Diana Prince is a goddess and princess of the Amazons. She lives her life surrounded by strong women who know how to fight, so she is more than fascinated when a US Army Pilot called Steve Trevor washes up on the shore of her island paradise after a plane crash. She nurses him back to health and learns that he is fighting a huge war in the rest of the world, and it's then that she learns her true destiny. She wants to save the world at any cost, and it will cost her dearly. She returns home with Trevor and learns the ways of the women in his life, particularly those of his kooky secretary Etta Candy, but she uses her magical weapons and out-of-this-world fighting skills to protect her new friends and end the war for good.
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Diana is a princess and one of the best fighters on the island she was raised on. Her homeland was very different to what we know, it's a beautiful paradise inhabited only by women and Diana herself was brought to like by the mighty god Zeus. When a body washes up on the shore of the island, Diana cannot believe what she sees, a man has somehow found his way to their land and is in need of help.
Nursing the his back to help, the two bond and Diana learns that the man, an American pilot by the name of Steve Trevor was flying a plane when he crashed and found himself at her mercy. Steve regales many tail about the outside world and tells Diana of a catastrophic world war that's currently happening.
Moved by the pilot's stories, much to the dismay of the queen, Diana decides to leave her homeland and help fight with the Allies. The new outer world is a completely different place for Diana and she soon sees that life is very different for women outside of her normal environment. Demonstrating her fierce fighting method and lasso and sword skills, the superhero learns that her abilities are needed to protect the humans and must only be used for the greater good.
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Colin Pryce is a Louisiana congressman who becomes a hero in the eyes of all US residents surrounding the Gulf of Mexico when he decides to take action to help those affected by a severe BP oil spill. Many citizens have had their livestock taken from them, with hundreds upon thousands of shrimp and fish killed in the area, and he seems to be the only one making any move to ease the devastating environmental and financial impact. With the help of his wife Deborah Pryce, he wins respect for his charismatic and inspiring speeches, but he almost destroys all that when human temptation gets in the way. A whirlwind affair becomes a nationwide scandal when he is seduced by a beautiful young woman, and it's all he and his family can do to lessen the blow for his disappointed followers by continuing his campaign to address those who still need his help.
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French filmmaker Luc Besson continues to combine family themes with intense violence (see Taken), but at least this film has a wry sense of humour about it. Director McG refuses to take the story seriously (see Charlie's Angels), balancing the escalating body count with a silly father-daughter drama to make this an enjoyably absurd guilty pleasure.
Kevin Costner stars as Ethan, a veteran CIA hitman who finds out that he's only got three months to live. So he retires and returns home to Paris to reconnect with his ex-wife Christine (Connie Nielsen) and their now-teen daughter Zooey (Hailee Steinfeld). But just as he discovers a family of immigrants squatting in his flat, the vampy CIA operative Vivi (Amber Heard) appears and coaxes him back into service for one last job, paying him with both cash and an experimental cancer treatment. So as he tracks down international arms dealers, he's also trying to bond with Zooey over three days of babysitting while Christine is away on business. But of course this is also just when the violence breaks out.
McG does a great job of cutting back and forth between these two story strands: the tetchy-sweet fatherly stuff and the action-man shootouts, car chases and fist-fights. Ethan even has to interrupt a spot of torture when Zooey gets in trouble at school. This wildly bizarre mixture of goofy sentimentality and vicious brutality takes in all of Paris' picturesque landmarks. And since this is a Luc Besson script, it's only a matter of time before the two elements merge for a big climax. Yes, everything is ludicrously predictable, but there's just enough spark to keep us entertained.
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Joe is a fiercely determined 50-year-old woman whose sexual drive has taken over her entire life. Her story of how she ended up injured in an alleyway and subsequently being nursed back to health by the curious Seligman deepens and darkens in this half of the story, as she relays tales of how her sexuality has caused so much damage. In a bid to somehow recover from her nymphomania, she attends a therapy group, but she also can't resist meeting a therapist of a different kind as she finds new and more dangerous ways to challenge herself and her sexuality. Her pleasure through pain has led her to a potential job with a group of criminals who are looking for somebody to inflict pain on their victims. But with such instable people around her, just how close is she to landing in some serious trouble?
