Coleman Hough

Coleman Hough

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Bubble Review


Bad
Ordinarily, Steven Soderbergh is on par with today's brightest directors. But in his most recent, the low-budget indie Bubble, he's got nothing on his mind but an automaton-like impulse to film and cut images until he's arrived at what feels vaguely like an ending. There is no indication, neither in Coleman Hough's hollow script nor in Soderbergh's minimalist aesthetic, of any thematic inquiry into human nature, behavior, or the interrelationships that generally give stories their essence.

In a non-descript American wasteland, dotted with tract housing and factories, we find the warm, plump-featured Martha (Debbie Doebereiner). When she isn't taking care of her doddering father (Omar Cowan), she's tinkering away at the local doll factory. Her factory co-worker, Kyle (Dustin James Ashley), a dopey, listless teenager, is her only semblance of a friend. But, from the looks of it, Kyle would much rather be smoking a fatty in his bedroom than chitchatting with the quaint and middle-aged Martha.

Continue reading: Bubble Review

Full Frontal Review


Excellent
For the uninitiated who know Steven Soderbergh only as the auteur behind such delights as Traffic and the Ocean's Eleven remake, know that Soderbergh was once far better known as a god of the indie film scene, the man behind movies like sex, lies & videotape, King of the Hill, and Schizopolis.

Like King of the Hill and the groundbreaking videotape, some of this work is genius.

Continue reading: Full Frontal Review

Coleman Hough

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Coleman Hough Movies

Bubble Movie Review

Bubble Movie Review

Ordinarily, Steven Soderbergh is on par with today's brightest directors. But in his most recent,...

Full Frontal Movie Review

Full Frontal Movie Review

For the uninitiated who know Steven Soderbergh only as the auteur behind such delights as...

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