Emily Blunt will star as everyone’s favourite Nanny in the sequel.
Production has commenced on the highly anticipated Mary Poppins Returns and Walt Disney Studios have finally revealed some exciting plot details.
Filming is currently underway at Shepperton Studios in Surrey, England and the musical is scheduled for release on December 25, 2018.
Emily Blunt stars in Mary Poppins Returns
Continue reading: Here's What We Know So Far About 'Mary Poppins Returns'
A report in Variety suggests that Firth could play the role of William Weatherall Wilkins in 'Mary Poppins Returns'.
According to a report in Variety on Wednesday (October 19th), English actor Firth is in negotiations with Disney to play the part of William Weatherall Wilkins of the Fidelity Fiduciary Bank, which is where the children’s father, George Banks, works in the original film.
If it comes off, Firth will be joining Emily Blunt – who is playing the magical nanny herself – plus Meryl Streep and Lin-Manuel Miranda in the cast of the big-budget movie, scheduled for release on Christmas Day 2018.
Continue reading: Colin Firth In Talks To Join 'Mary Poppins Returns' Cast
Despite breaking records in the UK, ‘Bridget Jones’s Baby’ failed to make an impression at the US box office.
Bridget Jones’s Baby had a disappointing opening weekend at the US box office, taking just $8 million in North America and coming in third place in the charts. The third film in the Bridget Jones series had faired much better overseas, topping the charts in 24 countries.
Renee Zellweger in Bridget Jones's Baby
In the UK it took $11 million in its opening weekend, becoming the best ever opening for a romantic comedy and for studio Working Title. Overall Bridget Jones’s Baby has made $30 million from 38 territories so far, including $4.2 million in Australia.
Continue reading: 'Bridget Jones's Baby' Disappoints At US Box Office
As it's been 12 years since the last Bridget Jones movie, expectations aren't too high for this sequel. So it's a very nice surprise that this film stands on its own as a charming and often very funny romantic comedy while rounding off the trilogy in style. The cast is terrific, and the script bristles with snappy dialogue and witty characters that lead the audience down an unpredictable route to a complicated happy ending.
On her 43rd birthday, Bridget (Renee Zellweger) is finally content with her single life. Although her romantic past continues to torment her, especially when she runs into former flame Mark Darcy (Colin Firth) at a funeral. With a corporate shake-up underway at the TV news programme she produces, presenter Miranda (Sara Solemani) suggests that Bridget needs some sex to liven up her life, whisking her off to a music festival. There she has a cute, hot encounter with the dishy Jack (Patrick Dempsey). And a week later, she rekindles her romance with Mark when she learns that his marriage has ended. So when she discovers that she's pregnant, Bridget hasn't a clue which man is the father.
This premise offers plenty of scope for both thematic meaning and awkward plot turns, and the screenplay merrily dives right into all of it, mixing some silly slapstick with darker emotions as director Sharon Maguire maintains a breezy-comical tone. This kind of balance is difficult to get right, but the film feels effortlessly engaging.
Continue reading: Bridget Jones's Baby Review
Bridget is back again and the critics are saying this one was worth the wait.
Bridget Jones’s Baby has been praised by critics following its premiere on Monday, with most agreeing it was a welcome return to form for Renee Zellweger’s character. It’s been 12 years since we last saw Bridget on our screens and this time she’s approaching 40, pregnant and trying to work out who the baby’s father is.
Bridget Jones is back in Bridget Jones’s Baby
Writing in The Guardian, Peter Bradshaw told fans the new film was better than Bridget’s last outing, 2004’s The Edge of Reason. He describes the film as “something resembling a likeable, good-natured one-off TV holiday special.”
Continue reading: Critics Welcome Back Renee Zellweger Warmly In 'Bridget Jones's Baby'
The actress is back as Bridget in the new movie, alongside Colin Firth and Patrick Dempsey.
Renee Zellweger is back as Bridget Jones in new movie Bridget Jones's Baby, but this time she’s got some extra baggage. Appearing on ‘Good Morning Britain’, the 47-year-old actress described having to wear the prosthetic bump for Bridget’s latest outing, saying it was "an adventure".
Renee Zellweger had to wear a prosthetic bump for Bridget Jones’s Baby
When quizzed by host Kate Garraway on wether wearing the prosthetic bump made her fancy motherhood for real the actress said: “Of course, what an adventure! Kudos to the real mums out there who can’t take it off at the end of the day – it’s quite a load.”
Continue reading: Renee Zellweger Talks Wearing Prosthetic Bump For 'Bridget Jones's Baby'
‘Bridget Jones’s Baby: The Diaries’ will come after the release of film 'Bridget Jones’s Baby' in September.
Bridget Jones is coming back with a new novel set to be published on 11 October. Bridget Jones’s Baby: The Diaries will accompany the new film which follows Bridget becoming a first time mother. Fans had previously thought that no new book was on the way, after the last instalment Mad About the Boy was released in 2013.
Renee Zellweger as Bridget Jones
Author Helen Fielding said: “At heart, Bridget Jones is about the gap between how we all feel we’re expected to be and how we actually are; and – as Bridget discovers with her somewhat bumpy pregnancy – how we expect life to turn out and how it actually does.”
Continue reading: There's A New 'Bridget Jones' Book Coming In October
Well, not literally.
Renée Zellweger and Colin Firth return in 'Bridget Jones's Baby'; another comedy-infused romantic drama set for release more than ten years since 'Bridget Jones's Diary' sequel 'The Edge of Reason'. This time she's a very professional woman in charge of her life - well, at least she thought she was.
Where will motherhood take Bridget Jones?
Directed by Sharon Maguire, 'Bridget Jones's Baby' is based not on the 2013 book by Helen Fielding entitled 'Mad About The Boy', but a series of story columns she wrote exploring the post 'Edge Of Reason' life of this regular London woman. Co-written by Fielding, David Nicholls and Emma Thompson, it will introduce a new star to the franchise: Patrick Dempsey.
