Word has it that a 4-year-old came up with the idea for this unapologetically silly action movie. And it's a proper guilty pleasure. From the director of Ice Age, it never takes itself seriously, so disarms even the grouchiest members of the audience with its energetic mayhem and characters. It's very childish, and sometimes rather too cute, but it's also a lot of fun.
In rural North Dakota, an oil drilling company has unearthed something from deep underground. And it's teenage loner Tripp (Lucas Till) who discovers a huge octopus-type creature that turns out to be friendly, intelligent and rather adorable. It immediately takes refuge in the empty engine cavity of the truck Tripp is building, and it provides more power than Tripp imagined. All of which drags Tripp's popular-girl lab partner Meredith (Jane Levy) into the adventure as the oil company boss (Rob Lowe) sends his henchman (Holt McCallany) to find and dispose of the creature before the environmental officials can shut him down. But his chief scientist Bill (Thomas Lennon) is having doubts about killing the two endearing monsters they've already captured.
Yes, it sounds like a premise a 4-year-old might come up with, mixed with an ecological message for our times and some surprisingly impressive digital effects. The script breezes through all of this, as the cast and crew blithely charge forward through a series of laughably entertaining action set-pieces. It's never terribly thrilling, but the scenes are so good-natured that they keep us smiling. Till and Levy are charming heroes, and their strong chemistry is thankfully allowed to simmer in the background. Pepper is initially the film's antagonist as Tripp's harsh sheriff stepdad, but he hands over these reins to an enjoyably evil Lowe. And Lennon provides some nice moments of comic relief as the sensitive scientist won over by these blobby beasts.
Continue reading: Monster Trucks Review
Tripp doesn't like the small town life that's currently encapsulating his life. He's a senior in high school and can't wait to make a break for a fresh start as soon as possible. Tripp is a great mechanic and starts building his own monster truck but what happens next was beyond belief for the student.
As Tripp works on his car, he discovers a monster living inside his car. Initially scared of the oddity, the human eventually warms to his unlikely new friend and realises that he must've come to the surface after a recent oil drilling accident.
Tripp calls the monster Creatch and notes that he's incredibly intelligent and loves dining on large quantities of fuel. With hunters hot on the heels of Creatch, Tripp must devise a way to protect his new friend.
Continue: Monster Trucks Trailer
Danny Glover - 43rd Chaplin Award Gala Honoring Morgan Freeman held at Film Society of Lincoln Center - Arrivals at Alice Tully Hall Lincoln Center - New York City, New York, United States - Monday 25th April 2016
'Lethal Weapon' is the latest movie to get the small screen reboot treatment.
Lethal Weapon has become the latest movie to be rebooted for the small screen, according to The Hollywood Reporter. Fox is said to have handed out a ‘hefty put-pilot commitment’ for a TV reboot of the classic cop franchise, after a bidding war between networks.
Mel Gibson starred as Martin Riggs in Lethal Weapon.
THR writes that NBC was also interested in a series based on the film franchise, which starred Mel Gibson and Danny Glover. The reboot is being produced by Warner Bros. Television whose film division, Warner Bros. Pictures, also helmed the original movies.
Continue reading: Fox Planning 'Lethal Weapon' Reboot For The Small Screen
Nicolas Cage acts his socks off in this thinly plotted thriller, which is set in the same moral universe as the Taken movies, where mass murder is excusable if your daughter's been kidnapped. Despite a low-budget aesthetic, director Paco Cabezas invests each scene with straight-faced emotion, never acknowledging the general implausibility and irresponsibility of the story itself. But with Cage's rampant performance and Cabezas' visual style, the film almost works as melodramatic escapism.
Cage plays slick businessman Paul, who has finally put his criminal past behind him. But when his over-protected 16-year-old daughter (Aubrey Peeples) is kidnapped, he digs out his old leather jacket and turns to his boyhood partners in crime (Max Ryan and Michael McGrady) for help. While Paul's new young wife (Rachel Nichols) urges him to sort out this mess, his old police detective pal (Danny Glover) warns Paul against taking the law into his own hands. But he can't help it. Especially when it becomes clear that the Russian mobster (Pasha D. Lynchikoff) he clashed with nearly 20 years earlier might be involved in an attempt to get revenge.
