The British actor reckons 'The Jeremy Kyle Show' simply exploits other people's misery for entertainment.
Speaking on BBC Radio 1’s breakfast show to Nick Grimshaw on Thursday (November 19th), to discuss his ongoing role as pub landlord Mick Carter in the long-running soap opera as well as plug his new book – more on that later – the actor launched a stinging attack on Kyle.
Danny Dyer really can't stand Jeremy Kyle, apparently
Continue reading: Danny Dyer Reveals His Loathing Of Jeremy Kyle In Radio Rant
Linda Henry says she will fight to clear her name after being charged with racial harassment.
The actress Linda Henry who plays Shirley Carter on BBC soap Eastenders is facing trial charged with racially aggravated harassment. Henry, 51, denies hurling racial abuse at a someone during a row outside Jamie Oliver's restaurant in Greenwich, south London, in September.
Linda Henry [second from right] is a key member of the Carter family on Eastenders
Henry, who appears on what is officially the most ethnically diverse soap on television, said she was "horrified" by the allegations and is prepared to fight to clear her name.
Continue reading: Eastenders' Linda Henry, 51, Charged With Racially Aggravated Harassment
Plenty of options this weekend, but what are you going to plump for?
Friday is here, and with it comes a set of movies that truly cover all bases. You’ve got a romantic, French art-house option, a star-studded action-fest, a gritty Brit-flick, a historical, all-American true-story and a bona-fide Hollywood blockbuster. But what are you going to see?
Who will manage to pull audiences away from the huge success that is The Hunger Games?
Danny Dyer is heading to Albert Square at Christmas.
Danny Dyer, the British actor best known for The Football Factory and The Business, has been cast to play the new landlord of the Queen Vic in Eastenders.
Is Danny Dyer going to take over Albert Sq.?
Dyer, often ridiculed by movie critics despite pulling in considerable cash, particularly on DVDs, will play Mick Carter, brother to Shirley Carter, played by Linda Henry. Described as a "bloke's bloke" (what, really?), Mick will be joined behind the bar by his wife Linda, played by actress Kellie Bright.
Continue reading: Forget Dirty Den, Danny Dyer Is Eastenders' New Pub Landlord
Had Danny Dyer's career reached an all-time low?
Danny Dyer, the actor once branded one of the most promising young actors in Britain after his excellent turn in Human Traffic, has joined the cast of Hollyoaks, Later. The new series of the raunchier version of Hollyoaks will star stalwart Nick Pickard battling cancer and Dyer playing a ruthless ex-pat known only as 'The White Man.'
Danny Dyer Smoking Outside The ITV Studios
Dyer - who has bizarrely been typecast as a hard man - will cause serious problems from the Hollyoaks cast with "with high-stakes poker, Russian roulette and kidnapping all on the cards," according to MTV. Jane Steventon, producer of Hollyoaks Later, said: "I'm thrilled that we have brought together such an amazing cast for this year's Later and with the addition of Danny Dyer, the adventures can really kick off." The new series will see Nick organizing a get-together with old pals Kurt Benson, Finn and brother Dom in a bid to face his demons, however, a dodgy deal from village hard man Trevor Royle sees the gang fall foul of Dyer's shadowy character. The new series of the Hollyoaks Later will air on E4 in the autumn.
Ah, Valentine’s Weekend. That thing that doesn’t actually exist because there’s only actually one day that’s officially attributed to Valentine’s Day but it does exist in the world of the movie box office. It’s the weekend for people who were too stingy to take their partners out of actual Valentine’s Day, because all of the prices are inflated, to schlep over to the local movie theatre, with a rose between their teeth for no good reason and treat their loved one to a terrible, terrible movie.
That’s right. Normally, we like to give our readers a few tips and pointers with regards to the upcoming box office releases for the forthcoming weekend, make a few recommendations, etc etc. Well, this week, can we simply suggest that you stay home? What we appear to have on our hands this week is the biggest collection of cinematic flops since as far back as we can remember. Or at least since last Valentine’s Weekend.
First up, if you’re still interested in learning which films you should not go to see this weekend, is Safe Haven. A woozy adaptation of yet another Nicholas Sparks novel. Yes, we loved The Notebook. Yes, OK, we admit, what we mean is we loved Ryan Gosling in The Notebook. And yes, we suppose that Zac Efron did a pretty good job in The Lucky One. But it takes more than a pretty couple (Josh Duhamel and Julianne Hough) to make a successful adaptation of one of Sparks’ ever-popular tear-jerk romance novels.
Corporal Rains is a young yet committed soldier, when his unit is ambushed behind enemy lines, Rain's formulates a plan to lead his men to safety but when he returns to safe territory he's imprisoned in military prison for insubordination. The only person who sees potential in the willing recruit is a man by the name of Captain Jones, he offers Rain's a way out of prison if he joins his new elite task force, the 30 Commando unit.
Continue: Age Of Heroes Trailer
In 1940, Captain Jones (Bean) is assigned to lead a clandestine mission into occupied Norway to capture German technology that could turn the tide of the war. He recruits a team of crack commandos, including the brave hothead Rains (Dyer) and the Norwegian-Yank Steinar (Hennie). But they have a very rough landing in Norway, their spy contact (Miko) isn't who they expect and the ruthless Nazis quickly catch up with them. Can they get in, do their job and get out? Or will they need plan B?
Continue reading: Age Of Heroes Review
A documentary crew is spending a week with low-life pimp Woody (Cavanah) on the streets of London, but what begins as an average series of events soon spirals into something much more sinister as Woody tries to protect his favourite hooker Bo (Chan) from the Chinese mafia while being pressured by his gangster boss (Dyer). Woody's life is full of movers and shakers, all buzzing around on their own specific errands, just like he is. Surely one of them knows what happened to a Ukrainian prostitute who has gone missing.
