Jennifer Aniston and Jason Bateman reunite with The Switch directors Josh Gordon and Will Speck for a holiday comedy based on a story by the guys who wrote The Hangover movies. Yes, this is pretty much what you expect it will be: a clumsily written lark that strains for gross-out gags. But it also manages to keep the audience laughing, simply because the cast is up for it.
It's set in the Chicago branch of a technology firm, where the playful director Clay (T.J. Miller) has created a lively atmosphere but is losing money. So his CEO sister Carol (Aniston) drops in to tell him she's planning to shut down the branch. Clay and manager Josh (Bateman) have one last hope: to land a big client (Courtney B. Vance), so they invite him to their epic Christmas party, which is also designed to assure the staff that everything is fine. Helping with the plan are the IT expert Tracey (Olivia Munn) and the HR director Mary (Kate McKinnon). And no one is surprised when the festivities begin to spin crazily out of control.
Frankly, the party itself is the weakest thing about the movie, as it's blown up far beyond credibility, and never given much attention in the narrative. Instead, the through-line is the wacky caper involving the central characters, played by a gang of actors who are experts at improvisation, so they continually throw amusing bits of unexpected comedy at the audience. The winner is McKinnon, who is consistently hysterical, stealing every scene as she did in Ghostbusters. But Munn's acerbic wit and Miller's endearing nuttiness give her a run for her money. As does Rob Corddry as a chucklehead colleague. By comparison, Aniston and Bateman anchor the film as the vaguely more grounded figures. Although Carol is a pretty nasty piece of work, we have no doubt that everyone will wear her down in the end.
Continue reading: Office Christmas Party Review
For many large companies, the office Christmas party are nights that can rapidly descend into mayhem. Free flowing liquor, music, Santa hats and the thought of the Winter Holiday period off work are enough motivation to drive even the most straight of employees to unwind.
Clay Vanstone is part of the family business, out of all their branches, his in the one that's failing and Clay is hardly a usually businessman. His sister, Carol is firm on the idea of closing down his branch but Clay is steadfast in saving the business.
As the holidays approach, Clay comes up with the great idea of combining the office party with a boozy meeting with some new clients, who, if they win their business would be enough to save their fun-loving branch.
Continue: Office Christmas Party Trailer
Sarah Paulson , Courtney B. Vance - FX Networks Upfront Screening Of 'The People v. O.J. Simpson: American Crime Story' at AMC Empire 25 theater - Arrivals - New York, New York, United States - Wednesday 30th March 2016
Angela Bassett , Courtney B. Vance - Premiere of Focus Features' 'London Has Fallen' held at ArcLight Cinemas Cinerama Dome - Arrivals at ArcLight Cinemas Cinerama Dome - Los Angeles, California, United States - Tuesday 1st March 2016
Angela Bassett , Courtney B. Vance - Premiere of FX's 'American Crime Story - The People V. O.J. Simpson' at Westwood Village Theatre - Arrivals at Westwood Village Theatre - Los Angeles, California, United States - Wednesday 27th January 2016
Cuba Gooding Jr. , Courtney B. Vance - Celebrities attend the premiere of 'FX's 'American Crime Story - The People V. O.J. Simpson' at Westwood Village Theatre. at Westwood Village Theatre - Los Angeles, California, United States - Wednesday 27th January 2016
Courtney B. Vance - Premiere screening of FX's 'American Horror Story: Hotel' at Regal Cinemas L.A. Live - Arrivals at Regal Cinemas L.A. Live - Los Angeles, California, United States - Saturday 3rd October 2015
Mankind has been all but wiped out. When Skynet became self-aware, it launched tactical nuclear strikes against the human race, with an army of robots finishing off the last few survivors. John Connor (Jason Clarke) leads the resistance, and the robots know this. In order to stop the war against mankind, the machines send one of themselves back in time to kill his mother, Sarah (Emilia Clarke). With Sarah Connor being a well-documented pacifist, she stands no chance of survival, leading to Kyle Reese (Jai Courtney) travelling back in time to save her. But he arrives in a very different world to what he expected. Sarah Connor is a well-trained killing machine, capable of defending herself. Reese was not the first person, or thing, to travel back in time to rescue her.
Continue: Terminator Genisys Trailer
Hardly a drag, last night's exciting Tony Awards went to Kinky Boots after the Broadway musical stole the show. Host Patrick Neil Harris promised an all-round "bigger" show, and he did not disappoint.