Bridget has always known how to get herself into a muddle - catastrophic muddles at that - even though she's been separated from her last love, Mark, for five years it appears their journey together hasn't come to an end as yet.
After taking advice from one of her colleagues, Bridget decides that it's time to get back on the dating scene and after deciding that the likes of Tinder aren't for her, Bridget finds herself being set up with Jack Qwant who she sees in the news room studio.
The pair get on remarkably well and soon find themselves spending the night together. A little fun is just what Bridget needed. When she finds herself at the christening of one of her friends little girls, her and Mark are forced to be amicable towards one another but the pair fall into old habits and Bridget and he also spend the night together.
Continue: Bridget Jones's Baby Trailer
It will be the singer’s first non-cameo film role since 1975’s ‘Tommy’.
Elton John has confirmed he will have a role in the upcoming sequel to British spy comedy Kingsman, The Golden Circle. The singer was first rumoured to be appearing in the film last month and his confirmation comes just as shooting on the sequel has begun in London.
Elton John has confirmed he will have a role in sequel, Kingsman: The Golden Circle.
On Instagram John posted a parody poster which featured his iconic star glasses in Union Jack colours, along with the phrase ‘Wednesday night's alright for fighting’, a reference to his 1973 hit ‘Saturday Night's Alright (For Fighting)’.
Continue reading: Elton John Confirms He Will Star In 'Kingsman: The Golden Circle'
Almost forensic in its approach, this smart thriller explores a drone strike from a variety of perspectives that bring the moral dilemmas sharply into focus. This includes textured performances from seriously gifted actors who add layers of political, military, legal and emotional meaning to each moment along the way. So the film is continuously gripping, putting the audience right in the middle of the action.
The target is in a suburb of Nairobi, where three of the world's most wanted Somali jihadists are gathering to prepare two young suicide bombers for a mission. British Colonel Powell (Helen Mirren) is overseeing the operation from London, with her American drone pilots (Aaron Paul and Phoebe Fox) working in Las Vegas. The hitch is that two of the targets are UK citizens, and one is American, which means that they also need to have government officials in on the discussion. So Lt General Benson (Alan Rickman) is watching with British government ministers (including Jeremy Northam and Monica Dolan). Meanwhile in Kenya, a local operative (Barkhad Abdi) is on the scene. But just as everyone agrees to fire the missile, a young girl (Aisha Takow) wanders into the danger zone.
What follows is a remarkably tense escalation of decision-making, as everyone passes the buck up the chain to avoid making the call themselves. Guy Hibbert's script orchestrates this skilfully, keeping the atmosphere taut while stirring generous doses of black comedy into the interaction between soldiers and politicians. This includes amusing scenes in which Britain's foreign secretary (Iain Glen) is dragged into the conversation while suffering food poisoning in Singapore. Yes, the film has a terrific sense of instant global connections, as its characters work together at a huge distance from each other and from the target of their operation.
Continue reading: Eye In The Sky Review
Thomas Wolfe was a writer who was used to rejection. His constantly lengthy novels didn't seem to appeal to the vast majority of publishers out there and most editors were fazed by his compulsion to write hundreds of pages.
Not willing to give up on his talent, Wolfe send his pages to Maxwell Perkins, the man who originally published Hemingway and F. Scott Fitzgerald. When Thomas is summoned to Maxwell's office, he presumes he's once again about to be told that he's been unsuccessful but the chance to meet a man who's had so much literary influence is too much to pass up. The meeting begins as Wolfe thinks it would but he's soon informed by Perkins that the company will take on Wolfe's latest book.
Wolfe and Perkins form a close relationship, Wolfe still delivering copious amounts of words and Perkins seemingly the only man capable of editing them. As their personal and professional relationship deepens, Perkins is taken in more and more by the acclaimed genius.
Continue: Genius Trailer
After battling the dating scene and finally finding love with Mark Darcy, Bridget Jones is ready to take her relationship to the next stage - well, sort of. After years of thinking that Mark was all she wanted, she realises that their relationship isn't as close as it once was and decides to call it a day.
Back where she started, Bridget decides that the men in her life are just distractions, now it's time to get fully involved in her work and climb to the position she's always wanted. As things start to fall into place for Bridget, soon her love life begins to pick up speed too.
A fleeting meeting with Mr Darcy leads to the pair reuniting - temporarily at least - whilst Bridget is also being wooed by a smooth American called Jack, a man who doesn't have Darcy's prim and proper ways but is just as charming. Playing the field doesn't work out quite as easily as Bridget hoped as she falls pregnant. Now all she must do is find out which partner she wants to be with and more importantly, who the father is.
Continue: Bridget Jones's Baby Trailer
Bridget Jones is back and this time she’s caught in another love triangle, with a baby on the way.
Renee Zellweger is ‘stepping back with old friend’ Bridget Jones, the hapless singleton who she last played in 1999’s Bridget Jones: The Edge of Reason. But this time things are slightly different. Yes Bridget has matured, but it hasn’t made her love life any less complicated, as the actress told Entertainment Weekly.
The singer has tweeted a pic of himself and star Renee Zellweger after filming a cameo in the upcoming sequel.
Colin Firth and Livia Giuggioli - A host of fashionable stars were photographed as they attended the Alexander McQueen: Savage Beauty Fashion Benefit Dinner in London, United Kingdom - Thursday 12th March 2015
Charges of racism and sexism greet this year's Oscar nominations, just after Sunday's lively Golden Globes ceremony. Stars roll out for the Kingsman red carpet in London, and new trailers bow for the new Avengers adventure, Melissa McCarthy's Spy, Fifty Shades of Grey, Kevin Costner's Black or White and Jennifer Aniston's Cake..
