Christmas is a time for family, although there are those who would argue it is an over-commercialised capitalist holiday. One of these people is Michael Walker (Harry Connick, Jr.) who cannot stand Christmas. When their rent runs out, they are forced to find a new house. Michael stumbles across the perfect family home, with the owner intent on selling the house to a family - as long as they uphold the long-running neighbourhood tradition of putting on a tremendous and bombastic Christmas light display. Michael is faced to live up to the tradition and learn to love Christmas again, all so that he can help his family and bring love and light to the world.
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On first viewing (the movie's opening weekend), I admit I didn't get all of Fletch's jokes, but found myself pleasantly amused. Twenty-two years later, I get all the jokes, but I remain only pleasantly amused, nothing more, nothing less. This is a comfort movie -- smart and sassy enough to make good company, but a notch short of brilliant.
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The one-joke premise is this: seven friends in New York basically live their lives without ever really meeting. Instead, they talk on the phone. Dates are set, parties are planned, sex is had, even children are born -- but no one is there, in the physical sense.
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The definitive populist telling of the Wyatt Earp story, Tombstone has more fun with the story than traditionalist versions like Kevin Costner's Wyatt Earp, with a younger, more crowd-pleasing cast -- Thomas Haden Church plays a bad guy; Jason Priestley is a deputy. And it's got more factual holes than the Clanton gang ended up with -- all in the name of serving up Good Clean Fun.
Continue reading: Tombstone Review
Christmas is a time for family, although there are those who would argue it is...
I finally had a chance to see Denise Calls Up after it had pretty much...
If Kurt Russell's handlebar mustache doesn't give you the willies, you need a bigger TV.The...