Will (Craig) has just quit his job as a Manhattan editor to spend more time with his wife (Weisz) and young daughters (Geare and Geare) in their suburban home. But something isn't right. A suspicious man (Koteas) is lurking in the night, while the ex-husband (Csokas) of the neighbour (Watts) across the street oozes pure rage. Then Will starts to realise that nothing is what it seems to be. And he'll need to face reality if he hopes to sort things out.
Continue reading: Dream House Review
The movie is stealthy the way it begins by camouflaging those budgetary weaknesses. Like Underworld, it's about a supernatural society living beneath the surface of our own, governed by its own ancient rules (unlike the Underworld series, they can only afford werewolves, not vampires). Rather than wasting time with endless special-effects transformation scenes, the werepeople here just sort of leap and blur, hitting the ground as actual wolves -- not the steroidal, rubbery-looking CGI creatures of recent years. This is appropriate for a more human, character-driven horror fantasy, and Blood and Chocolate aspires to explore the line between animal and beast.
Continue reading: Blood And Chocolate Review
Ben's doting wife, Violet (Gena Rowlands), begrudgingly hires hospice worker Caroline (Kate Hudson) to assist her with her husband's medical needs. The registered nurse, burned out by the poor quality of care in New Orleans' choice hospitals, is eager to assist a patient on her own terms. The longer Caroline stays in the Devereaux's dilapidated mansion, though, the more convinced she becomes that the Hoodoo that we do is no good.
Continue reading: The Skeleton Key Review
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During the first chunk of the werewolf thriller Blood and Chocolate, I was intrigued with...