It's very refreshing, in today's overexposed and anti-climatic realm of moviemaking, that art still can exist in a medium such as film. It is very refreshing to know that there are still individuals on the fringes, trying their damnedest to re-invent the wheel of cinema. Treasure Island is one of those successful ventures of creating an art film for the sake of taking everything learned about filmmaking, piling it up, and lighting the whole mess on fire.

The story takes place during the second World War in San Francisco. Two intelligence officers are assigned to the duty of creating a false life for a dead man - including family letters, tickets to shows, and love letters from kindred souls - and planting him in Japanese territory to confuse the Japanese military of pending Allied military operations. Naturally, the two officers infuse their own personal letters, hatreds, and family situations into the creation of the life of the dead man. The only problem is that these two officers are the two most messed-up individuals I have seen since Hopper in Blue Velvet.

Continue reading: Treasure Island (1999) Review