Yes, I'm talking about The Postman. Post-millennial, post-apocalyptic, and post-intelligence, The Postman is the story of patriotism being reborn (ironically, the patriotism is in opposition to nationalism, which is the flip side of the patriotic coin) in the form of Postal Carriers. OK. It's dumb. The United States has become defunct, a racist psychopath holds all of the power, and the first thing that the new US Government is trying to get working is the mail.
Continue reading: The Postman (1997) Review
In Artworks (and yes, that title is horrible), Madsen is Emma, a security system salesperson, the police chief's daughter, and an amateur artist. She hooks up with Bret (Rick Rossovich), an art gallery owner. Together, they hatch a plan to rob the locals of the paintings they don't properly appreciate: Both of them hate phonies that collect art simply for bragging rights. The remainder of the film tracks their heists and eventual comeuppance, in between panty-clad romps in the bedroom.
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Set in 1951, The Majestic stars Jim Carrey as Peter Appleton, a blacklisted actor struck by a mishap, endlessly seen in its trailers, that erases his memory. As so many amnesiacs before him, Carrey wanders around aimlessly until someone tells him who he is. Unfortunately, that someone mistakes him for his son, dead seven years, a brutal casualty of WWII. Even more coincidentally, Peter looks exactly like the long-dead hero Luke Trimble, and soon the entire town, having lost nearly all it's young men to the war believes as well, rallying around Luke and his re-opening of their local movie theater "The Majestic" as a source of rejuvenation.
Continue reading: The Majestic Review
Unfortunately, Super Troopers never really hits its stride. While these pals who met at Colgate University (and produced Puddle Cruiser there) seem to be having a blast paying homage to cheesy '70s and '80s comedies - from the brilliant like Animal House and Caddyshack to the retarded like Cannonball Run and Police Academy, most of their gags fall flat - especially the biggest ones. And as much as I appreciate good old fashioned boy humor (masturbation, crotch shots, blow-up dolls, etc.), it's frustrating to see these guys - who are obviously pretty clever - waste their talent on parodies of things they probably thought were funniest when they were high.
Continue reading: Super Troopers Review
At a quiet monastery on a vineyard, Brother Anselm (M.E. Hackett) claims to have witnessed a true miracle. He purports to have seen the angel Gabriel himself descend to Earth and initiate a sort of "connection" with Anselm, one that Disney smartly keeps vague. There's further confusion in that Disney actually shows us the encounter, a strangely homoerotic visual that might have worked well in a dream sequence in the Village People's Can't Stop the Music. Toss in the Brother's androgynous look, and Blessed Art Thou is an exciting little mystery right from act one.
Continue reading: Blessed Art Thou (A Question Of Faith) Review
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