Campy-revamp remakes and Nicole Kidman just don't mix.
But the problem is not the actress's performances. Sheadded bite and ironic melodiousness to last year's slapdash, self-destructing"TheStepford Wives," and she keeps the newself-aware, big-screen version of "Bewitched" afloat with herdelightful spark of perky naivete as a witch trying to live a mortal life.She has a deftly silly sense of comedic balance and timing.
The problem is, when she's just looking to have some funbetween dramatic roles, the girl can't pick a script.
Like "The Stepford Wives," this new comedy isa mess at the screenplay level. It changes mood, direction and (like "Wives")the rules of its own reality in every other scene. The plot is sloppy andstructurally unsound. Fictional characters from the original "Bewitched"come to life in single scenes for no explored reason ("The Daily Show's"Steve Carell is bloody awful as queeny Uncle Arthur) -- and this happenseven though the bulk of the meta-cinema plot takes place in real-worldHollywood. You see, Kidman plays an actual witch who becomes an actressand gets cast as TV sorceress Samantha Stevens in a network remake of thetitular 1960s sitcom.
Continue reading: Bewitched Review