David Ayer Page 3

David Ayer

David Ayer Quick Links

News Pictures Video Film Footage Quotes RSS

Fans And Critics Have An Epic Clash Before A Blockbuster Release


David Ayer

They may not have seen the film yet, but they were tired of critics slating their beloved universe after not-so-nice reviews for Batman v Superman: Dawn of Justice earlier this year. On the aggregate site Rotten Tomatoes, both Batman v Superman and Suicide Squad share a weak 27% favourability rating among critics. So one fan went so far as to set up a petition to shut Rotten Tomatoes down because of the "unjust bad reviews". From Egypt, Abdullah Coldwater says the aim of his petition is to "deliver a message to the critics that there is a lot of people who disagree with their reviews", even though none of the fans had seen the movie yet. Neither had most critics.

Suicide Squad Poster

Suicide Squad's writer-director David Ayer responded to the kerfuffle by quoting the Mexican revolutionary Emiliano Zapata on Twitter: "I'd rather die on my feet than live on my knees." In a follow-up tweet, Ayer went on to explain: "Zapata quote is my way of saying I love the movie and believe in it. Made it for the fans. Best experience of my life."

Continue reading: Fans And Critics Have An Epic Clash Before A Blockbuster Release

Suicide Squad Review

OK

DC Comics' villains team up for an overcrowded action movie that never quite finds its tone. Writer-director David Ayer takes a serious approach to an absurd premise, while the actors inject sparks of bitter humour. But with a thin plot and characters that are only superficially developed, the film struggles to grab hold of the audience. At least there's plenty of whizzy action mayhem.

With everyone worried that the next Superman might turn out to be a terrorist, government agent Amanda (Viola Davis) has a crazy idea to turn the most violent criminals in prison into an elite black ops team. These include gruff marksman Deadshot (Will Smith), mentally unstable sexpot Harley Quinn (Margot Robbie), archaeologist-turned-enchantress June (Cara Delevingne), Aussie killer Boomerang (Courtney), fire-maker Diablo (Jay Hernandez), swordswoman Katana (Karen Fukuhara) and man-monster Croc (Adewale Akinnuoye-Agbaje). Each of these psychos has a personal weakness Amanda and team leader Rick (Joel Kinnaman) plan to leverage to keep them under control. Meanwhile, Harley's main squeeze Joker (Jared Leto) is trying to help her escape. Oh, and a meta-human wants to decimate humanity.

Ayer introduces each character with his or her own mini-montage, including snippets of back-story and cameos from the likes of Batman (Ben Affleck). These flashbacks continue throughout the movie, stirring emotion into various characters' decision-making processes. But that's about it as far as depth goes, and the script never imagines anything more original than pining after a lost love, missing a child or feeling guilty about past mistakes. While this adds a bit of interest, it never generates any proper connections, either between the characters or with the audience.

Continue reading: Suicide Squad Review

Petition Launched To Shut Down Review Aggregation Site After 'Suicide Squad' Bombs


David Ayer

A petition is circling the web right now in support of 'Suicide Squad', campaigning to get review aggregator Rotten Tomatoes taken down for giving DC films 'unjust bad reviews' in the wake of the critics' verdict on David Ayer's hugely anticipated new movie starring Margot Robbie, Jared Leto and Will Smith.

Suicide SquadSuicide Squad doesn't do well with the critics

Rotten Tomatoes have calculated the percentage of positive reviews for 'Suicide Squad' at just 35% on their Tomatometer, and while they are to reveal the Audience Score, they say that 98% of website users want to see the movie. 

Continue reading: Petition Launched To Shut Down Review Aggregation Site After 'Suicide Squad' Bombs

Suicide Squad Trailer


When there's nowhere left to turn, the bad guys might just turn out to be your only option. Amanda Waller is the leader of a task force who keeps on losing members of her team, she comes up with an idea to form a specialised task force formed with some of the most dangerous criminals that are currently in jail.

Continue: Suicide Squad Trailer

Suicide Squad Cast: Tom Hardy, Will Smith, Jared Leto Announced


Will Smith Tom Hardy Margot Robbie Jai Courtney Cara Delevingne David Ayer

Will Smith, Tom Hardy, Jared Leto, Margot Robbie, Jai Courtney and Cara Delevingne have been announced as the primary cast members for the DC Comics supervillain movie Suicide Squad. Leto is set to play Batman's fearsome rival The Joker, while Smith will play Deadshot. The gang will be helmed by Hardy's Rick Flag.

