Based on the iconic strategy game, this fantasy battle epic will appeal mainly to either the gamers themselves or audiences that love wildly detailed fantasy worlds. Everyone else will probably feel a bit lost when faced with the stream of confusing names, spells and magical phenomena that fill every scene. It looks terrific, and is directed with plenty of energy and personality. But it feels both overcrowded and superficial.
With their home world Draenor dying, the orcs need to travel through a portal to the human realm Azeroth to find more life force to steal. One orc chieftan, Durotan (Toby Kebbell), is having doubts about this murderous plan, and thinks peace with humans might be a better option. His rival chief Blackhand (Clancy Brown) and the cackling orc shaman Gul-dan (Daniel Wu) disagree, and set a massacre in motion. Preparing for the attack, human King Llane (Dominic Cooper) turns for help to his top knight Lothar (Travis Fimmel), sorcerer Medivh (Ben Foster) and apprentice wizard Khadgar (Ben Schnetzer). Then they meet outcast half-caste Garona (Paula Patton), and she offers another way to take on the invaders.
For the uninitiated, the elaborate mythology is so detailed that it blurs together into something rather incomprehensible. Director Duncan Jones doesn't have time to explain everything, so he charges ahead and just lets the dialogue overflow with references that may or may not be needed to work out what's happening. The film leaps from one strikingly staged battle to another, all cleverly designed to mix digital animation with gothic costumes. It looks pretty amazing in 3D, but the only characters who emerge with any depth are Durotan and Garona, nicely played by Kebbell and Patton under mounds of effects, makeup, fur and teeth.
Continue reading: Warcraft Review
Azeroth is a beautiful and civilized kingdom, it's human inhabitants are goverend by their much loved king, King Llane Wrynn. When a mysterious porthole is opened up between Azeroth and the orc world of Draenor, the civilians of Azeroth are left fearing for their life. The Orcs face extinction from their old world and the humans know they will bring destruction of their own should they find a home in Azeroth.
As war spreads across the land, the king seeks advisal from his most powerful knights to decide what action to take to protect the capital. The king is dubious about the Orcs abilities, they huge creatures but are known more for their brutish ways than their intelligence. Anduin Lothar is the kings highest knight and feels there's a far deeper problem than first thought. Anudin and a small group of fighters must find a way to put an end to the battle before their land is lost for good.
Warcraft: The Beginning is based Blizzard Entertainment's online role-playing game and features some of the characters seen in the games.
Continue: Warcraft: The Beginning Trailer
After years of peace, dark forces fall upon the world of Azeroth as it stands on the brink of war, when their civilisation is faced with invasion from the fearsome Orc warriors.
With their homeland of Draenor dying, the Orc race has only one chance of survival, to flee their home and attempt to colonise in another world. But as war breaks out the Dark Portal opens to connect the two worlds, with the human army facing destruction and the Orcs battling extinction.
From opposite sides, two heroes, Anduin Lothar, leader of the humans, and Durotan, leader of the orcs, are sent on a collision course that will decide the fate of their family, their people and their home.
Continue: Warcraft Trailer
Travis Fimmel is set to lead the cast in one of the most epic films of 2016. Warcraft: The Beginning is based on Blizzard Entertainment's hugely successful computer game. Warcraft: The Beginning is being directed by Duncan Jones (The son of David Bowie who previously directed Moon starring Sam Rockwell)
Warcraft: The Beginning is a live action film released in 3-D by Universal & Legendary Pictures.
The full trailer will launch November 6 2015
A bracingly original approach to both science-fiction and the found-footage genres makes this eerily realistic thriller well worth a look. Director Cordero may indulge in a variety of gimmicky and manipulative tricks, but he keeps everything grounded, as it were, and his expert cast makes sure that we are drawn into the story as it progresses. Which makes the conclusion startlingly intense.