Oscar nominations were announced on Thursday and brought the usual flood of reactions, mainly because of notable snubs. Voters opened themselves to charges of both racism and sexism by ignoring black actors and female writers and directors. The biggest outcry was for Selma, which received a Best Picture nomination but nothing for its acclaimed cast or director Ava DuVernay.
20th Century Fox is partnering with Uber to give fans exclusive access to 'Kingsman: The Secret Service'.
20th Century Fox has teamed with innovative taxi service Uber to promote Matthew Vaughn's new spy movie Kingsman: The Secret Service, starring Samuel L. Jackson, Mark Strong and Colin Firth. Uber riders in 50 cities will get the opportunity to get exclusive access to the movie from January 15, one month before the film hits theaters.
Colin Firth stars in Matthew Vaughn's 'Kingsman: The Secret Service'
Users will be encouraged to enter a competition to win two passes to an advance screening of the movie. Winners will receive an email confirmation and directions to the theater, according to The Wrap.
Nicole Kidman took time out for some serious studying to play amnesiac in 'Before I Got To Sleep'.
'Before I Go To Sleep' explores the darkness of losing one's memory to an accident, a fear that resides deeply in everyone and which Nicole Kidman displayed with remarkable commitment on the chilling movie adaptation with Colin Firth.
Nicole Kidman impressed Colin Firth with amnesiac performance
In a bid to fully immerse herself in the character of Christine, a 40-year-old woman who wakes up one day believing she is still in her twenties and with no recollection of who her husband is only to find out repeatedly that he has been introducing himself to her every day for several weeks, Nicole Kidman took the time to do some full research into her condition. 'I watched a number of documentaries where people do have this psychogenic amnesia', she explains. 'The idea of actually having this is horrifying. Someone described it as like losing their soul, because you lose your identity, you lose actually what you are and that's really chilling, and it's also sad.'
Wallace Avery is struggling with the hardships that life is throwing at him; a boring job, a failed marriage, an estranged son and an unfulfilling relationship; and decides that something must be done in order for him to find happiness again. He fakes his own drowning and purchases a new identity, becoming golf pro Arthur Newman and landing himself a job at a golf club away from Florida. It's then he meets Michaela "Mike", who is actually named Charlotte Fitzgerald and has assumed the identity of her twin sister who's suffering from mental health problems. They set out on a road trip together to Indiana but it isn't long before they both discover each other's true identities. With that in common, their bond strengthens and a romance blossoms as they take comfort in each other's dissatisfactions in life. But when it comes down to it, this couple have some serious decisions to make about the kind of people they really want to be.
Continue: Arthur & Mike Trailer
The filmmaker discusses his enchanting new drama, and how its rural French location proved a challenge.
Woody Allen has recently unveiled his enchanting new comedy drama, Magic in the Moonlight, with an intriguing trailer and a promisingly star-studded cast. Set mainly in France in the 1920s, the unique story takes a look at the tussle between spirituality and scepticism seen through the eyes of two unlikely lovers.
The filmmaker has spoken of his pride towards his latest venture but has also revealed that this was tinged with uneasiness surrounding the rather soporific surroundings. "This one's set in Nice in the 1920s. I have a great cameraman, terrific art director, but finding locations was hard. We had to travel around, do selective shooting to re-create primitive spots like in the old days," the director told the NY Post's Page Six.
Sunday's Academy Awards topped the ratings as they awarded popular winners. Meanwhile, Wes Anderson assembles his latest starry cast for a New York premiere and we get new trailers for Transformers 4 and the Paddington Bear movie...
The Academy Awards drew its biggest TV audience in more than a decade on Sunday night, as the Oscars were shared by a variety of hit films and performances. Ellen Degeneres hosted the ceremony, giving the night a populist touch by serving pizza to the A-listers and taking a star-packed selfie that managed to crash Twitter.
As for the winners, 12 Years a Slave won three top prizes - for best film, screenplay and supporting actress - while the blockbuster Gravity took home seven awards. There were also popular wins for Matthew Mcconaughey, Cate Blanchett, Jared Leto and the animated film Frozen. If you need to catch up on any of the above click to find more info on 12 Years a Slave taking Best Picture, Matthew McConaughey and Cate Blanchett's triumph, Pizza anoyone? and Ellen deciding to get a couple of stars together for an impromptu selfie.
The Oscars: need we say more? The movie event of the year finally came and went with lots of dazzling winners and hilarious stories.
The 86th Academy Awards: The night we'd all been waiting for was finally here: this year's Oscars ceremony has come and gone along with another ground-breaking year in cinema. 12 Years a Slave predictably took Best Picture but Gravity emerged as the movie of the evening with seven awards, five of which were in the technical categories. Matthew McConaughey and Cate Blanchett triumphed with their respective acting awards, pizza was served, Lupita Nyong'o was the darling of yet another awards show and high-scoring host Ellen Degeneres wrapped up the festivities with a neat and expertly-timed bow.
The Oscars Selfie: They say a picture speaks a thousand words but nowadays an image is judged by how many retweets it can get within the shortest space of time. When Ellen Degeneres decided to get a couple of stars together for an impromptu selfie, she probably didn't expect the shot - which featured Bradley Cooper, Brangeline, JLaw, Lupita, Kevin Spacey, Jared Leto, Julia Roberts and Meryl Streep - to surpass Obama's re-election shot's previous world record. The snap broke Twitter, attracting 80,000 retweets within 30 minutes and 1.2 million in an hour.
'Paddington' is off on a big adventure later this year.
‘Paddington’ the small bear who came all the way from Peru is finally getting to take a big screen adventure and the teaser trailer has just be released. Whilst it doesn't give too much away, we do get a ever so sneaky look at the bear himself. So before we find out any more on the upcoming film, lets take a look at everything we know about the bear's big screen debut so far.
Voiced by Colin Firth, the 'Paddington' movie is coming.
Could Woody Allen continue his good run with Magic in the Moonlight?