While the plot itself doesn't have any real surprises, it at least tries to twist and turn its way through the story. And along the way, Paul's experience gets increasingly emotional, giving Cage the chance to indulge in everything from slow-burn frustration to tear-stained grief to full-on mad-dog violence. Rage indeed! Cage explodes with fury so many times that he seems in danger of transforming into the Hulk at any moment. And the actors around him wisely back up and let him have the stage to himself. Otherwise, there isn't much to the film, with a series of average car chases and fist-fights that are brutal but forgettable.
Continue reading: Rage Review
Datari TurnerNoni Jean has always been an immensely talented singer and performer, winning local talent competitions at a very young age with the encouragement of her pushy mother Macy. Needless to say, she quickly becomes a world famous popstar as she hits her teens, playing to crowds of thousands every night and jetting all over the globe. As much as this may seem like any young girl's dream, Noni just wishes she could stop for a minute and also that she could escape the often degrading and frequently pressured life of stardom she leads. She reaches breaking point eventually, planning to jump to her death from a multi-storey building, but she is saved mid-jump by a caring officer named Kaz Nicol who she immediately connects with. He wants to protect her from the pressures of her chaotic life and gives her the strength to take control of her world once again.
Continue: Beyond The Lights - Alternative Trailer
20th Century Fox had announced a 'special surprise' at Comic-Con 2013, and an all-new addition to the Predator franchise may well be the surprise
It looks like we might have yet another addition to the Predator movie franchise, with the official movie fan-page uploading a cryptic image onto their page and setting into motion a frenzy of anticipation surrounding a potential follow-up to 2010's Predators. As The Hollywood Reporter pointed out, "20th Century Fox's has promised 'a huge surprise' for its San Diego Comic-Con panel on Saturday, which is still showing up as 'TBA' in terms of details on the official Comic-Con schedule."
Could Arnold be back fighting Predators?
A surprise, yes, but a good surprise? You'd have to forgive us for being a little dubious about this. As utterly amazing the Schwarzenegger-starring 1987 film was, the Danny Glover starring 1990 follow-up wasn't nearly as good as the first and despite a promising cast and a production credit from cult movie mastermind Robert Rodriguez, 2010's Predators was frankly a disappointment, so where does this leave a follow-up to the last Predator outing? Each of the post-2000 Predator films, including the Alien vs Predator movies, were pretty weak and it would take something special for 20th Century Fox to up their game and make another memorable Predator film, but for all we know the next outing from the ultra-advanced sentient humanoid alien race could be worth writing home about.
Woody Watson is an 11-year-old boy with a broken family and an unpredictable future. His father is absent and his mother is in rehab leaving him to be cared for by his grandmother and recently out of prison uncle Vincent in their Baltimore home. His aspirations are questionable, admiring Vincent for his life of crime. One day, while Vincent is supposed to be taking Woody to school, he instead takes him out to the bank where he expected to be granted a loan for his food business. However, he is flatly refused based on his criminal past and he is forced to engage in one more drug dealing job for his ruthless boss Mr. Fish with young Woody looking on. When he witnesses his uncle falling into his violent past, he must choose what sort of life he wants to lead for what was meant to be a lesson in how to be man, has turned into a lesson in how to screw up your life like the rest of your family. Will Woody pick the right path?
'Luv' is the gritty drama based on how a broken family can force a child to admire the wrong sort of people and end up making them make life changing decisions at a very young age. It has been directed by Sheldon Candis ('Young Cesar') who also co-wrote the screenplay with Justin Wilson in his full length feature debut and is set to be released on November 9th 2012.
Directed by Sheldon Candis
Continue: Luv Trailer
Age Of Dragons is based on Herman Melville's classic novel Moby Dick, but this version of the story is unlike the one we've all grown to love. Set in a mythical time when dragons walk the planet, Captain Ahab and his crew of men are the most revered dragon hunters around. A deadly profession and though there are many hunters, not many are extreme enough to go after fire breathing monsters; Ahab is one of the few who's dedicated his life to hunting the beasts and their precious dragon oil.
Continue: Age Of The Dragons Trailer
Aspiring author Aaron (Rock) is preparing his father's funeral amid all kinds of distractions. His novelist brother Ryan (Lawrence) jets in from New York, but won't help at all. His wife Michelle (Hall) is pushing him to move out from their mother's (Devine) house. The boyfriend (Marsden) of his cousin (Saldana) has just accidentally been given a hallucinogen. Uncle Russell (Glover) is on the rampage. And a small man (Dinklage) has something shocking to announce.
Through all of this, Aaron's hypochondriac best friend Norman (Morgan) tries to maintain some semblance of order. But he's useless.
Continue reading: Death At A Funeral Review