Hogarth Hughes is an intelligent young boy with a love of exploring. One day, his adventurous nature leads him to discover a colossal iron giant living in the forest having fallen from space. The robot appears to have the understanding of a child and thus finds himself vulnerable to the dangers of the earth and oblivious to his fate should the government find out about him. When Hogarth realises this and that the iron giant just wants to be his friend, he does everything within his power to keep him safe, even if that means lying to the government agents and army officials who come sniffing around for information. Hogarth is just 9-years-old, but he finds himself having to explain the way the world works to this confused creature, including mortality, sacrifice and the rules of right and wrong.
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If a zombie apocalypse is coming your way could a lot worse than having three Scouts on your team. In Scouts Guide to the Zombie Apocalypse three lifelong friends join forces with one badass cocktail waitress to take on the zombies who threaten to ravage their town and turn everyone in the undead. While this trio might be used to fighting for a badge, they're going to have to put all their scouting skills to the test if they're going to save mankind from becoming zombified. In one night these three will learn the meaning of friendship and prove to the world why a scout is your best bet when faced with a zombie apocalypse.
An unapologetically silly movie that manages to hit the right notes, this free-wheeling comedy makes up for its corny premise with sharp writing and acting. And as it keeps the audience laughing, it's also quietly finding some rather intriguing things to say about masculinity in American society. Thankfully, preaching a message is never this film's intention. And both Kevin Hart and Josh Gad bring so much charm and energy to their roles that they instantly become a movie duo we'd like to see together again and again.
Gad plays Doug, the nervous groom preparing for his wedding to Gretchen (Kaley Cuoco-Sweeting), a girl far hotter than he ever imagined he'd get for a wife. But Doug has no friends who are willing to be his best man and groomsmen, so he turns to his wedding planner (Serricchio) for help getting in touch with an underground service that provides them. Enter Jimmy (Hart), the fast-talking, quick-thinking best man for hire who assembles a hilariously rag-tag group of "friends" as groomsmen. As they indulge in some condensed bonding so they can convince everyone they're best pals, these guys actually begin to have fun together. And Doug begins to hope that maybe this isn't just a professional partnership.
Yes, what we have here is a bromance between Doug and Jimmy, two friendless guys who discover that maybe together they can change their lives. Filmmaker Jeremy Garelick never tries to obscure the standard rom-com structure, and the simple plot is utterly predictable, but there are surprising currents of comedy and emotion running everywhere. Hart and Gad manage to bring out all kinds of riotous humour, underlying insecurities and general comic mayhem in each scene. Hart's cocky run-on dialogue is hilarious, and matched perfectly by Gad's gung-ho physicality. But even more intriguing are the darker layers beneath the silly surface. And everything is livened up by a raucously ridiculous supporting cast, including veterans Ken Howard and Mimi Rogers as Gretchen's too-intense parents and an underused Cloris Leachman as her bedraggled granny.
Continue reading: The Wedding Ringer Review
A wedding is a time for all of your friends and family to come together and celebrate your union with another person and the start of your new family. But for someone like Doug Harris (Josh Gad) who has no friends and is engaged to a woman deemed 'too good for him', it's looking to be a nightmare. With the day of the wedding drawing steadily closer, Doug is convinced to hire a best man and group of groomsmen, and calls upon the services of Jimmy Callahan (Kevin Hart), owner and CEO of Best Man, Inc. From there, Doug and Jimmy have a week to establish themselves as 'best friends' and make themselves look like people that have spent the best part of their lives together. But in the process of Bachelor Parties and wedding planning, it starts to look like Doug's new friends are turning him into a completely different person.
Continue: The Wedding Ringer - Alternative Trailer
Cloris Leachman - British Academy of Film and Television Arts (BAFTA) Los Angeles TV Tea presented by BBC and Jaguar at SLS Hotel - Arrivals - Los Angeles, California, United States - Saturday 23rd August 2014
Doug is all set to get married to his beautiful wife-to-be with wedding plans well underway, but there's just one problem; he can't find anyone willing to be his best man. He may be successful career-wise, but his social skills leave much to be desired. With no close friends to speak of, he has a massive problem - especially as he needs an additional seven groomsmen and he's already told his fiancee that everything is fine. It's then he discovers the Best Man Inc.; a special organisation that provides best man services to engaged social outcasts, for a price. With the help of his new best friend Jimmy, Doug sets out to try and fool his guests and his bride that he does have people close to him - but things don't look like they're going to run smoothly, especially when he meets his eccentic groom's party.