Woody Allen has revealed that his next movie, set in the South of France, will be titled Magic in the Moonlight.The prolific director, who is back to making one movie per year, refused to give up any further details on the project though it appears to be set sometime in the 1930s. As the Los Angeles Times points out, the title could be a reference to Dean Martin's ballad Magic is the Moonlight.
Woody Allen On The Set of 'Blue Jasmine'
Something else we do know about the movie is the cast. It stars Colin Firth, Emma Stone, Jackie Weaver, Marcia Gay Harden, Eileen Atkins, Hamish Linklater, Simon McBurney, Paul Ritter, Erica Leerhsen, Catherine McCormack and Jeremy Shamos.
Continue reading: Woody Allen's 'Magic In The Moonlight': Everything You Need To Know
Helen Fielding's novel is likely to be one of the biggest selling of the year.
Who said the book industry was on its knees? Despite rather average review of her latest book, Helen Fielding's third Bridget Jones novel Mad About The Boy sold more than 46,000 copies in just one day across hardback, e-book and audiobook formats last week.
Bridget Jones At A Signing of 'Mad About The Boy'
Those familiar with literary sales will know that's a phenomenal total and far above expectations. By comparison, the high profile release of William Boyd's James Bond novel Solo sold 8,293 in three days.
Continue reading: Helen Fielding's 'Mad About The Boy' Outsells Bond By 38,000 Copies
Colin Firth will play no further part in the Bridget Jones movie adaptations.
Helen Fielding's decision to kill of major character Mark Darcy in the latest instalment of the Bridget Jones series Mad About the Boy was met with disdain and disappointment from fans.
Helen Fielding, The Author of The Bridget Jones Novels
An extended excerpt in the Sunday Times Magazine revealed that Jones was now a windowed mother of two, despite getting engaged to Darcy in the second book, Bridget Jones: The Edge of Reason.
There's much to admire in "The Railway Man". The complex story is just the beginning.
One of the more prominent films screened at TIFF this weekend turned out to be The Railway Man, a true-to-life drama, which fits neatly within the festival’s noticeable motif of torture, depicted in various ways in many movies on the roster. Colin Firth stars in this Jonathan Teplitzky film as a World War II veteran, who has been so shaken by the experience of being a war prisoner and forced to work on the Thailand-Burma railway that he can’t rid himself of the memories for long after the war.
Colin Firth and Nicole Kidman both deliver excellent performances in this WWII drama.
When Eric (Firth) finds out that the man who tortured him after his capture – an interpreter by the name of Takashi Nagase – is still alive, the demons, which still haunt him, surface once again. His wife Patti (Nicole Kidman), having found out the reason behind her husband’s trauma, encourages him to return to Japan, find Nagase and get some closure from his horrific experiences. But as it turns out, closure isn’t an easy thing to come by and Eric is forced to choose between revenge or acceptance.
Eric Lomax was a British Officer in World War II who found himself a prisoner of war after he and several of his comrades were ambushed in Singapore. Forced to work on the Thailand-Burma Railway, he was severely tortured by an interpreter by the name of Takashi Nagase to the point where it tormented him throughout the rest of his life, psychologically damaging him for many years. Several years on, his new wife Patti demands to be given an explanation as to what happened in his life to make him so scarred, and she is informed by his friend Finlay of his horrific trauma. After Eric discovers in a newspaper that Nagase is still living, Patti convinces him to make a trip back to Japan to confront his intimidator once and for all and finally end his lifelong ordeal. However, things don't quite go according to plan and Eric is faced with either revenge or acceptance and reconciliation.
'The Railway Man' is the extraordinary true to life war film based on the autobiography of the same name by Eric Lomax. It has been directed by Jonathan Teplitzky ('Burning Man', 'Gettin' Square', 'Better Than Sex') and written by Frank Cottrell Boyce ('24 Hour Party People', 'Butterfly Kiss') and Andy Paterson, and will be released in the UK on January 3rd 2014.
Taylor Swift is rumoured to be making a cameo appearance in the upcoming spy film, although conflicting rumours have emerged that say otherwise. So what's the deal?
Rumour has it that Taylor Swift will be making the leap on to the big screen in the upcoming British spy caper The Secret Service, with the country-tinged pop starlet apparently due to fill in one of the cameo appearances that are being dished out to famous faces such as David Beckham, Elton John and Adele. Although certain rumours suggest that the part is as good as hers, others claim that this is all bogus and Taylor hasn't even been approached by film bosses. So what gives?
Taylor Swift is tipped to play a cameo role in the spy film
A report from the UK's Daily Mirror states that Swift has landed the cameo role already, in which she will play a butt-kicking escapee of villainous Samuel L Jackson's character. The cameo appearance supposedly features her squaring up to the baddie after fleeing his lair and is one of many cameos lined up for the film, which has been described as being like a modern day version of James Bond (so Skyfall then). David Beckham is also being strongly linked with the role, as have Elton John and Adele, however it is Taylor who has given the first rebuttal and supposedly denied the rumours linking her with the role.
Will Goldenballs be providing another cameo?
David Beckham joining The Secret Service? Sounds about right, even if it’s only the film and not the U.S federal law enforcement agency. In fact, they both sound totally feasible to us. The English ex-footballer will be making his third film appearance alongside Colin Firth and Sir Michael Caine in the Matthew Vaughn-directed film, The Secret Service, if The Sun are to be believed.
A source said: "Becks was asked by Colin Firth if he'd like to be in the movie but he is yet to fully commit. He loves movies and fancies appearing on the big screen - but just as a one-off, not a full-time career." But Becks isn’t the only British star said to be in demand for this film; glamerous singer Elton John is said to be wanted for a fight scene. We would really like that to happen, please. And if it does, it’s due to start shooting this autumn.