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Joe has always known she's been completely obsessed with sex ever since she was a young girl. Her excessive desires would see her meet man after man after man, eventually with little ability to remember who was who. Her fantasies were extreme; she wanted to rebel against the idea of love by allowing herself to be used by men as if she were an object. When she finds herself lying in an alleyway in her fifties having been badly beaten by an as yet unknown perpetrator, she is rescued by a charming older man named Seligman who takes her to his home and offers her a pick-me-up and a bed for the night. It's there she uncovers her entire sexual history, though with none of the joy it brought her as a young woman. Instead, she is despondent and filled with a heart-breaking self-hatred as Seligman tries to offer some wise words of comfort.
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Ethan Runner is a formidable Secret Service Agent ready to retire from his dangerous employment in a bid to spend more time with his wife and teenage daughter, who is unaware of his real job and is in the process of forgiving him for leaving her and her mother for his job. However, after contracting a deadly illness, he discovers that he could be dead within days if he doesn't take a dose of a new experimental drug that's only available from exclusive governmental sources. With Secret Service authorities determined to keep Ethan on side given that he is one of their best agents, the drug is offered as a reward if he completes one more assignment. But with it coinciding with his duties as a father, just how is he going to manage to juggle his professional and his family life at the same time?
Continue: 3 Days To Kill Trailer
The facts are these: In 1945, as the American army is pushing back the Japanese in the Philippines, Tokyo has issued an order to exterminate every prisoner of war, an order enthusiastically carried out in the beginning of the film, which recreates an episode in which 150 U.S. POWs were covered in gasoline and set on fire. The Americans know that as they advance, the Japanese will do the same thing at every camp they get close to, and that the American Sixth Army is only days away from the camp at Cabanatuan, with over 500 prisoners - a starving and miserable bunch who survived the Bataan Death March and three years of privation only to face murder just as their fellow soldiers approach. So a team of 121 soldiers, mostly inexperienced Rangers, are ordered to sneak 30 miles behind Japanese lines and liberate Cabanatuan. It's a jury-rigged, rag-tag sort of mission, with the soldiers knowing it's a suicide detail, but also knowing they couldn't stand not to try.
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If I had only one sentence to explain how badly director William Friedkin has bungled "The Hunted," it would be this: 15-year-old Frankie Muniz, starring in this week's "Agent Cody Banks," is a more convincing covert operative as a kiddie spy than Benicio Del Toro is as the Special Forces assassin gone rogue in this movie.
In the unrelentingly violent Kosovo-war prologue -- which is supposed to establish why Del Toro went bonkers and can now be spotted filleting unsuspecting hunters like some vigilante vegan in the woods outside Portland, Oregon -- the star acts nothing like the stealthy, highly-trained, surgical-strike assassin he's supposed to be. In fact, he looks more like a clumsy little kid playing hide and seek (which is hardly suprising since he admits not training for the role).
It's almost laughable that he makes it all the way across an erupting urban battlefield and into a heavily guarded and fortified mosque to graphically slice-and-dice a cruel Serbian commander.
Continue reading: The Hunted Review
Diana Prince is a goddess and princess of the Amazons. She lives her life surrounded...
French filmmaker Luc Besson continues to combine family themes with intense violence (see Taken), but...
Joe is a fiercely determined 50-year-old woman whose sexual drive has taken over her entire...
Joe has always known she's been completely obsessed with sex ever since she was a...
Ethan Runner is a formidable Secret Service Agent ready to retire from his dangerous employment...
This high-concept apocalyptic thriller starts well, with a lush visual style and strong performances. But...
In Woody Allen's Bananas, a group of American soldiers are being airlifted to the mythical...