Continue reading: Pimp Review
Woody is a pimp and fixer for his boss Stanley and Soho in London is their territory. When Woody agrees to be filmed by a documentary film crew he doesn't expect his week to be filled with so much commotion. Being beaten up by his landlord for late payment of rent is the least of his worries. When he discovers that one of his girls has gone missing, a hunt begins to find her. A rival Chinese gang also appears to be moving into Woody's terrain. It could be the start of a brutal turf war. Realising his life up until now doesn't really give much to his future, Woody starts to question if it's time to make a move away from his lifestyle which is starting to spiral out of control.
Continue: Pimp Trailer
Alice is a young woman (Grace) running from a couple of thugs when she's hit by a cab driven by Whitey (Dyer). She can't remember who she is, so he takes her along to meet the gangster Gonzo (King). Then Whitey learns that her wealthy dad (Hagon) is offering a $10 million reward for her return. And as Alice travels around London following clues to her identity, she meets a variety of eccentric characters. Ultimately, Whitey and Alice converge on a nightclub run by the mob boss Harry (Parker).
Continue reading: Malice In Wonderland Review
In fact, the aspect of the British Office that Severance imitates most in its opening scenes is that show's occasional avoidance of actual satire in favor of invoking general malaise. We find members of the Palisades Defense sales team bussing their way to a team-building retreat; they're vaguely miserable, save for smarmy boss Richard (Tim McInnerny) and his suck-up assistant (Andy Nyman). But echoes of Brent and Gareth aside, this small group of sad-sacks looks like pretty much any other gang of Brit-com misfits: the slacker/stoner (Danny Dyer), the bumbling git (Nyman), the nerdy girl (Claudie Blakley), and the pompous guy (Toby Stephens). There's also a pretty American (Laura Harris) who all of the gents seem to fancy.
Continue reading: Severance Review
Executive Producer Guy Ritchie's influence is more than slightly evident in first time feature director Barry Skolnick's style. You get the requisite mini music videos, a camera which refuses to sit still, shots that don't appear on screen for more than a few seconds (what ever became of the art of composition?), and an abundance of stylized violence tossed in for good measure. Many of Ritchie's regular actors are along for the ride too, such as Jones (who's actually asked to do more than just wear his patented steely glare), Blackwood, Jason Flemyng, and most notably Jason Statham, as martial arts savvy psychopath Monk.
Continue reading: Mean Machine Review
The film follows five Brits in their young twenties during a wild weekend of parties, drugs, dancing, sex, pop culture discussions, relationships, and wanking off in front of a mirror while mum interrupts. The cast of character consists of Jip (John Simm), our narrator, who has a bit of a problem with his willy, known as Mr. Floppy. Koop (Shaun Parkes), our black DJ maestro, who has insecurity issues, afraid his girlfriend Nina (Nicola Reynolds) is shagging other men. Nina herself can't stand her McJob and longs for the freedom of the weekends. Lulu (Lorraine Pilkington), Jip's best mate, is tired of her cheating boyfriends. And Moff (Danny Dyer) can't seem to escape the black hole of his awful life. The film follows these five individuals during one weekend as each of them discovers love, friendship, and self-fulfillment, all against the raging party background.
Continue reading: Human Traffic Review
However, I felt just as good leaving American Pie 2 as I did after leaving Greenfingers, which tells the offbeat tale of British murderer Colin Briggs (Clive Owen of Croupier). After spending roughly half of his life behind bars, he is transferred to a more lenient facility, Edgefield. The picaresque, rustic prison allows its inmates to learn a trade, while enjoying accommodations generally found at most colleges.
Continue reading: Greenfingers Review
Stop me if you've heard this one before: Two crazy girls overhear a crime going down, then decide to turn the tables on the criminals by extorting some cash for themselves. Hilarity ensues! Oh, you have heard it... well this time it's different -- you see, one girl is British and one is American.
Continue reading: High Heels And Low Lifes Review
Somewhere between the cheery comedic teen angst of a Brat Pack movie and the stylishly dingy, drug-ravaged night life of "Trainspotting," you'll find the fresh-faced, fun-loving, Ecstasy-dropping, Welsh weekend warriors that populate the party-hardy world of "Human Traffic."
A capricious and energetic, rave-flavored tour through a bouncy Friday-Saturday-Sunday of dance and romance in the lives of five club-hopping pals on the cusp of their 20s, this lightweight snapshot of edgy Y2K youth culture has nothing new to say about sex, drugs and rock 'n' roll -- but it says that nothing with irresistibly enthusiastic effervescence.
The story is narrated with hyperactive chirp by Jip (John Simms), a soft-featured Tim Roth look-alike who blows off steam from his weekdays in retail hell by getting squiffy with his mates and dancing the night away.
Continue reading: Human Traffic Review
I have two things I need to get off my chest right off the bat about "High Heels and Low Lifes." The first is, I'm dumbfounded that nobody at Hollywood Pictures was bright enough to catch and correct the grammatically erroneous title. Call it a pet peeve, but "Lowlifes" is one word, for cryin' out loud.
The second is, despite the fact that I'm about to rip into this picture for its non-stop, intelligence-insulting assault of idiotic clichés, plot holes, predictability and common sense chasms, "High Heels" has such an infectious, lively spirit that I wish it could have been better.
Minnie Driver and Mary McCormack play ditzy post-feminist pals living in London, who inadvertently overhear the coordination of a overnight bank heist on surveillance equipment belonging to Driver's lousy live-in boyfriend. (He's a wannabe avant-garde artist working on an "urban noise symphony" that includes snippets of intercepted cell phone calls.)
Continue reading: High Heels & Low Lifes Review
Date of birth
24th July, 1977
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