Since Sir David quit football, he’s been fulfilling an ambassadorial role for the Chinese Football Association, as well as travelling the globe for sports initiatives and charitable causes. He retired from the game while playing for the recently minted Paris Saint Germain, whose supporters recognised his commitment to the sport by performing a standing ovation at his last game.
Continue reading: Come On Becks, It's Time To Serve Your Country Again
The long-awaited novel will be released in October
One of Britain’s best-loved characters is back for a more modern adventure. Bridget Jones, who will be living her tragic life in London, will be battling with tropes of the modern world in the recently named Mad About The Boy – the third book in the series.
One of those tropes will be social media, something that poor old Jones didn’t have to deal with back in the 90s, but now, it’s very much a part of her love life, or lack of it. An excerpt of the book reveals her struggles, according to Sky News. "You see, this is the trouble with the modern world. If it was the days of letter-writing, I would never even have started to find his address, a pen, a piece of paper, an envelope, a stamp and gone outside at 11.30pm to find a postbox," it reads. Another says, "A text is gone at the brush of a fingertip, like a nuclear bomb or Exocet missile. Dating Rule No 1: Do not text when drunk."
Fans of the films, though, will have to make a cup of tea and sit patiently. Maybe even, 100 cups of tea, if the star of the first two films, Colin Firth, is to be believed. "Unfortunately, it might be a bit of a long wait," he said. "I wouldn't say that it's completely dead in the water, but the way it's going you might be seeing Bridget Jones' granddaughter's story being told by the time we get there."
Continue reading: New Bridget Jones Book Name Announced, Film Will Be A Long Wait
British actor in talks to appear in the next Woody Allen movie, alongside Spider Man star Emma Stone
Following the news that Emma Stone is lined up to star in a Woody Allen movie, Deadline have announced that British actor Colin Firth is also in the running to star in the film. As yet untitled, the movie is expected to be shot in the south of France. Woody’s keeping the plot firmly under wraps though it seems that he is working towards putting together a typically stellar cast.
Allen, a prolific, iconic and highly respected director, just finished working on his 44th movie as a director. Entitled Blue Jasmine, the film was set in New York and Los Angeles and stars Alec Baldwin, as well as Cate Blanchett, Sally Hawkins and Louis CK. The movie is scheduled to open in September 2013. Colin Firth is currently lined up to star in The Secret Service – the next movie from X:Men First Class’s Matthew Vaughn. However, he’s thought to be making room in his schedule to ensure that he lands a slot in Woody Allen’s latest movie.
For Emma Stone, a role in a Woody Allen will be an important move. Allen is known for creating movies that – whilst popular, both critically and with audiences – have a certain art-house appeal and to appear in a Woody Allen movie is a mark of progress and industry respect for many actors.
Continue reading: British Star Colin Firth Lined Up For New Woody Allen Movie
The big movie news this week was that Disney has signed Lawrence Kasdan to return to the franchise to write Star Wars Episode VIII. He cowrote both The Empire Strikes Back and Return of the Jedi some 30 years ago. Michael Arndt (Toy Story 3) is writing Episode VII, and Simon Kinberg (X-men: First Class) is working on Episode XIX.
While rumour has it that Harrison Ford, Carrie Fisher and Mark Hamill will all be back for the new Star Wars movies, it's unlikely that Ewan McGregor will appear in them. But he was on hand this week for the London premiere of The Impossible, a true drama about the 2004 Indian Ocean tsunami by Spanish filmmaker J.A. Bayona (The Orphanage). Bayona and McGregor were joined on the red carpet and a screening Q&A by costar Naomi Watts.
Two big British films open in the UK this weekend. The remake of the con-artist comedy Gambit sees Colin Firth and Cameron Diaz take on roles originally played by Michael Caine and Shirley MacLaine in 1966. And David Tennant joins Marc Wootton for Nativity 2: Danger in the Manger, the sequel to 2009's hit comedy Nativity! Yes, it's just as stupid as the first film, but it's also a holiday guilty pleasure.
Harry Deane is a pretty hopeless British art curator who has suffered years of condescension and disrespect at the hands of his preposterously rich and eccentric boss that is the renowned art collector Lionel Shabandar. Frustrated at his own lack of recognition in the art world, Harry decides to organise an elaborate plot of revenge on his employer by tricking him into buying a seemingly priceless Monet painting that happens to be a fake. As part of his cunning ploy, he travels to the states and meets a stunning, blonde Texas cowgirl who he enlists to help him by posing alongside her grandmother as inheritors of the valuable piece. He takes her to England where Shabandar is immediately taken with her and goes to all lengths to charm her. Harry's affection for Nicole is also growing and his jealousy of the two of them results in more than one embarrassing situations.
This flamboyant crime comedy is a remake of the 1966 Academy Award nominated film of the same name which starred Michael Caine ('The Dark Knight', 'Children of Men') and Shirley MacLaine ('The Apartment', 'Terms of Endearment'). Not only has this 2012 movie also got an all-star cast, it has been written by the multi-Oscar winning writing brothers Ethan Coen and Joel Coen ('No Country for Old Men', 'Fargo', 'True Grit') as well as being directed by Michael Hoffman ('One Fine Day', 'The Emperor's Club'). It's set for release in the UK on November 21st 2012.
The big movie news this week is that Colin Firth, Geoffrey Rush, Helena Bonham Carter and director Tom Hooper will all be back for a sequel to The King's Speech, set during the Blitz. The film centres on the different experiences of the royals and the speech therapist's family as the Germans drop bombs on London.
After his pivotal role in The Dark Knight Rises, Joseph Gordon-Levitt is back on our screens this week in the time travel hitman thriller Looper, in which he plays a 30-years-younger version of Bruce Willis. The smart, thoughtful action movie reunites Gordon-Levitt with Brick writer-director Rian Johnson.
