Dylan Sprouse and Cole Sprouse - Dylan Sprouse and Cole Sprouse Los Angeles, California - The 'Do Something Awards', the pre-party of 'Teen Choice 2008' at the Level 3 Club at Hollywood & Highland - arrivals Saturday 2nd August 2008
Taken from the loving arms of his foster parents by unstable mom Sarah (Argento), Jeremiah (Jimmy Bennett for the first half; Dylan and Cole Sprouse for the latter section) finds himself unwillingly thrust into an itinerant life of substance abuse and sex-for-sale, a babe cast into the big bad woods of Middle American tract house communities and interstate truck stops. An odyssey of innocence parentally defiled, Argento's film strives, from the opening shot of a stuffed animal being waved in Jeremiah's face, to assume the perspective of her pint-sized protagonist, both through straightforward knee-high point-of-view shots as well as by grotesquely distorting her carnival-esque compositions to create a mood of terrified awe and dread. The result is a funhouse-mirror vibe rooted in squalor, from the decrepit apartments that Sarah and Jeremiah temporarily occupy with her assortment of boyfriends, to the parking lots where she plies her trade as a prostitute, to a combustible crack kitchen where the filth is so tangible that it can almost be felt creeping under one's fingernails. Still, working with cinematographer Eric Alan Edwards, Argento carefully balances these more out-there inclinations - felt most strikingly in Jeremiah's visions of cawing, flesh-eating red crows - with conventional setups and chronology, thereby deftly maintaining a tremulous sense of coherence even as her narrative begins spiraling into madness.
Continue reading: The Heart Is Deceitful Above All Things Review
Johnny Depp stars as Spencer Armacost, an astronaut who loses communication with NASA while fixing a satellite. Upon his return, strange occurrences begin with Spencer's partner, who was up there with him, and his partner's wife. This, of course, starts up the paranoia with Spencer's wife Jillian (Charlize Theron).
Continue reading: The Astronaut's Wife Review
Adam Sandler has gone soft and it just doesn't work. Whilehe somehow managed to carry off his sweet, pathetic romantic lead characterin "The Wedding Singer" last year, in "BigDaddy" he's taken it too far. The formerly outrageous Sandler hasbecome the Sensitive Guy.
He's polite and politically correct toward two of his collegebuddies who turned gay and became a couple. He's accompanied everywherehe goes by a tender moments soundtrack copped from a General Foods InternationalCoffees commercial. And get this -- he cries. Not for laughs, either.He cries and wants the audience to commiserate with his broken little heart.He wants us to like him.
Buddy, you're Adam Sandler, not Jimmy Stewart. Heck, you'renot even Robin Williams, and he's no good at that sad clown crap, either.
Continue reading: Big Daddy Review