Rainer Fassbinder's final film is a black-and-white ode to defeat, its questionably sane star obsessed with her own faded fame and willing to do anything to reclaim it. It doesn't seem terribly self-referential; Fassbinder was at the top of his game before he killed himself shortly after finishing the movie (curious point of trivia: Voss meets her end in an identical same fashion). Perhaps, though, it was frustration with filmmaking that led to Voss's big screen recreation -- or his frustration with life in general. (Of note: Voss is reportedly based on a real German film star, popular during the Nazi era and all but forgotten after its collapse.)
Continue reading: Veronika Voss Review
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