Annie Lennox has married for the third time, People Magazine have reported. The former Eurythmics singer married an American doctor, Mitch Besser. Both Mitch and Annie are 57; they tied the knot in London on Saturday September 15, in a private ceremony with 150 friends, on a boat on the Thames. Lennox is a committed activist and frequently campaigns to raise awareness and money for HIV charities. Dr. Besser is a Harvard educated gynaecologist, who founded the private, Africa-based organisation mothers2mothers, which is dedicated to reducing the transmission of HIV between mothers and their children.
Annie’s two daughters, Lola, 22 and Tali, 19 were bridesmaids. The bride reportedly wore a long white gown with a lace bolero shrug and a 1920s style headpiece. Their wedding guests – including Ruby Wax and Colin Firth - were then treated to sushi and mini roast puddings, followed by mini fruitcakes. A friend of Annie’s told the Daily Record “Annie doesn’t go in for all the celebrity photos of a big showbiz wedding. She and Mitch are probably going to get away for a few days.” She had previously said that she wouldn’t marry again as she “didn’t see the point of it.”
The couple met in 2009, through the work of his organisation and in 2011, Annie was awarded an OBE from Queen Elizabeth, for her charity work. Her music is equally well respected and Annie recently had an exhibition dedicated to her work, at the prestigious Victoria and Albert museum in London. Her agent confirmed the news of the marriage in a short statement.
In the 1970's, former spy George Smiley (who is in forced retirement), is called in to investigate the news that there is a Soviet mole of high-ranking within 'the Circus' - the in-house name for MI6 - who has been there for years making him one of George's former colleagues. George manages to narrow his search down to four men, all colleagues of his. His rivalries and friendships with each of the suspects will make it difficult for George to locate the mole who is eroding at the centre of the British government.
Continue: Tinker, Tailor, Soldier, Spy Trailer
Momentous historical events add a remarkable kick to this fascinating personal drama, which is based on journal entries and firsthand accounts. besides being hugely entertaining, the film also gives Colin Firth yet another meaty role to dive into.
In 1925, Bertie (Firth), the Duke of York, is paralysed with fear when required to speak in public. After unsuccessful treatment for his stammer, his wife Elizabeth (Bonham Carter) locates unorthodox speech therapist Lionel Logue (Rush), an Australian who insists on familiarity even with the royals. But as Bertie begins to make progress, his life takes a dramatic turn when his brother Edward VIII (Pearce) abdicates the throne, leaving Bertie in place as George VI just as war breaks out with Germany. Now the nation really needs to hear his voice.
The sharp, often very witty script has the ring of truth to it, refusing to overplay big events or to create some miracle cinematic cure that sees Bertie rising to inspiring orator status. Even though it's still extremely crowd-pleasing, it's a much more complex story centring on the man behind the stutter, exploring the intimate, difficult journey Bertie must have taken before he was so suddenly thrust into the limelight.
As with last year's A Single Man, Firth invests the role with layered subtext that gives Bertie a fully fledged inner life far beyond the astute screenplay.
It's a beautiful performance that tells us as much with a quiet sigh as it does with a razor-sharp line of dialog. His banter with the excellent Rush is also full of substance, while Bonham Carter not only uncannily captures the Queen Mother's physical presence but also the strength of the woman who, together with her husband, would so bravely lead Britain through the Blitz.
Visually, the film transcends the usual costume-drama approach, with expert direction from Hooper that beautifully plays with perspectives and textures.
Also notable is the way the camera quietly captures expansive backdrops that continually remind us (and Bertie) that there's a whole nation out there waiting for his next word. And along the way, we strongly identify with Bertie, which makes his journey takes both stirring and thrillingly inspiring.
In 1962 Los Angeles, George (Firth) is a university professor whose boyfriend (Goode) has died in a car crash. Unable to cope with his grief, or to show it to anyone, he tries to go through his day as usual. His next lecture derails into a message about fear in society, and he decides to put his life in order before committing suicide. But a last evening with his boozy best friend Charlotte (Moore) and the attentions of a Spanish hunk (Kortajarena) and a bright-eyed student (Hoult) test his resolve.
Continue reading: A Single Man Review
Dorian (Barnes) is an orphan who inherits a sprawling mansion when his tyrant grandfather dies. Young and eligible, he's quickly taken under the wing of Lord Henry (Firth), who introduces him to the licentious ways of late 19th century London. But the sex and drugs sabotage his relationship with an innocent young actress (Hurd-Wood), and Dorian pledges his soul to the devil in exchange for eternal youth. Now instead of aging, a portrait painted by his friend Basil (Chaplin) shows the scars of his depraved life.
Continue reading: Dorian Gray Review
The film opens on a newsreel of Larita (Jessica Biel), an American racecar driver, with "Mad about the Boy," a song Coward famously wrote, playing over it. The footage opens up and we see Larita taking the eye of young John Whittaker (Prince Caspian himself Ben Barnes). Not long after, they are married and heading towards his family home in the country to meet his parents (Kristin Scott Thomas and Colin Firth). From there it takes little time for the mother, whom Thomas plays with her uncanny icy veneer, to decide that she will wreck the marriage to the scandalous American.
Continue reading: Easy Virtue Review
Sophie (Amanda Seyfried) lives on a remote Greek island with her ex-rock star mother Donna (Meryl Streep). She is about to marry the British bo-hunk Sky (Dominic Hooper), and she really wants her dad to give her away. Unfortunately, Sophie doesn't know who her father is. Finding her mother's diary, she invites the three men Donna was involved with at the time. Bill (Stellan Skarsgård) writes travel guides, while Sam (Pierce Brosnan) and Harry (Colin Firth) are a big time businessman and banker, respectively. Naturally, Donna is dumbfounded to see her exes. Even worse, when she discovers Sophie's motives, it will take her best friends/former back-up singers Rosie (Julie Walters) and Tanya (Christine Baranski) to save the day... and the wedding.
