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The Humbling Trailer


"All the world's a stage, and the men and women merely players". Or so thinks Simon Axler (Al Pacino), a washed up aged actor who struggles to distinguish real life from the stage. With no money and all but no dignity left, his agent is desperate to help him get a new job advertising. Then he meets Pegeen (Greta Gerwig), the daughter of a close friend. As his flirtation is returned, Simon is more than confused to discover that Pegeen is a lesbian. Through a web of hilarious deception, Simon is warned to stay away, yet his odd relationship with Pegeen blossoms into something both self-destructive and moving. 

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Opening Night After Party For The Seagull-arrivals

Dan Hedaya - Opening night after party for the Culture Project production of The Seagull, held at B. Bar and Grill-arrivals. - New York, NY, United States - Monday 14th October 2013

Dan Hedaya
Dan Hedaya

At The 'Hitchcock' Premiere At The Ziegfeld Theater.

Dan Hedaya - Dan Hedaya, Sunday 18th November 2012 at the 'Hitchcock' premiere at the Ziegfeld Theater.

Dan Hedaya

Dan Hedaya HBO Presents The Premiere Of 'Too Big To Fail' Based On The Book By Andrew Ross Sorkin At The Museum Of Modern Art. New York City, USA

Dan Hedaya and HBO Monday 16th May 2011 Dan Hedaya HBO presents the premiere of 'Too Big To Fail' based on the book by Andrew Ross Sorkin at the Museum of Modern Art. New York City, USA

Dan Hedaya and Hbo
Dan Hedaya and Hbo

New York Premiere Of 'Capitalism: A Love Story' At The Alice Tully Hall - Arrivals

Dan Hedaya and Love Story Monday 21st September 2009 New York premiere of 'Capitalism: A Love Story' at the Alice Tully Hall - Arrivals New York City, USA

Commando Review


Excellent
The director's cut of Mark L. Lester's Commando couldn't come at a better time. Action movies are getting increasingly cerebral and character-driven, which isn't necessarily a good thing. Batman Begins was so focused on character analysis and stark photography that director Christopher Nolan seemed determined not to entertain anyone. As for the exploits of Spider-Man, when the writer of Ordinary People (the movie responsible for unleashing the touch-feely antics of Timothy Hutton onto the nation) is in charge of the script, no one is safe.

Commando, first released 22 years ago, has the simplest of premises: Arnold Schwarzenegger kills bad guys in every way imaginable for about 90 minutes. That's it. There isn't a subplot about reforming veterans' benefits or an extensive introduction into Latin America's political climate. Commando is one of the best arguments available for the action movie as pure entertainment.

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Strangers With Candy Review


Good

Amy Sedaris' Comedy Central series Strangers with Candy was an absurdist deconstruction of after school special conventions, following the wacky travails of 46-year-old ex-junkie, ex-con, ex-prostitute Jerri Blank (Sedaris) as she reentered high school as a freshman student. A potent cocktail of vulgarity, farcicality, and switchblade-sharp wordplay, the show was a mild cult hit for the then-fledging cable channel (as well as its first original live-action program), running for three brief seasons and eventually launching the career of Stephen Colbert (The Colbert Report). Unceremoniously cancelled in 2000 just as it was hitting its ludicrous stride, Strangers with Candy seemed destined to become another footnote in television history, consigned to the same overlooked fate as Chris Elliot's Get a Life and Fox's recently canned Arrested Development. Until, that is, Sedaris and co-creators Colbert and Paul Dinello somehow convinced David Letterman's Worldwide Pants Inc. to produce a feature-length version of the disregarded pseudo-sitcom, which now arrives in theaters like a giant middle finger to every inspirational Hollywood melodrama that tries to argue that people can transform themselves for the better, hard work is rewarded, and heroin is bad.

Unfortunately, however, the cinematic Strangers with Candy - directed by Dinello, who also reprises his role as idiotic, effeminate art teacher Geoffrey Jellineck - only maintains its antagonistic inappropriateness long enough to fill out its first 45 minutes; after that, the tank runs pretty dry and the proceedings become akin to a mediocre TV episode in which plot, rather than scatological silliness, is the main focus. Its story is a prequel of sorts to the Comedy Central series. The film kicks off with a credit montage of Jerri's hilarious exploits in prison (murdering a fellow inmate, enjoying a shower with a naked female) before following her home, where she discovers her dad (Dan Hedaya) is in a coma, mom is dead and replaced by hateful stepmonster Sara (Deborah Rush), and she now has a loathsome jock half-brother named Derrick (Joseph Cross). When the family physician (played by Ian Holm!) suggests that Jerri might cure her father by trying to undo the past thirty-two years-worth of depraved behavior, she decides to enroll at Flatpoint High, where she finds herself both tussling with barely-in-the-closet science teacher Chuck Noblet (Colbert) and blissfully moronic principal Blackman (Gregory Holliman), and hanging out with friends Megawatti Sukharnabhoutri (Carlo Alban) and Iris Puffybush (Dolores Duffy).

