaker Roger Corman revels in the joy of exploitation movies made on a minuscule budget with lashings of gore, explosions and nudity. It's a glowing portrait of a man who changed filmmaking forever.

Corman's 400 films have tapped into youth culture in ways that studios never could. This documentary traces his career with interviews and clips, but also explores his impact on the industry at large. Clearly, he's not only an important filmmaker, but he's also a genuinely nice man (at one point, Nicholson breaks down and cries while talking about him). We also get glimpses behind-the-scenes on 2010's hilarious-looking Dinoshark, proving that his filmmaking methods haven't changed much in nearly 60 years. And we discover that his favourite filmmakers include Bergman, Fellini and Truffaut, whose films he distributed in America.

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Corman's World Trailer

American director Roger Corman is one of the film industry's most influential directors. Born in 1926, he is best known for the numerous low budget B movies which he has directed. Not only is he influential to many of Hollywood's great directors, Corman has also launched the careers of William Shatner; Jack Nicholson and Robert De Niro, to name but a few.

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Crank: High Voltage Review

Jason Statham remains the most mysterious of action heroes. Sure, he's muscular and menacing, with a façade both funny and frightening. But take him away from all the bare-knuckled bedlam, and he's nothing but a ready ripped torso. In films like Death Race and The Transporter, he's often nothing more than a cut clothesline to hang stunts on. The same could be said for his work in the grand guilty pleasure Crank. As a man who must find the antidote to a poison he was purposely given, Statham was all adrenaline and attitude. Lionsgate hopes to continue the cult with the mandatory sequel High Voltage -- and you know what, it's a terrific sleazoid treat.

When last we saw Chev Chelios (Statham), the unstoppable hitman had seemingly survived a freefall from an airborne helicopter. Now, he's been kidnapped by Asian mobsters who want to harvest his vital organs. Chelios escapes, soon learning that he must keep the batteries managing his artificial heart charged while Doc Miles (Dwight Yoakam) tries to figure out a way to put the real one back in. Hoping to find his stolen body part, Chelios scours Los Angeles, running into old girlfriend Eve (Amy Smart), insane hooker Ria (Bai Ling), and various criminal types. It seems that all paths lead to a shady Chinese mobster named Poon Dong (David Carradine). In typical Chelios fashion, however, the way is fraught with cops, criminals, and some incredibly crazy circumstances.

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The Golden Boys Review

Daniel Adams' The Golden Boys has nothing to do with the Emmy-winning sitcom The Golden Girls (sorry, mom). In no way is it a masculine spin-off that replaces sassy-talking Bea Arthur, Betty White, and Rue McClanahan with Rip Torn, David Carradine, and Bruce Dern.

Yet there are similarities worth mentioning. Both rest on characters tolerating their "golden" years. And both offer television-sized entertainment.

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The Good Guys and the Bad Guys Review

Burt Kennedy's The Good Guys and the Bad Guys is the kind of western that's so tired and old that it has to rely on a phony jokiness to get through the clichés. Around 1969, there were a lot of those westerns to go around -- True Grit, There Was a Crooked Man, Butch Cassidy and the Sundance Kid, The War Wagon, and Kennedy's own Support Your Local Sheriff, which looks as if it were shot on the same cheap and generic western set as The Good Guys and the Bad Guys. Some of these westerns were elevated from their Cat Ballou foundation by actually not being westerns at all but, instead, interesting character studies (True Grit, Butch Cassidy) or more comedies than westerns (Support Your Local Sheriff).

But others just languished between the two extremes being neither one nor the other, in the end being nothing at all. Into this classification falls The Good Guys and the Bad Guys, a meaningless and harmless bit of flatulence that caused barely a ripple of interest in 1969, when critical sniffers where inhaling deeply of Peckinpah's The Wild Bunch.

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Picture - David Carradine West Hollywood, California, Tuesday 10th February 2009

David Carradine Tuesday 10th February 2009 'Polanski Unauthorized' Benefit Screening at Laemmle's Sunset 5 Theatre West Hollywood, California

David Carradine

Picture - David Carradine Los Angeles, California, Thursday 31st July 2008

David Carradine and Egyptian Theater Thursday 31st July 2008 Premiere of 'Hell Ride' at the Egyptian theater in Hollywood Los Angeles, California

David Carradine and Egyptian Theater

Ringers: Lord of the Fans Review

Every good geek franchise has a corresponding picture about its freaky fanatics. Star Trek has Trekkies (1 and 2), Star Wars has The Phandom Menace, and Lord of the Rings has Master of the Rings. Er, and this film, Ringers (a term I don't believe is actually used by anyone, but I guess it's less insulting than "lordies" or "ringies"), which feels more than a little late to the party.

Ringers isn't just a fun-poking exercise like most of its brethern. Primarily it's an exhaustive history of Lord of the Rings, from J.R.R. Tolkein's life and times through such curiosities as Leonard Nimoy's ballad of Bilbo Baggins (google it) to the animated attempts at making the books into movies in the 1970s and '80s. Sure, the fans are covered, in part, and there are a few gems among them. My favorites are the ones who claim to be really into Tolkein, yet show up at the film's "confessional" booth dressed as Klingons or, inexplicably, as Johnny Depp's character from Pirates of the Caribbean. This largely passes without comment: In fact, that's the movie's major failing. It's far too respectful -- fawning, really -- of the obsessed fan base of Lord of the Rings to be truly entertaining. Hell, Dominic Monaghan, who played one of the hobbits, narrates the thing with an air of something that approaches austerity.

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Bound For Glory Review

It sounds like a kickboxing movie, but Bound for Glory is actually based on Woody Guthrie's memiors of the same title. David Carradine plays Guthrie as he rambles and strums and rambles some more, all the way through the dusty Depression in search of stardom. Lots of travelin'. And on and on for about 2 1/2 hours. Bound for Glory doesn't have so much a story as it does a series of vignettes between bouts of Carradine strumming Guthrie's signature tunes. Hope you like folk music, because there isn't much variety to be found among his music. Neither is there much variety in the scenery (though the film won an Oscar for cinematography): just one dust cloud after another, as we ramble across the country. Hell, the didn't call it the "Depression" for nothing. Check out The Grapes of Wrath for a far more interesting and dramatic look at the past.

Kill Bill: Volume 2 Review

Editor's Note: Last year I let Sean O'Connell and Jeremiah Kipp go at it -- Tarantino style -- over the merits of Kill Bill: Volume 1. The results were classic: O'Connell loved it, Kipp despised it. With the second installment of the highly-anticipated flick, the tables are turned. Now O'Connell's got his blade sharpened, and while Kipp is hardly a convert, he at least has a few kind words for the movie. Ladies and gentlemen, enjoy round two of this battle royale!

Sean O'Connell: "the thrill has been completely abandoned"Movie geeks love comparing Quentin Tarantino's work to that of other celebrated directors, but the maverick filmmaker mostly reminds me of burned-out monster rockers Guns N' Roses.

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Death Race 2000 Review

Never mind the pedestrian roadkill. You won't find another film featuring a fistfight between David Carradine and Sylvester Stallone. Er, I don't think, anyway.

Roger Corman's cult classic sends competitors in a dystopic future on a Cannonball Run-style cross-country race, but you get bonus points for killing men, women, and children along the way. Never mind that there's only one survivor by the end (and thus, the scoring is irrelevant), the fun's in the getting there.

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