Continue reading: Mamma Mia! Review
Hunt is April Epner, a 39-year-old schoolteacher, married to Ben (Matthew Broderick), the puffy, neighborhood schlub. April is childless and longs for "a baby that is really hers." Being an adopted daughter in a close-knit Jewish family (she envies Ben Shenkman's Freddy, the biological family brother), she wants the biological connection of a birth child. As the film begins, her mother Trudy (Lynn Cohen) is in the hospital, her father has died, and April's comfortable world is about to explode. Things go awry from the get-go when April, obsessed with getting pregnant, greets Ben at home with a nightie under her coat, eager for a surprise tumble. But Ben tops her by announcing his decision to leave their months old marriage. Things continue falling apart -- April juggling the death of Trudy, having an affair with the embittered, divorced Frank (Colin Firth), and -- to top it all off -- the sudden appearance of April's biological mother, Bernice Graves, a brassy, unpretentious loudmouth and local talk-show hostess, played by Bette Midler (who else?).
Continue reading: Then She Found Me Review
Hope Springs brings us the direct-to-video story of a U.K. artist (Colin Firth), who recently has been dumped by stuffy fiancee Minnie Driver. He jets to the U.S. to seek solace in the town of Hope, promptly finding the much different, free-spirited Heather Graham as his new muse. It's only a matter of time before Minnie's back in the picture... who will he end up with?
Continue reading: Hope Springs Review
Sorry, folks, I don't buy it. Do I need to be shot into space to review Apollo 13? A movie should stand on its own whether you're familiar with the subject, whether you're fond of the topic in question, or whether you're a member of the demographic that the film is about or is targeted at. If it especially appeals to a certain group (and what film doesn't?), well, good for you. But I'm going to review whatever I want -- and if you don't want to hear what a white guy in his late 20s has to say about cinema, well, that's just to bad.
Continue reading: Bridget Jones's Diary Review
Unlike the romanticized "starving artist," Vermeer's household (in 1600s Netherlands) was extremely well-off, though little much else is known about him. Based on the popular novel, the film imagines the circumstances that might have led to the creation of Vermeer's most famous painting, "The Girl with a Pearl Earring," produced in 1665.
Continue reading: Girl With A Pearl Earring Review
Well, throw enough money at something and it's bound to change people's minds. In fact, that seems to be the operating assumption for the entirety of this sequel, Bridget Jones: The Edge of Reason, a lackluster follow-up to the mildly enchanting original.
Continue reading: Bridget Jones: The Edge Of Reason Review
You think I'm kidding, but I'm serious -- The English Patient has got to be the longest romance movie I've ever seen [This was before Titanic. -Ed.]. Well, Out of Africa was awfully long, too, but that doesn't make it okay! (Like your mother might say, "If Meryl Streep jumped off a cliff, would you do it too?")
Continue reading: The English Patient Review
But a little oddness is forgivable: Directing a movie is a strange place for Richard Curtis, who's written umpteen Brit-friendly movies and TV shows over the years but hasn't directed one, until now.
Continue reading: Love Actually Review
The story revolves around two dashing English gentlemen in the 1890s - John "Jack" Worthing (Colin Firth) and Algy Moncrieff (Rupert Everett) - and their trials and tribulations in the games of love and marriage under the moniker of Ernest. Jack spends his days watching over his bookish charge Cecily Cardew (Reese Witherspoon) - the granddaughter of his adopted father - at his country estate. When his restless spirit calls for adventure, he travels to London and visits his wayward city brother "Ernest." In London, Jack becomes "Ernest" and partakes in decadence with his affluent but reckless best friend Algy and ends up madly in love with Algy's sophisticated society cousin Gwendolen Fairfax (Frances O'Connor) - who has a strange love for the name of "Ernest."
Continue reading: The Importance Of Being Earnest (2002) Review
Adapting a novel by Rupert Holmes, writer-director Atom Egoyan (Ararat) guides the story of a reporter in the '70s digging for dirt on a defunct '50s comedy team Lanny and Vince (Kevin Bacon and Colin Firth, respectively). In doing so, he has created a fusion of noir mystery and showbiz tell-all, which explains why it's interesting even when it's not making much sense, and also why all of the women in both of the movie's eras look like femmes fatale.
Continue reading: Where The Truth Lies Review
What ensues is a standard fairy tale: Daphne quickly finds her father, Henry (Colin Firth), but is hindered in her attempt to forge a meaningful relationship thanks to an evil stepmother and debutante stepsister who are only interested in Henry's status and wealth. Fortunately, Daphne's got her American charm on her side and, with the help of her wise grandmother and cute new boyfriend, she's able to win Henry's heart and even manages to get him back together with mom. They all live happily ever after, as we are told at the end.
Continue reading: What A Girl Wants Review
In the ill-advised Trauma, Firth tries his hand at, of all things, a psychological horror movie. His Ben wakes from a coma to discover that his wife has been killed in a car crash. He tries to get his life together in the creepiest apartment complex on earth, only to be haunted by a variety of visions, snoopy cops, and a plague of ants. Oh, and Mena Suvari lives down the hall.
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As the story opens, the three characters are entering their freshmen year at a Dublin college. Eve (Geraldine O'Rawe) is an orphan, living with the nuns in a convent. Nan (Saffron Burrows) is a gorgeous and wicked socialite with ulterior motives. And Benny (Minnie Driver) is a Plain Jane heroine, plagued by overbearing parents and a trollish suitor (Cumming), and is still trying to overcome her adolescent awkwardness. Chris O'Donnell plays Jack, "the cutest boy in school" who becomes the eventual point of contention in the story, developing a deep love for Benny, but perpetually confused and torn between those competing for his affections and attempts to control his future.
Continue reading: Circle Of Friends Review
Whether the feature film version of "Bridget Jones's Diary" -- that exalted, best-selling ode to 30-something single gals -- properly captures the oversized pajamas-and-Haagen Dazs essence of "singleton" romantic vexation, I cannot say.