Will SmithWill Smith heads the cast for Warner Bros' Suicide Squad movie

Elsewhere, Wolf of Wall Street actress Margot Robbie will play The Joker's accomplice Harley Quinn, whole Jai Courtney will take on the role of Boomerage. British supermodel Delevigne - who was rumored to be playing Quinn after a Halloween post on Instagram - will play Enchantress.

Continue reading: Suicide Squad Cast: Tom Hardy, Will Smith, Jared Leto Announced

Is Brad Pitt's 'Fury' Too Violent?


Brad Pitt David Ayer David Fincher Keanu Reeves

It was undoubtedly the star pulling power of Brad Pitt that helped David Ayer's World War II drama Fury accelerate past Gone Girl to the top of the box-office this weekend. Pitt and his tank buddies took $23.5 million in ticket sales to finish at No.1, whilst David Fincher's mystery thriller took a creditable $17.8 million to drop to second place.

Fury'Fury' is said to be one of the most violent movies of the year

In third place was Fox's animated feature The Book of Life, which took $17 million, and Disney's Alexander and the Terrible, Horrible, No Good Very Bad Day took $12 million. 

Continue reading: Is Brad Pitt's 'Fury' Too Violent?

David Ayer's Gory Portrayal Of WWII Psychosis "Fury" Is Making A Killing In Reviews


Brad Pitt David Ayer

It’s a mixed bag for Brad Pitt’s latest production, Fury, after the tense war movie went on the chopping block of reviewers. The WWII historical drama currently holds a 76% “fresh” rating on Rotten Tomatoes and many reviewers have been quick to praise its depth and raw depiction of wartime horrors. At the same time, it’s exactly the type of movie you’d expect to see from Pitt and director David Ayer. As The LA Times’ Kenneth Turan puts it, “the five-person cross-section-of-humanity tank crew headed by Pitt's Sgt. Don Collier, a.k.a. Wardaddy, fits squarely into familiar Hollywood models involving men doing what men have to do because no one's going to do it but them.”

Brad Pitt
Fury offers a disturbing new take on an old and familiar theme.

Meanwhile, this concern with codes of masculine behavior fits squarely into the preoccupations of filmmaker Ayer, who wrote and directed the LAPD drama End of Watch. The Wall Street Journal’s John Anderson pegs Brad Pitt’s Wardaddy as “violently out-of-type” for the actor.

Continue reading: David Ayer's Gory Portrayal Of WWII Psychosis "Fury" Is Making A Killing In Reviews

Video - David Ayer And Various Celebrities Pile Into The Premiere Of 'Fury' - Pt1


Almost everybody received a ticket to the New York premiere of 'Fury'. David Ayer, the film's director, snuck in almost unnoticed in the crowds. Jim Parrack, who appears in the film, was also there with his fiancé - 'Hunger Games' actress Leven Rambin.

Continue: Video - David Ayer And Various Celebrities Pile Into The Premiere Of 'Fury' - Pt1

It's No Classic, But Brad Pitt's 'Fury' Should Top Box-Office


Brad Pitt David Ayer David Fincher

It's safe to assume we all imagined Fury would probably be better than it is. Brad Pitt - playing a sort of version of his Inglorious Basterds character - teaming up with David Ayer, one of the world's most exciting directors, for a World War II epic. What's not to like? Well, it appears Ayer, who also penned the script, left too many clichés in there and not nearly enough drama. 

FuryBrad Pitt heads a stellar cast in David Ayer's World War II epic 'Fury'

This isn't a bad movie by any stretch - in fact, it's a pretty good war movie. It just won't trouble the Oscars voters. Fury cost around $68 million to produce and should take around $25 million from 3,155 locations this weekend. 

Continue reading: It's No Classic, But Brad Pitt's 'Fury' Should Top Box-Office

Fury - International Trailer and Featurette


During April, 1945, the final month of World War Two, the Allied Forces are making their final push into German territory. With the recent death of one of the crew of the tank, 'Fury', Norman (Logan Lerman) is inducted into the crew. The other members, 'Wardaddy' (Brad Pitt), 'Bible' (Shia LaBeouf), 'Gordo' (Michael Pena) and 'Coon-Ass' (Jon Bernthal) have been together for the entirety off the war so far, and desperately hope that the new recruit is ready to do his job. The film is brought to us by writer/director David Ayer ('Harsh Times' and 'End of Watch') and will be distributed by Columbia Pictures.