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The Shaft Review


Grim
In a perverse way, you might consider The Shaft to be a kooky prequel to The Ring. (Get it?) Both feature possessed/demonic household items (elevator/videotape) and both star Naomi Watts as a reporter.

You might also consider that if you decide to watch a movie with a title like The Shaft, that's exactly what you'll get... the shaft.

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The Hunger Review


OK
Tepid vampire fare is really notable only for being Tony Scott's first major movie and for its steamy love scene between Catherine Deneuve and Susan Sarandon (never mind that awful hairdo). David Bowie would have been a lot more fun if they hadn't offed him in the first 45 minutes.

Swimfan Review


Terrible
Erika Christensen goes from zoned-out druggie (Traffic) to lame vanilla psycho in Swimfan, unequivocally one of the worst films of the year.

Stop me if you've heard this one before. A cute young gal named Madison (Christensen) moves to a New Jersey town and instantly becomes smitten with star swimmer Ben (Jesse Bradford). But there's trouble: Ben's got a girlfriend (Shiri Appleby), and he's got a rough past... trouble with drugs and a stint in juvie. Now he's cleaned up and is eyeing a scholarship to Stanford, but an ill-conceived one-nighter with Madison lands him in all kinds of trouble once again.

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Shaft (2000) Review


Grim
Who's the bad mutha -- shut yo mouth!

That's right. Just talkin' 'bout Shaft. The remake. Er, the sequel that is -- in what might very well be the first and only time a sequel has been given the same title as the original. And believe me, that's just where the stupidity of Shaft begins.

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Blood Simple Review


Extraordinary
The year is 1984. Reagan is looking forward to four more years as president. Orwell's book by the same name is at the top of the popularity bell curve. The Olympic games are held in Los Angeles and two unknown guys named Joel and Ethan Coen decide to team up and write a movie script. Their first step into the world of "Hollywood" is a little film called Blood Simple featuring the debut of then-unknown actress Frances McDormand. The title of the film comes from a slang term invented by Dashiell Hammett to suggest a murderer's state of fear and confusion, which suggests that the "perfect" murder is impossible. This movie shows one such example of that blood simple state.

At the time it was released, Blood Simple wowed critics and audiences, winning praise at film festivals all over the world with its unique look at telling an interesting and creepy story on a shoestring budget. Now 16 years later, the Coen brothers have decided to clean up their debut film and re-release it to the masses, making it even better.

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The Extreme Adventures Of Super Dave Review


Terrible
Ever wished longingly for the glory days when you could watch "Late Night with David Letterman" and catch a little bit of that wacky Super Dave Osborne, the stuntman who just can't get things right? Well now you can relive those happy moments at your leisure, by taking Super Dave home in his theatrical -- er, straight-to-video -- debut: The Extreme Adventures of Super Dave!

What, you aren't frantically dialing your phone to reserve your copy at the video store yet? Take off your shoes and put down the car keys. If this video has proven anything, it's that what can be funny for 1/2 a minute probably usually won't make it for 91. Oh, how Super Dave proves it.

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The First Wives Club Review


Good
The biggest crowd-pleaser of the year is upon us -- the powerhouse trio of Goldie Hawn, Bette Midler, and Diane Keaton foisting their womanness on us with a vengeance. Sure to revive the debate over whether films like this are "man hating," The First Wives Club is, in reality, a harmless big screen sitcom that actually manages to appeal to a large audience.

Rambling through its first 30 minutes with no real direction, The First Wives Club eventually turns into a story about three old friends who want to exact vengeance on their wayward ex-husbands. Elise (Hawn) is an aging movie star, obsessed, as most aging movie stars are, about her looks. Brenda (Midler) is a bitter ex-housewife who loves her son and bemoans her lack of funds to support him -- and hasn't changed her hair since 1969. Annie (Keaton) is basically a middle-aged version of Annie Hall, only now she has a lesbian daughter and an intrusive mother, and Woody Allen is nowhere to be seen.

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Tightrope Review


Good
Tightrope would rank among the best of the Dirty Harry movies, if only Clint Eastwood was playing Harry in the film. Instead, Eastwood is a deeply troubled cop in New Orleans, tasked with taking down a serial killer who ends up threatening his daughters as well. The killer is really twisted (we're talking lady-in-washing-machine), and Eastwood begins to realize they may not be so different. The ending is really muddy and inconclusive, but overall this is a fairly gripping thriller and one of Eastwood's better flicks.
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