'The Antoinette Perry Award for Excellence in Theatre' AKA The 67th Annual Tony Awards were held last night (9th June) at NYC's Radio City Music Hall, hosted by Neil Patrick Harris for the fourth time (Barney in How I Met Your Mother).
The evening was a joyous affair as comedy, song, dance, and good showmanship combined to honour the best of the year's musical theatrical productions.
Described as "high-spirited" yet "tender hearted" by USA Today, Kinky Boots took on main rival RSC's Matilda The Musical and came out on a high (heel) to win 'Best Performance By An Actor In A Leading Role In A Musical' (for Billy Porter's performance), 'Best Choreography', 'Best Sound Design Of A Musical', 'Best Original Score (Music And/Or Lyrics) Written For The Theatre' (score by Cyndi Lauper) and, the biggest gong of the night: the coveted 'Best Musical' award.
Continue reading: Kinky Boots Struts To Victory At Tony Awards
The Opening Night 2013 Spring Gala for the American Ballet Theatre in New York was a glamorous affair with stars the likes of Sigourney Weaver, Uma Therman and Ashlee Simpson taking to the red carpet in all their sophisticated charm.
In the small Georgian town of Pacashau, Divinity Church Choir singer Vi Rose Hill (Queen Latifah) is made choir director over the feisty GG Sparrow (Dolly Parton). Their ever-increasing conflict threatens to weaken the strength of the choir's talent as they compete for the National Joyful Noise Competition. Vi wants to stick to what is traditional in the gospel choir whereas GG wants to shake up their sound and make it more appealing to the rest of the town.
Continue: Joyful Noise Trailer
On a corporate outing, Sam (D'Agosto) has a horrific premonition that a suspension bridge will collapse. He escapes the doomed bus with six colleagues and their annoying boss (Koechner), but Death isn't letting them get away that easily. Soon they start dying in complicated freak accidents. A federal agent (Vance) questions Sam ("That looks premeditated to me!"), while a coroner (Todd) says they can escape if someone dies in their place. So while Sam tries to get his ex (Bell) back, his friend Peter (Fisher) looks for a way out.
Continue reading: Final Destination 5 Review
Sam Lawton is with his girlfriend Emma, when he has a premonition that the bridge they are on will collapse, killing everyone that's on it. It is only when his vision starts coming true that he manages to save himself and Emma, as well as a handful of other people. But it soon becomes clear to the group of survivors that they were all supposed to die on the bridge. As they try to cheat death, they all start dying starts one by one.
Continue: Final Destination 5 Trailer
Nope, it's not Short Cuts. It's not The Player. It was The Gingerbread Man. Before that it was Kansas City. And before that, Ready to Wear. It's been six years since Altman's last decent picture. And he's got a lot to redeem himself for.
Continue reading: Cookie's Fortune Review
Baldwin is perfect, but his sparring partner, Sean Connery, is even better. As a Russian sub captain defecting to the U.S. -- and bringing his titular, silent sub with him -- Connery turns in yet another memorable performance, full of ballsy gusto and cocksureness. Supporting players run the gamut from Sam Neill to James Earl Jones (the only real fixture in the Jack Ryan cycle) to Tim Curry.
Continue reading: The Hunt For Red October Review
The plot is solid high concept. If you did a double-take when you first heard that John Glenn would return to space, you'll love the basic premise of Ken Kaufman's and Howard Klausner's script - four daring, old Air Force codgers weasel their way back into NASA's space shuttle program to attempt an equipment repair mission that only they know how to perform. Our movie visions of strapping, young astronauts (Dennis Quaid, Bill Paxton, Ben Affleck, to name a few) are smashed once we see an aging James Garner pull on an airtight suit.
Continue reading: Space Cowboys Review
When septuagenarian astronaut John Glenn returned to space two years ago, phones probably started ringing all over Hollywood with pitches for the kind of high-concept audience-pleaser launched this week as "Space Cowboys."
Somebody was bound to write a connect-the-dots orbital adventure script about, say, a foursome of former test pilots who, 40 years after being passed over for the space program, are NASA's only hope to rescue the Earth from a dangerous satellite in a decaying orbit.
"Grumpy Old Men In Space" people would call it, and in the hands of 90 percent of the directors in Hollywood, that's all it might have been -- even if they got, say Clint Eastwood, Tommy Lee Jones, James Garner and Donald Sutherland to play the crotchety, never-grow-up team of rocket boy retirees.
Continue reading: Space Cowboys Review
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