Continue: Fury - International Trailer and Featurette

Fury Trailer


Wardaddy is an army sergeant with years of experience in the horrors and victories of war. He's one of the most effective and most courageous war heroes America has to offer and, now commanding a Sherman tank named Fury with a group of just five soldiers, he must lead his men into a highly risky operation right on their enemies' doorstep. Not only has he and his boys got the threat of serious outnumbering ahead of them, but Wardaddy also has to tutor a terrified new recruit named Norman Ellison, who's less than okay with shooting down hundreds of men in a vehicle he has never used before. It's all about having each other's backs and keeping everyone motivated to keep on fighting, but when a platoon of three-hundred German soldiers strike out, it doesn't look like that will be enough to keep them alive.

Continue: Fury Trailer

Sabotage Review


Weak

Arnold Schwarzenegger gets one of his most complex roles yet in this messy, violent thriller, another trip to the dark side for filmmaker David Ayer. As in Training Day and End of Watch, Ayer is exploring that moral tipping point where the people charged with protecting society become a danger. But the formula sags badly in this sloppily written script, which relies on grotesque violence instead of a coherent plot.

Schwarzenegger plays Breacher, the head of an elite DEA squad that has just stolen $10m in drug-bust cash. But someone takes it from them, after which the team members start turning up murdered in increasingly vicious ways. So Breacher and his colleagues - hothead Monster (Sam Worthington), prickly Lizzy (Mireille Enos), beefy Grinder (Joe Manganiello), hotshot Next (Josh Holloway) and smoothie Sugar (Terrence Howard) - band together to find the killer. Meanwhile, two local Atlanta cops (Olivia Williams and Harold Perrineau) are also on the case, clashing with Breacher at every turn. And shadowy goons hired by a drug cartel are lying in wait.

For about two-thirds of the running time, this is actually an intriguing whodunit, complete with clues and red herrings, suspicions and surprises. There's also a sense of urgency, as we never know who's going to get it next. Although the escalating grisliness is hard to stomach (it even reduces seasoned cops to retching wrecks), as is a hint of unnecessary romance. Then when the truth is revealed, the whole movie collapses into utter nonsense, desperately straining for moral resonance but undermining its own point with gratuitous brutality.

Continue reading: Sabotage Review

Sabotage - Clips


John 'Breacher' Wharton is the head of a DEA Special Operations Team, well-known by authorities for their formidable skill at hunting down gang members, confiscating drugs and using firearms. However, despite their crime-stopping work, they don't always play by the rules themselves. After arresting a drug lord and retrieving large stashes of money, meth and cocaine, they reward themselves by stealing some of the confiscated drugs for a party. Unfortunately for them, someone has also decided to make off with $10 million and now their bosses have found out. Breacher, feeling guilty about the drug theft already, is forced to plead his innocence when he is the number one person suspected; although he didn't do it, he knows that he is probably working with the person that did. When two of his agents are killed following the theft, and his wife and child are kidnapped, he becomes fiercely determined to uncover the culprit.

Continue: Sabotage - Clips

Sabotage Trailer


John 'Breacher' Wharton is the leader of a DEA Special Operations Team who, although happen to be the most skilled in their field, don't exactly always play by the rules. In perhaps one of the biggest busts of their careers, they arrest a major cartel leader and uncover a hoard of meth, cocaine and a stack of millions of dollars, and subsequently wind up celebrating by sneaking away some of the drugs they confiscated. However, when the folks above them discover that $10 million has been stolen from the money they seized, John is forced to plead his innocence, though with the unnerving feeling that someone on his not-so-straight team is absolutely capable of doing just that. The theft leads to the brutal murder of two DEA agents and John must find out where the money has gone before another dies - however, the time he has is drastically shortened when the cartel kidnap his beloved wife and child.

'Sabotage' is the latest action-packed crime drama from director David Ayer ('End of Watch', 'The Fast and the Furious', 'Training Day') who co-wrote the screenplay with Skip Woods ('A Good Day to Die Hard', 'Swordfish', 'X-Men Origins: Wolverine'). It is set to hit movie theaters in the US on April 11th 2014.

