The setup is straight out of a '60s sitcom: Harold Fine (Sellers) is a stuffy lawyer. He re-encounters his dippy hippie brother Herbie (David Arkin) to take him to a funeral, and is immediately disgusted by his free-living ways. But when Herbie's pal Nancy (Leigh Taylor-Young) concocts a batch of pot brownies, Harold suddenly goes nuts for the hippie life. He turns his apartment into a love shrine, where he and Nancy can, well, eat a lot of pot brownies. Will he tire of this in the end and go back to his wife-to-be (whom he left at the altar to head off with Nancy)? Who cares?
Continue reading: I Love You, Alice B. Toklas! Review
M*A*S*H isn't just the most successful translation from film to TV show of all time, it's also a masterful movie in its own rite. Maybe Robert Altman's best work (and his first movie of any serious note), though he's barely associated with the film in the popular consciousness now.
Continue reading: M*A*S*H Review
Possibly the most celebrated film of the 1970s -- at least among film snob circles -- Robert Altman's sprawling case study of five days in the Tennessee city is self-absorbed, overwrought, and dismissive. Nor is it particularly well-made, with poor sound (even after being remastered for its DVD release) and washed-out photography, not to mention a running time (2:40) that's at least an hour too long.
Continue reading: Nashville Review