After six months in space, the feed from the Europa One mission suddenly went blank, leaving Earth to wonder what was happening in humanity's first deep-space voyage. Unknown to the mission commander (Davidtz) in Houston, the six-person crew has continued on course to Jupiter's moon Europa, where they plan to explore whether there are conditions that could support life. When they arrive, their landing doesn't go quite as planned, and their experiments reveal things they couldn't possibly have expected. They also finally get a chance to send their video footage back to mission control.
What we're watching is an assembly of this footage, taken both inside and outside the ship as they travel, intercut with the commander's comments. Cordero directs all of this exactly like scenes we've seen from Space Shuttle missions, so it looks all too real, complete with a crew of complex experts. Marinca is terrific as the soulful pilot, with the charismatic Camargo and the curious Wydra as scientists, and the cheeky Copely and the intriguingly shaded Nyqvist as mechanics. This cast of acclaimed actors really raises the bar, adding layers of interest without ever seeming to act at all.
Continue reading: Europa Report Review
Rapper-turned-actor-turned-filmmaker RZA is clearly influenced by cohorts Quentin Tarantino and Eli Roth as he indulges in this crazed pastiche of 1970s kung fu action romps. It's energetic and often quite funny, but far too silly to come together properly, mainly because he never adds any sense of post-modern wit. If the action scenes were more coherent, it at least could have been a guilty pleasure.
In a 19th century Chinese village, an American ex-slave (RZA) is known only as Blacksmith, forging weapons for gang members to raise the money to buy his girlfriend Lady Silk (Chung) from the local brothel's Madam Blossom (Lucy Liu). But their fate is caught up in a battle for power after the patriarch of the Lion clan is murdered and the swaggering Silver Lion (Mann) challenges rightful heir Zen Li (Yune). After a vicious attack by Silver Lion's muscled henchman Brass Body (Bautista), Zen Li is rescued by Blacksmith. And they get help from Englishman Jack Knife (Crowe) to fight Silver Lion and his thugs.
The title refers to something that happens about halfway in, when Blacksmith forges new arms for himself after being attacked by Silver Lion for helping Zen Li. This sets the stage for an orgy of metal-on-metal battling (there are also bronze and copper characters), leading to a clattering showdown between Blacksmith and Brass Body, who for some inexplicable reason can morph his body into, yes, brass. As such a wild fantasy, it's not surprising that the plot makes so little sense, although a bit more genuine character depth would have helped hold our interest.
Continue reading: The Man With The Iron Fists Review
While Bullet in the Head is set in Vietnam during the war, Blood Brothers takes us back to the glamorous nightclubs of Shanghai in the '30s. Feng (Daniel Wu), Kang (Liu Ye), and Kang's brother Hu (Tony Yang) decide to leave their poor village and venture into town to see what they can make of themselves. It's rough going at first, with the guys taking on menial and humiliating jobs such as rickshaw pulling, but Hu lucks out by landing work as a waiter at the gorgeous Paradise Club, where all of haute Shanghai comes to party and to pay homage to the crime bosses who run it. The star of the show: Lulu (Shi Qi), who's the plaything of the big boss but is secretly in love with Mark (Chang Chen), one of his bodyguards.
Continue reading: Blood Brothers Review
Sarcasm aside, New Police Story (which bears no connection to the many many Police Story movies that have come before it) is a very watchable addition to the genre. Its kitchen-sink approach gives us not only Jackie Chan in an unusually deep and nuanced performance but also a gaggle of Hong Kong cinema's young A-listers chewing up and kicking down the scenery as they portray badass teen criminals with enough time and money to indulge in a string of wild crimes.
Continue reading: New Police Story Review
Catching the tale end of their performance and the inevitable bar brawl that ensues is Michael (Daniel Yu), a poor little rich kid and well-known pop star from Hong Kong who's in town to learn Mandarin and hide out from the Hong Kong press, which wants to learn more about pending criminal charges against him.
Continue reading: Beijing Rocks Review
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