Click here to read Sabotage movie review

Outrage Sparked Over 'Fury,' As Brad Pitt WW2 Film Refuses To Shut Down Filming On Remembrance Sunday


Brad Pitt David Ayer

The upcoming, Brad Pitt-starring World War II picture Fury has been filming in the quaint surroundings of the British countryside for a number of weeks already, running into difficulties of varying degrees at different periods throughout filming. Last month, they had to issue a warning to residents of a nearby village of Shirburn, after the local police received calls from concerned citizens upon hearing guns shots and pyrotechnical blasts. Weeks later, a stuntman was injured on set after being stabbed by a bayonet, however the latest hiccup might be the most damaging for the film yet.

Brad Pitt
Brad Pitt stars in Fury

On Remembrance Sunday (10 Nov.), Britain holds a moment of silence and a day of respect for the fallen soldiers who gave their lives for their country in warfare. It is a sensitive and respected tradition in Britain and one that holds a deep significance in British culture. Sadly, this means nothing to the director of Fury, who, despite knowing full well the importance of the date, decided to shoot war scenes and scenes including Nazi soldiers anyway.

Continue reading: Outrage Sparked Over 'Fury,' As Brad Pitt WW2 Film Refuses To Shut Down Filming On Remembrance Sunday

Brad Pitt's 'Fury' Faux Pas: Filming Nazi Scenes On Remembrance Sunday


Brad Pitt David Ayer Shia LaBeouf

Remembrance Sunday is primarily a day to mourn, commemorate and celebrate the efforts of solders in World War I, but that doesn’t totally excuse Brad Pitt and his WWII film Fury for filming Nazi scenes on November 11th.

Brad Pitt and Shia LaBeoufBrad Pitt and Shia LaBeouf film scenes for 'Fury.'

David Ayer is probably facing the biggest backlash; filming for his WWII tank epic kicked off at 4am this morning, with gunshots, explosions and a hundred extras dressed as both allied and Nazi forces rampaged through fields. And it’s not as though he wasn’t warned: emotional pleas to delay the filming during remembrance Sunday fell of deaf ears as Ayer pushed on with his schedule.

Continue reading: Brad Pitt's 'Fury' Faux Pas: Filming Nazi Scenes On Remembrance Sunday

Brad Pitt's World War II Movie 'Fury': Everything You Need To Know


Brad Pitt Shia LaBeouf David Ayer Scott Eastwood Logan Lerman

A stuntman on Brad Pitt's World War II movie Fury was stabbed in the shoulder with a bayonet and air lifted to hospital in Oxford this week. The 35-year-old was accidentally injured during a rehearsal at the movie's set in Pyrton, Oxfordshire. Not familiar with this movie? Read our 'Everything you need to know about Fury'

Earlier this month, a letter was sent to residents in the community on behalf of Pinewood Studios, warning them to expect "intermittent controlled gunfire and explosives" during the shoot for the movie.

A spokesman for the movie confirmed the stabbing happened as two stuntmen were filming at a converted farm.

Continue reading: Brad Pitt's World War II Movie 'Fury': Everything You Need To Know

Brad Pitt & Shia LaBeouf Get Cosy In The Woods On Camping Trip


Brad Pitt Shia LaBeouf David Ayer Logan Lerman

Actors Brad Pitt and Shia LaBeouf have spent some man-to-man time in an English woodland as a rather unique bonding exercise dreamed up by David Ayer, director of the WWII movie they're currently filming, reveals a source speaking to Us Magazine.

Brad Pitt
Brad & Others Were Left To Fend For Themselves In The English Woods.

The actors were also joined by other members of the Fury cast who will play a close-knot group of soldiers in the upcoming movie, including Logan Lerman, 21, Jon Bernthal, 37, and Kevin Vance. "They play soldiers in the same World War II troop and the director wanted to make sure they bonded. So he dropped them in the wilderness - without their cellphones!" said the source.

Continue reading: Brad Pitt & Shia LaBeouf Get Cosy In The Woods On Camping Trip

World War Z Sequel In The Works After Brad Pitt Pulls In $118 Million


Brad Pitt David Ayer

A sequel to Brad Pitt's zombie apocalypse movie World War Z is in the works after audiences flocked to the theaters to record a $118 million worldwide opening. Paramount's studio vice chairman Rob Moore tells the Hollywood Reporter that the company will actively turn to developing a sequel, with a franchise now a distinct possibility.

