Jennifer Preston is a journalist hoping to get to the bottom of a tragic explosion that occurred in a nightclub on New Year's Eve a month previously; a disaster that killed over 230 people and caused toxic waste from an underground weapons facility to spread five square miles into the city. A large portion of the city is now under strict quarantine; no-one is allowed in or out. The only problem is, a strange phenomenon has taken a hold of those within the quarantine zone spreading horror and violence throughout. Preston and her bereaved detective friend Levis Mathis are determined to discover the root of the explosion, especially since the latter lost his daughter to the blast, but the authorities aren't prepared to help them. And time is running out as they begin to find themselves affected by the dark happenings.
Continue: Residue Trailer
In the palace of Versailles, a tremendous garden is maintained. One day, the builder and head gardener sees an ordinary woman arriving at the palace, and, throwing aside ideas of conformity, chooses to rearrange some of the garden into something that pleases her. He takes her on with the hopes of updating and adding some life to the traditional gardens, and steadily begins to fall for her. As she finds difficulty integrating into the high society that he is from, he ensures her that, in fact, she is envied by the upper classes for her newness. But when that envy turns into something more, the gardener will have to fight tooth and nail to maintain the garden, their love, and their lives.
Continue: A Little Chaos Trailer
A riveting performance from Tom Hardy makes this pseudo-thriller utterly riveting, turning even the most contrived plot elements into punchy drama. Like Robert Redford in All Is Lost or Sandra Bullock in Gravity, this one-person show also works as an intriguing cinematic experiment: telling an entire story centred only on a man driving a car for 90 minutes.
Hardy plays construction foreman Ivan Locke, who's set to oversee the biggest concrete pour in Europe. But at the crucial moment, he abandons his post and hits the road for a late-night drive from Birmingham to London. He turns his work responsibility over to his extremely nervous assistant (voiced by Andrew Scott), but has a tough time calming down the corporate bosses. He also phones his sons (Tom Holland and Bill Milner) to tell them he won't make it home to watch the big game, but he struggles to explain to his angry wife (Ruth Wilson) the reason he's driving to London to meet a middle-aged woman (Olivia Colman), who is also sounding rather stressed down the line.
As Hardy's character tries to salvage his marriage, family and career, his moral conundrum becomes increasingly intense, and Hardy plays him as a man whose internal turmoil is raging behind his confident voice. It's a remarkably effective performance, gripping and involving, asking big questions even if the script never quite gets around to grappling with the issues at hand. It's also playing rather heavily on the irony that doing the right thing is likely to cost Ivan pretty much everything, leaving him alone and despised like his father.
Continue reading: Locke Review
Ivan Locke could well be the model of a perfect life with his beautiful family, comfortable life and a job that is only continuing to offer more and more. However, everyone's got a past and this man's is coming back to haunt him as an incident regarding his younger self threatens the stability of his idyllic existence. He is forced to leave an important job in the construction profession that would've been of significant value to his career in order to drive to London and settle a matter that has been hanging in the air since he was in his twenties. It's a 90 minute journey that seems to take forever as he attempts to resolve a variety of issues that have arisen both at work and at home over the phone. He also finds himself talking to his dead father as he battles to save his family, his job and his sanity.
Continue: Locke - Teaser Trailer
Andrea Dunbar wrote her first play, The Arbor, at age 15. Named after the street where she grew up in Bradford's rough Buttershaw Estate, it was a national sensation, leading to her second play Rita, Sue and Bob Too, which was adapted into an Alan Clarke film. But Andrea's life didn't get much better, with a string of rocky relationships, three children from three men and a terrible alcohol problem. And her snappy, astute writing came to an end at only age 29 when she died of an embolism.
Continue reading: The Arbor Review
Alien 3 continues with the series tradition, beginning exactly where Aliens concluded. When we left Lt. Ripley (Sigourney Weaver), the android Bishop (Lance Henriksen), Cpt. Hicks (Michael Biehn), and Ripley's surrogate daughter Newt (Danielle Edmond), they managed to destroy the creature, board a spacecraft, set course for Earth, and fall into deep sleep. Unfortunately, another alien has found its way onboard with them.
Continue reading: Alien 3 Review
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Jennifer Preston is a journalist hoping to get to the bottom of a tragic explosion...
In the palace of Versailles, a tremendous garden is maintained. One day, the builder and...
A riveting performance from Tom Hardy makes this pseudo-thriller utterly riveting, turning even the most...
Ivan Locke could well be the model of a perfect life with his beautiful family,...
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