Critics' reviews of Showtime's latest drama series 'Ray Donovan' suggest, if it continues in the same vein as its first four episodes, it will prove popular and highly successful.
Early reviews for Showtime's latest series Ray Donovan have been extremely favourable. Critics have said this latest offering is 'testosterone' filled, 'muscular' and with great performances by Liev Schreiber and Jon Voight.
Liev Schreiber plays Ray Donavan, a man who does the dirty work of the rich and famous. The first series centres around his antics with the L.A. elite and his relationship with his wayward father Mickey Donovan. Mickey has an equally shady past as he has recently been released from prison. Jon Voight plays Mickey and his performance has been praised with Ed Bark saying it is Voight "who gives this drama its ferocious, dangerous and sometimes creepy edge" (Ed Bark of Uncle Barky).
Liev Shreiber at the Ray Donavon premiere.
Pat Solitano has just come out of a mental institution where he was sent after a violent altercation with his wife's secret lover. Now he has lost his house, his job as a teacher, and his marriage is unsalvageable. He moves back in with his parents in order to build himself a life and make things up with his wife, but putting the past behind him isn't as easy as he'd hoped. He meets a woman called Tiffany who happens to be in a similar situation; she has also lost her job and her husband has passed away. The pair begin to get close as Tiffany promises to help him get back with his wife in return for him doing her a big favour. Both are still determinedly attached to their former spouses but their feelings betray them as their bond grows closer.
'Silver Linings Playbook' has been adapted from the comedy drama novel of the same name by Matthew Quick and directed and written by David O. Russell ('Three Kings', 'I Heart Huckabees', 'The Fighter'). It's a wonderful story of how the brightest things can come out of the darkest situations and will hit the UK on November 21st 2012.
Director: David O. Russell
Continue: Silver Linings Playbook Trailer
To make this man interesting requires a certain amount of style and attention to detail, two of many qualities lacking in Punisher: War Zone, the newest Punisher... well, "adventure" sounds too frolicsome, so let's say "incident." Like The Incredible Hulk, Punisher: War Zone ignores but doesn't quite contradict the events of its immediate predecessor; it's not a direct sequel to 2004's The Punisher, but at least allows the previous film to take care of the origin business.
Continue reading: Punisher: War Zone Review
This season's no different as we take the "field" for The Longshots. The film is inspired by the true story of Jasmine Plummer who, at age 11, became the first female to play for a Pop Warner football team. With Plummer at quarterback, the Harvey Colts of Illinois reached the 2003 national championships in Miami, Florida.
Continue reading: The Longshots Review
Waters dropped out of Hollywood for nearly a decade before reviving himself to write and direct the largely forgotten Happy Campers. After another six year hiatus he returned again with Sex and Death 101, which has the distinction of reuniting Waters with Heathers star Winona Ryder... who's been through her own travails, as well.
Continue reading: Sex And Death 101 Review
Because this old Dog is unwilling to learn a single new trick, the film follows a tired kid-meets-canine formula to the letter. Movie star Rexxx (played by a series of scruffy terriers) lives a life of luxury until, during a high-flying stunt, he parachutes into a small town and befriends Shane (Josh Hutcherson), the local troublemaker and son of fire chief Connor Fahey (Bruce Greenwood). A tacked on subplot involving a string of mysterious arson attacks provides no serious drama since the only two adults in the cast not wearing firefighting gear end up being the villains.
Continue reading: Firehouse Dog Review
Robert Downey Jr plays Harry Lockhart, a two-bit thief mistaken for an actor and flown out to Hollywood to star in a big-budget film. He's assigned a private eye named Gay Perry (Val Kilmer) to teach him how to act tough. His first night in town he meets Harmony (Michelle Monaghan), a childhood friend who's come to Tinseltown to make it as an actress. Soon all three find themselves involved in murder cases reminiscent of the detective novels with which Harry and Harmony grew up.
Continue reading: Kiss Kiss, Bang Bang Review
Closer to an update of West Side Story than anything else, what makes this rendition of the "two star-crossed lovers" saga stand out is dialogue which is largely faithful to the text set against a post-modern backdrop frighteningly reminiscent of Los Angeles. While it's a thrill to watch (if you can avoid a headache), it's maddeningly hard to follow and considerably self-conscious. Plus there's the issue of a soundtrack that's probably sold more copies than the film did tickets.... Will this version survive the test of time? Probably not, but it will forever stand out as an amazing and powerful experiment in filmmaking.
Continue reading: William Shakespeare's Romeo Juliet (1996) Review
How many more movies do we need about a rough neighborhood full of lifelong friends hopelessly turned to crime or worse? The enormous catalog of such movies might dissuade a filmmaker from making yet another, but here we have it. Again. Five Irish kids in NYC's Hell's Kitchen make an overemotional pact over some stolen rings on an anonymous rooftop. With teary music. And slow motion. In the film's first scene.
Continue reading: One Eyed King Review
"The Day After Tomorrow" isn't quite the disaster of a disaster flick I thought it would be.
Don't get me wrong -- it's bad in a way only $150-million movies with awe-inspiring special effects can be bad. It's riddled with nonsensical pseudo-science, saddled with supposedly brainy characters (climatologists, high-school science whizzes) who nonetheless haven't a scrap of common sense, and stuffed with stock characters designed for the kind of instant sympathy (or instant comic relief) that doesn't require actually giving them a personality.
But for popcorn munching and smart-remarking during a bargain matinee, it's a bad movie worth the price of admission.
Continue reading: The Day After Tomorrow Review
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