Nobody expected World War Z to become the best opening for an original live-action tentpole since Avatar, though Brad Pitt's movie pulled in strong reviews and even bigger box-office numbers. It earned $66 million in North America and a further $45.8 million from its first 25 foreign markets. 

Though initially envisioned as a trilogy, the movie ran into troubles and required it to be extensively reshot. Initially set to open in December 2012, the movie's release date was pushed back to June with many expecting one of the biggest flops in movie history. A huge $190 million budget was enough to make everyone nervous - including Brad Pitt - though the early reviews were positive. 

Continue reading: World War Z Sequel In The Works After Brad Pitt Pulls In $118 Million

End Of Watch Review


Excellent

A strong sense of camaraderie sets this edgy police thriller apart from the crowd. And it's also a change of direction for writer-director David Ayer, who has explored the dark side of police corruption in Training Day, Harsh Times and Street Kings. But this film focusses instead on two good-guy cops just trying to do their job and have happy private lives.

On the gritty streets of Los Angeles, officers Taylor and Zavala (Gyllenhaal and Pena) continually make important arrests, which really annoys their serious-minded colleague Van Hauser (Harbour) because they're usually joking around as well. But their captain (Grillo) is slowly starting to respect their work. Meanwhile, their loyal partnership in the streets spills over into their private lives, and they lend support to each other as Taylor falls in love with Janet (Kendrick) and Zavala's wife (Martinez) gives birth to their first child. On the other hand, a Mexican cartel boss has just put a price on their heads after they busted his operation.

Ayer shoots the film like a fly-on-the-wall doc, with hand-held cameras capturing each scene. Sometimes the shaky imagery is a bit distracting since it has nothing to do with the plot, but it encourages the cast to deliver offhanded, bristly performances that build our interest during the nicely meandering first half. Then things shift drastically as a major plot kicks into gear that involves what the cops call the three food groups: drugs, money and guns.

Continue reading: End Of Watch Review

Gyllenhaal’s ‘End Of Watch’ Comes From Nowhere To Top Box Office


Jake Gyllenhaal Michael Pena Clint Eastwood David Ayer Jennifer Lawrence George Clooney

Jake Gyllenhaal’s ‘End of Watch’ came from nowhere to top the U.S box office, though it was another disappointing week for the movie industry. The Los Angeles cop tale – also starring Michael Pena debuted with $13.2 million to finish at No.1, according to the Associated Press.

Gyllenhaal’s latest movie had been neck-and-neck with Jennifer Lawrence’s horror film ‘House of the End of the Street’ and Clint Eastwood’s ‘Trouble With the Curve’, though powered ahead on Sunday. Eastwood’s recent appearance at the Republican National Convention probably did little to help the baseball flick’s chances – his speech was roundly mocked online, though the film also received lukewarm reviews, at best. The box office result is great news for Gyllenhaal, director David Ayer and Open Road Films, who made the police drama for just $7 million. It follows two Los Angeles Police Department officers who work in South Central L.A and was lauded by critics. The New York Times called it, “a muscular, maddening exploitation movie embellished with art-house style and anchored by solid performances.”

Despite End Of Watch’s success, the U.S. box office continues to slow dramatically. To put the latest figures into perspective – on the same weekend in 2010, George Clooney’s ‘The American’ also took $13 million, though it was only good enough for sixth place.


End Of Watch Trailer


Two loyal LA police officers Taylor and Zavala patrol the city's streets arresting drug dealers and gang members, protecting each other's backs and each other's families. The story is told through a series of amateur film footage apparently from police officers, criminals, civilians and surveillance cameras to provide a uniquely accurate depiction of the city's dangers and its cops.

Continue: End Of Watch Trailer

Street Kings Review


Good
Cops countermanding the law, using the close-knit nature of their badge to secretly settle scores on the street, have long since become a cinematic cliché. The police have gone from donut-munching jokes to felons in blue and black finery. From the decent beat officer taking bribes to buffer his paycheck, to the undercover operative in so deep he no longer remembers what side of society he's on, "to protect and serve" has been modified -- at least in the movies -- to "pervert and steal." Street Kings, the latest motion picture inspired by a story from James Ellroy (L.A. Confidential), dabbles freely in this kind of corrupt no man's land, and for the most part, it's a thrilling journey.

