Connie Chiume at the world premiere of Marvel Studios' 'Black Panther', held at the Dolby Theatre in Los Angeles. The movie is the second to feature Chadwick Boseman as the titular superhero, following 2016's 'Captain America: Civil War' - Los Angeles, California, United States - Tuesday 30th January 2018
A fictional narrative created to encompass several storiesthat personify the nation-altering emotional crux of South Africa's Truthand Reconciliation hearings, "In My Country" accomplishes itsgoal -- but does so largely through obvious plot devices.
JulietteBinoche and Samuel L. Jackson give strong, movingperformances as two journalists -- one Afrikaner, one African-American-- covering the gut-wrenching testimony as the oppressed came face-to-facewith their oppressors during these historical early-1990s committees, heldall over the upended nation as it transitioned from apartheid to democracy.But it's too obvious that their characters are designed to represent (orat least be acquainted with) particular points of view that must come toa symbolic accord for the country's race issues to be resolved.
She comes from an enlightened perspective about equality,but her rich, white family is nervous about living in the new South Africa-- and of course they have skeletons in their closets that soon come tolight. He has a huge chip on his shoulder about race relations, havinggrown up seeing America's Civil Rights movement pave the way for more equalitybefore the country developed a collective sense of denial about the lingeringdiscrimination still ingrained in its culture.
Continue reading: In My Country Review
Almost entirely scenery and labored melodrama, "I Dreamed of Africa" is a terribly earnest effort at making a weepy women's Event Picture from the memoirs of a American socialite roughing it on a ranch in Kenya.
Kim Basinger, in her first screen effort since winning the Oscar for "L.A. Confidential," take the lead as Kuki Gallmann, a real-life divorcee who moved to a derelict 100,000-acre ranch on the East African plains with her young son and her intrepid new husband in the early 1980s.
Tinged with tragedy and adventure, but very little depth, the film plays like entries being read at random from Gallmann's diary. It has a decade's worth of incidents it wants to touch on, but doesn't have a clue how to segue between them. The script has no organic flow whatsoever, racing roughshod over years at once (her son goes from 7 to 14 to 17 in two scenes) and leaving little time for character development.
Continue reading: I Dreamed Of Africa Review
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A fictional narrative created to encompass several storiesthat personify the nation-altering emotional crux of South...