The music mogul claims he helped Daniels build up his career and saw nothing in return.
Director Lee Daniels (Precious, The Butler) has come under fire from hip hop mogul and Roc-A-Fella Records co-founder Damon Dash. Dash made a substantial investment in six of Daniels' movies, including The Woodsman starring Kevin Bacon, which he put $2m into. He is now suing the director for "unpaid principal, interest and royalties" all of which come to a total of $25 million, according to the lawsuit. The New York Post reports that Dash was also not given his promised producer credit on the films.
According to the Post, Dash's lawyer, Natraj Bhushan, the music producer helped Daniels' career early on and only wants to receive what he is entitled to.
Simply put, Walter (Kevin Bacon) is back in town after serving a 12-year stretch for molesting young girls. He gets a job at a lumberyard where the manager (David Alan Grier, in a rare yet welcome stab at dramatic acting) makes it clear that he only hired Walter due to a family favor. Antisocial to a fault, Walter goes about his work with sullen determination, retreating to his depressing apartment to share the occasional beer with his brother-in-law, Carlos (Benjamin Bratt), the only family member who will even speak to him. Walter goes to a therapist who tries, without much success, to get him to dig a little deeper and to deal with his problem. In the meantime, Walter tries not to stare at the pre-teen schoolgirls who ride the bus he takes to work, and stares sullenly out his window at the schoolyard across the street ("the only landlord in town who'll take my money" he remarks to Carlos's bafflement at his suspicious choice of living quarters).
Continue reading: The Woodsman Review
I'm sure fans of Jay-Z will be enthralled as his improvised rhymes and speedy eloquence join forces with an array of talent from the hip-hop community, including Missy Elliott, R. Kelly, Mary J. Blige, and Pharrell Williams. Everyone else will feel like they're watching a movie that's perpetually halfway over.
Continue reading: Fade To Black Review