Alcoholic police detective Todd Ludlow (Keanu Reeves) has just finished wrapping up a notorious kidnapping case when Captain Jack Wander (Forest Whittaker) gives him the bad news. His ex-partner Terrence Washington (Terry Crews) is talking to Internal Affairs, and bureau head Captain James Biggs (Hugh Laurie) is looking to take Ludlow down. Before he can intimidate his former friend into not snitching, a pair of gang bangers kill him. Desperate to clear his own name in the death, Ludlow begins to investigate. Soon, he's linking the crime to a couple of local drug dealers who seem incapable of committing the hit. With Wander on his side and Biggs on his back, it will take all the street savvy he has to solve the case -- that is, if someone doesn't try and permanently stop him too.

Continue reading: Street Kings Review

Harsh Times Review


OK
Maybe I am simply not male enough to grasp the full appeal of the seedier parts of Los Angeles, but something about the great cruel fraternity of violence and honor and drugs proves irresistible to bullish young filmmakers. In Harsh Times, the latest film to make South Central L.A. its playground, screenwriter and first-time director David Ayer once again falls victim to these terribly masculine charms.

Jim (Christian Bale) is a vet of the first Gulf War, haunted by trippy dreams of the things he saw and did over there, and hanging on by the thinnest thread now that he's back. He talks a good game about the good times just ahead, when he will get a job with the LAPD, marry his Mexican girlfriend, and bring her across the border. In the meantime, with no job coming through, he spends his days tooling around South Central with his best friend Mike (Freddy Rodriguez), sucking down astounding quantities of beer and running petty schemes to get money, drugs, and tail.

Continue reading: Harsh Times Review

Harsh Times Review


OK
Maybe I am simply not male enough to grasp the full appeal of the seedier parts of Los Angeles, but something about the great cruel fraternity of violence and honor and drugs proves irresistible to bullish young filmmakers. In Harsh Times, the latest film to make South Central L.A. its playground, screenwriter and first-time director David Ayer once again falls victim to these terribly masculine charms.

Jim (Christian Bale) is a vet of the first Gulf War, haunted by trippy dreams of the things he saw and did over there, and hanging on by the thinnest thread now that he's back. He talks a good game about the good times just ahead, when he will get a job with the LAPD, marry his Mexican girlfriend, and bring her across the border. In the meantime, with no job coming through, he spends his days tooling around South Central with his best friend Mike (Freddy Rodriguez), sucking down astounding quantities of beer and running petty schemes to get money, drugs, and tail.

Continue reading: Harsh Times Review

The Fast And The Furious Review


OK
Fast cars, scantily clad women, bare-knuckle brawls, and guns, guns, guns!

What more could be expected from a guilty pleasure-ridden American popcorn movie like The Fast and the Furious. Nothing of substance or intelligence is ever really expected from a summer movie, much less when that movie bears a title akin to a bad porno flick. The Fast and the Furious was exactly how I felt leaving the theater: Hightailing it back home, furious at how quickly the movie fell apart. I mean, how the hell could you screw up something as slam-dunk-awesome as souped-up performance cars amidst the illegal street racing subculture of the L.A. Basin?

Continue reading: The Fast And The Furious Review

U-571 Review


Good
It's finally time to reassess the submarine movie to see if it's outlived its useful life. I was skeptical enough when Crimson Tide came out in 1995, feeling like a knockoff of The Hunt for Red October, itself an homage to Das Boot, it something of an homage to Run Silent, Run Deep. They even made Down Periscope, which four years of therapy have not helped me to forget.

U-571 takes the Das Boot path, starring a dozen of the sweatiest men in Hollywood (the makeup department working overtime on this one), all led by everyone's favorite naked bongo player, Matthew McConaughey. Loosely based on real events, U-571 involves a WWII mission to capture a German Enigma encryption device from a sinking German submarine adrift in the middle of the Atlantic. Skipper Bill Paxton and his 2nd in charge McConaughey hop to the task, dressing up their wreck of a sub to look just like a German U-boat. One guy on the crew speaks German, so there shouldn't be a problem in posing as a rescue ship, right?

