Daniel Bigel

Daniel Bigel

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Loverboy Review


Terrible
Much like Robert Towne's recent adaptation of Ask the Dust, Kevin Bacon's Loverboy is a labor of love. Sometime in 2003, Kyra Sedgwick (Bacon's spouse) handed him a copy of Victoria Redel's novel, Loverboy, and both found themselves eager to bring the story to the screen. And similar to Towne's effort, Bacon is so enthusiastic about the material that he can't get his concentration correct.

Emily Stoll (Sedgwick) is in her late 20s and roaming the Midwest and just about everywhere else for the right ejaculate. After a miscarriage from a "no father," multi-partner pregnancy, she meets Paul (Campbell Scott) and in one night of passion, a child is conceived. The son, Paul aka Loverboy (Dominic Scott Kay), quickly becomes Emily's entire life, trying to make life a magical, ongoing discovery. Emily has nightmarish flashbacks of her lovebird parents (Bacon and Marisa Tomei) who were too busy being in love to take care of a child properly, and she daydreams of her fantasy mother, Mrs. Harker (Sandra Bullock). Loverboy eventually becomes wise to his mother's obsessive grasp on him and begins to revolt, especially when she tries to seduce Mark (Matt Dillon), a father figure. This, of course, can't end well.

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Harvard Man Review


Good
James Toback's latest white-teens-in-trouble doesn't offer much we haven't seen in Cruel Intentions, Bully, or every one of Toback's prior films (Black and White, Two Girls and a Guy, etc., etc.). At the same time, it's a rowdy and fast-paced thrill ride that makes it hard not to enjoy.

A cast of excellent character actors doesn't hurt. Scruffy Adrian Grenier is the titular "man," a Harvard student, philosophy major, and basketball player (at what, 5'2"?), who tries to make a deal with his girlfriend's (Sarah Michelle Gellar) mobster father in order to throw the big Dartmouth game, thus ensuring a big gambling payoff so he can buy his folks a new house (theirs was conveniently whisked away by a tornado). Meanwhile, Grenier's Alan bangs his professor (Joey Lauren Adams), encounters an iffy bookie (Eric Stoltz) and his assistant (Rebecca Gayheart), all of whom might be mixed up in a group sex kinda thing. Put Alan in an LSD-infused mania for half the movie and you've got Harvard Man.

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Empire Review


OK
When you stop and think about it, the similarities between Italian mobsters and urban gangsters -- as filmmakers commonly portray them -- are really quite astounding. For every gold chain stuck in a mobster's chest hair, there seems to be a corresponding gold medallion slung around some gangster's neck. For every Cadillac, there's a Lincoln Navigator. In place of the Tommy gun, there's the Glock. It's a comparison that writer and director Franc Reyes is all too keen on making in his debut film, Empire.

Played by John Leguizamo, Victor Rosa is a Latino gangsta with all the ambition of a young Godfather and all the attitude of a taller Joe Pesci. He spends his days violently whacking errant drug dealers and monitoring the sales of his own designer "street pharmaceutical" not so subtly labeled Empire -- which is exactly what Vic thinks he's building in his little bit of the South Bronx. But when his girlfriend (Delilah Cotto) announces that she's pregnant, he thinks it might be time to go legit.

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The Final Hit Review


Weak
Interested in a movie called The Final Hit? No? Okay, how about The Final Hit -- A Burt Reynolds Film? That's worth seeing on camp value alone!

The film, starring and directed by Reynolds himself, follows a washed-up movie producer searching for $50,000 to option a kid's hot screenplay before a bigshot studio man (Benjamin Bratt) snaps it up. His comedy of errors in search of someone with some money takes him through the highs and lows of Hollywood, from rich actors (including Robert Goulet) to Armenian loan sharks. Does he get his money? Who cares!? The movie's got Ann-Margret in it!

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