Amy enjoys her life in the big city with her comfortable apartment, wacky friends and driven job as a reporter for a men's magazine. As a young girl, her parents sadly divorced, and her father wasted no time in drumming into her that a lifelong partnership with just one person left much to be desired. So she's certainly taking her father's words literally and seems to enjoy the company of a different man every night (though never the full night); it's a life that she has no plans to change any time soon. However, something shifts in her consciousness when she meets sports doctor Aaron Connors on whom she's been commissioned to write an article. The pair hit it off right away, but after their first night together, Amy's left wondering if ending it there is really the best thing to do. It feels weird to carry on seeing someone after she's slept with them, but at the same time, she can't remember the last time she had so much fun.
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When one reviews a Kennedy movie, a critic rarely thinks about Kennedy sitting on the other side of that review, reading your comments and perhaps reacting emotionally to them. Who would've thought that, deep inside, Kennedy was the proverbial clown that cried.
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Despite Harold being remarkably amateurish, the concept is there, as you'd expect from a long-time Saturday Night Live veteran like director/co-writer T. Sean Shannon. A teenage kid named Harold has a bizarre case of early baldness and an attitude to match. He dresses horribly, walks with a hunched, old-man shuffle, and loves Murder, She Wrote. He's a cranky version of 14 Going on 74.
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Add this guy to your playlist ASAP.
Phildel has gone back a step, in terms of her musical compositions, and returned to a style more reminiscent of her debut album with her latest...
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Injury Reserve have spent the last few years rising to the top of underground hip-hop and becoming one of the most exciting acts in the whole genre.