Continue reading: U-571 Review

Dark Blue Review


Weak
Call it L.A. Confidential lite. In Ron Shelton's derivative new police corruption drama - adapted from a story by Confidential scribe James Ellroy - Kurt Russell stars as Sgt. Eldon Perry Jr., a self-professed gunslinger who sees himself as a noble warrior charged with cleaning up his beloved city's streets. A member of the LAPD's elite Special Investigations Squad, he's the kind of guy who freely expounds on the depravity of L.A.'s lower classes with a barrage of bigoted epithets, and feels no pangs of conscience when gunning down unarmed suspects in back alleys. According to Perry's tunnel vision logic, a criminal is a criminal, and worrying about the vague, inconsequential differences between each one is not only a waste of time, but a disservice to the community he's trying to save.

Unfortunately for Perry, it's April 1992, and not a very good time to be an arrogant, white LAPD officer. The Rodney King trial has set L.A. on the precipice of Armageddon, and the verdict - to be announced imminently - has become the focal point for a metropolis simmering with class and racial tension. Perry, however, has more pressing matters to worry about. His partner, a wet-behind-the-ears rookie named Bobby Keough (played with baby-faced blankness by ex-Felicity hunk Scott Speedman), has screwed up an arrest, and Perry - always looking to back up a fellow brother in blue - has killed the defenseless perp (with Keough's gun) rather than letting him escape. The film begins with both officers knee-deep into lying their way through an eight-hour inquiry, since Perry has decided that his incompetent protégé should take the heat for the killing anyway. As far as Perry is concerned, one's first shooting inquiry is a right of passage - a baptism into an immoral system that's primarily sworn to protect and serve its own members.

Continue reading: Dark Blue Review

The Fast And The Furious Review


OK
Fast cars, scantily clad women, bare-knuckle brawls, and guns, guns, guns!

What more could be expected from a guilty pleasure-ridden American popcorn movie like The Fast and the Furious. Nothing of substance or intelligence is ever really expected from a summer movie, much less when that movie bears a title akin to a bad porno flick. The Fast and the Furious was exactly how I felt leaving the theater: Hightailing it back home, furious at how quickly the movie fell apart. I mean, how the hell could you screw up something as slam-dunk-awesome as souped-up performance cars amidst the illegal street racing subculture of the L.A. Basin?

Continue reading: The Fast And The Furious Review

Training Day Review


Extraordinary
How will the tragic events of September 11, 2001 influence violent movies? The box office results of Training Day should answer that question. Warner Bros. did postpone the film's release date for two weeks, but is that enough time for audiences to be ready for such a brutally violent movie?

I think so, although this is a time where audiences may seek romantic comedies over disturbing, awakening dramas. I screened two movies today, this and the juvenile Max Keeble's Big Move. The theater was twice as full for Max than Training Day, which proves that people want uplifting comedies right now. If you're one of those people, Training Day is definitely not for you.

Continue reading: Training Day Review

David Ayer

David Ayer Quick Links

News Pictures Video Film Footage Quotes RSS
Advertisement

Occupation

Filmmaker


David Ayer Movies

Suicide Squad Movie Review

Suicide Squad Movie Review

DC Comics' villains team up for an overcrowded action movie that never quite finds its...

Suicide Squad Trailer

Suicide Squad Trailer

The Suicide Squad was formed by Amanda Waller, the head of Belle Reve Penitentiary and...

Suicide Squad Trailer

Suicide Squad Trailer

When there's nowhere left to turn, the bad guys might just turn out to be...

Advertisement
Suicide Squad - Comic Con First Look Trailer

Suicide Squad - Comic Con First Look Trailer

Is it really wise to trust your most dangerous sworn enemies? Sometimes you have little...

Fury Movie Review

Fury Movie Review

From Training Day to this year's Sabotage, filmmaker David Ayer writes and directs movies about...

Fury - Featurette and International Trailer  Trailer

Fury - Featurette and International Trailer Trailer

During April, 1945, the final month of World War Two, the Allied Forces are making...

Fury Trailer

Fury Trailer

Wardaddy is an army sergeant with years of experience in the horrors and victories of...

Sabotage Movie Review

Sabotage Movie Review

Arnold Schwarzenegger gets one of his most complex roles yet in this messy, violent thriller,...

Sabotage Trailer

Sabotage Trailer

John 'Breacher' Wharton is the head of a DEA Special Operations Team, well-known by authorities...

Artists
Actors
    Filmmakers
      Artists
      Bands
        Musicians
          Artists
          Celebrities
             
              Artists
              Interviews
                musicians & bands in the news
                  actors & filmmakers in the news
                    celebrities in the news

                      Go Back in Time using our News archive to see what happened on a particular day in the past.