I am male and I haven't read the book, and either one of these facts excludes me from being a bona fide member of the cult following that has built up around this lovelorn English Everywoman. Everything I know about Bridget's struggles with smoking, men and her weight I have gleaned from friends' enthusiastic reviews of the two Helen Fielding novels, which I'm told are written as diary entries in the heroine's first-person short-hand. (I hear both books are v., v. good.)
But I do consider myself something of an expert on (and an unabashed fan of) winsome romantic comedies, and on that front, I'd have to say this movie is a winner.
Continue reading: Bridget Jones's Diary Review
"Love Actually" is terminally precious. Chirpy "classic" pop songs populate every third scene. It has no structure, just a jumble of interconnected stories -- some little dramas, some little comedies -- about love, flirtation, courtship and heartbreak, all of which will pay off just in time for a lovely London Christmas.
It's the kind of pandering, populist movie in which Hugh Grant, playing the prime minister of England, joyously shakes his booty to The Pointer Sisters' "Jump (For My Love)" until he suddenly, to his great embarrassment, realizes he's being watched. It offers no real surprises except in how and when it reveals the inevitable six degrees of separation between each anecdotal yarn -- none of which has enough substance to ever stand on its own (nor would you want them to!).
And yet, you'd have to be a terrible grump to not like "Love Actually" at least a little.
Continue reading: Love Actually Review
Knowing full well that the audience for "What a Girl Wants" would consist almost entirely of 'tween girls too young to recognize its artificiality and paint-by-numbers banality, director Dennie Gordon doesn't even bother trying to make the picture palpable to anyone with more discerning tastes.
A lollypops-and-rainbows adventure about a free-spirited New York teenager (the Nickelodeon-launched Amanda Bynes) running away to London to find the blue-blooded daddy she's never known (Colin Firth), it's a movie that virtually ignores its raison d'etre of father-daughter bonding in favor of stock tourist footage (with Bynes hanging off the back of a double-decker bus), music-video shopping montages, rivalries with snooty soon-to-be step-sisters, and flirtations with an unthreateningly cute working-class boy (Oliver James) who plays guitar and rides a motorcycle.
Growing up in a fifth-floor Chinatown walkup with her bohemian wedding-singer single mom (Kelly Preston), Daphne Reynolds (Bynes) has always heard the story of how her parents met as globetrotting college kids and were married by a Bedouin tribal chief before going to England to "get married for real" (the film makes several such offensively ethnocentric gaffes). But when his crusty family sent her packing and lied to the young Lord Henry Dashwood (Firth), saying she had left him, mom went back to the U.S. pregnant and Henry matured into a stiff-upper-lip politician.
Continue reading: What A Girl Wants Review
Film director Oliver Parker is fond of controversial fiddling with established stage classics. In 1995 he reinvented William Shakespeare's "Othello" as a relationship-intensive, semi-erotic psychological thriller. In 1999 he took liberties with Oscar Wilde's "An Ideal Husband," adding scenes and whole subplots with amusing but contentious results.
"The Importance of Being Earnest" is Parker's second stab at going Wilde, and while he once again retains the playwright's savory wit, this time out his plot-tweaking attempts to break out of the drawing room are often distractingly blunt and obvious. Chase scenes, tattooed buttocks and flashbacks of an out-of-wedlock pregnancy -- all new elements dictated by Parker -- are hardly the caliber or the character of any Victorian writer, even one as droll and roguish as Oscar Wilde.
However, a talented cast with keen comic timing helps assuage many of the movie's misfires. Colin Firth ("Bridget Jones's Diary") is nebbish perfection as Jack Worthington, a mannerly turn-of-the-Century country gentleman who invents a wayward brother named Earnest as an excuse for frequent trips to London to sow wild oats. In town he adapts the name Earnest himself and romances the prim but rebellious and beautiful Gwendolen Fairfax (Frances O'Connor), whose stuffy, high society mother (Judi Dench) is resolutely disapproving of all her daughter's suitors.
Continue reading: The Importance Of Being Earnest Review
Director Peter Webber has such a mesmerizing command over the emotional resonance of "Girl With a Pearl Earring" -- a masterpiece film that imagines the story behind Johannes Vermeer's masterpiece painting -- that there are several moments in the picture so evocative, so stunning that they literally make you hold your breath.
One such moment comes as the Dutch master, played with alluring, untamed gravitas by the solemnly magnetic Colin Firth, cajoles his tentative, spellbound model -- a modest, reticent young housemaid (the extraordinary Scarlett Johansson) who has slowly become his muse and artistic confidant -- to wet her lips (and then wet them again, and again) as he readies her to pose for his most famous, most exquisitely lifelike and certainly most emotionally enigmatic portrait.
This scene is the culmination of an unspoken, unattainable desire between them and is a magnificent fusion of performance, intimacy and sudden, startling silences in Alexandre Desplat's stirring musical score -- the combination of which is a demonstrative potency that Webber manipulates at will.
Continue reading: Girl With A Pearl Earring Review
In "Bridget Jones: The Edge of Reason," the "singleton" Everygal neuroses of its titular British sweetheart have gone from endearing to downright insufferable.
Although still played warmly and winningly by the perfectly plus-sized Renee Zellweger, upon the advent of her still-fresh relationship with dashing, adoring, and a tad bit stiff barrister boyfriend Mark Darcy (Colin Firth), Bridget has become an embarrassing bundle of infuriating stock insecurities.
Jealous, suspicious, clingy, marriage-obsessed and irrational, in effect she's the antagonist in this romantic-comedy sequel. The hero is Mark -- whom she landed at the end of 2001's "Bridget Jones's Diary" -- for putting up with the torrent of rampant, relentless sitcom antics that stream unflatteringly and unchecked from the girl's vacillating self-confidence.
Continue reading: Bridget Jones: The Edge Of Reason Review
Date of birth
10th September, 1960
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