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Cloris Leachman - Women In Film Pre-Oscar Cocktail Party Presented By Perrier-Jouet, MAC Cosmetics & MaxMara At Fig & Olive Melrose Place - West Hollywood, California, United States - Saturday 1st March 2014
Cleverly blending a rebellious teen comedy with an animated prehistoric adventure, this witty film wins us over with sharp characters who are written, voiced and drawn with plenty of personality. It may be yet another hyperactive, silly romp, but the attention to detail is extraordinary, and the rather overfamiliar message is genuinely inspiring.
The Crood family has survived the primordial chaos because dad Grug (Cage) keeps them in a constant state of fear, never letting them out of the cave after dark. There's just too much out there that wants to eat them! But teen daughter Eep (Stone) is restless to explore the world. Her mum Ugga (Keener) has her hands full tending to feral baby Sandy (Thom), lunkheaded pre-teen brother Thunk (Duke) and feisty Gran (Leachman), so Eep sneaks out in the middle of the night. There she meets Guy (Reynolds), a slightly more evolved human who has mastered fire and has what sound like radical ideas about survival. Grog is not happy about this at all. But when the world starts shifting around them, he has little choice but to allow his family to follow this new kid into what is clearly certain death.
Only of course, this being a comical cartoon, we know they'll all be fine, even though most of their adventures are seriously perilous. Filmmakers De Micco (Space Chimps) and Sanders (How to Train Your Dragon) create a lavishly imagined world of mash-up creatures that seem like lost links in the evolutionary chain. Gigantic predatory kittens, mouse-sized elephants, crocodile puppies and walking whales are not only hilarious, but they make us want to buy a plush version all our own. In other words, the film is a riot of marketing possibilities, including the promise of a long-running franchise.
Continue reading: The Croods Review
The Croods are a prehistoric family of six who have always lived by patriarch Grug's rule of never venturing out of the cave they call a home. While his wife Ugga, his mother-in-law Gran, his son Thunk and his baby Sandy all stand by his wishes, his eldest daughter Eep becomes restless as her curiosity for what the outside world might be like overwhelms her despite her father's brutal warnings. Giving in to temptation, Eep sneaks out to explore and, to her father's terror, almost gets crushed in an avalanche caused by an earthquake which destroys their home. No-one is hurt; on the contrary, a whole new land is discovered filled with vibrant vegetation and exotic creatures. Homeless and with no excuse to avoid investigating, the family set out on a journey into this new world, with Grug still feeling profoundly reluctant.
This animation adventure is a wonderful story of family, discovery and bravery directed and written by the geniuses of several lovable CGI movies, Kirk De Micco ('Space Chimps', 'Racing Stripes') and Chris Sanders ('Lilo & Stitch', 'How to Train Your Dragon'). Not only is it heart-warming to watch, but you'll also never go long without laughing whatever your age. It will hit UK cinemas from March 22nd 2013.
Harry Deane is a pretty hopeless British art curator who has suffered years of condescension and disrespect at the hands of his preposterously rich and eccentric boss that is the renowned art collector Lionel Shabandar. Frustrated at his own lack of recognition in the art world, Harry decides to organise an elaborate plot of revenge on his employer by tricking him into buying a seemingly priceless Monet painting that happens to be a fake. As part of his cunning ploy, he travels to the states and meets a stunning, blonde Texas cowgirl who he enlists to help him by posing alongside her grandmother as inheritors of the valuable piece. He takes her to England where Shabandar is immediately taken with her and goes to all lengths to charm her. Harry's affection for Nicole is also growing and his jealousy of the two of them results in more than one embarrassing situations.
This flamboyant crime comedy is a remake of the 1966 Academy Award nominated film of the same name which starred Michael Caine ('The Dark Knight', 'Children of Men') and Shirley MacLaine ('The Apartment', 'Terms of Endearment'). Not only has this 2012 movie also got an all-star cast, it has been written by the multi-Oscar winning writing brothers Ethan Coen and Joel Coen ('No Country for Old Men', 'Fargo', 'True Grit') as well as being directed by Michael Hoffman ('One Fine Day', 'The Emperor's Club'). It's set for release in the UK on November 21st 2012.
It's 1973 and young Steven is having a hard time from problems at his home in Pennsylvania due to his mother and father's tempestuous relationship with each other. In a bid to protect Steven from emotional turmoil and to allow themselves time to rebuild their marriage, his parents send him off to spend time with his grandparents on their farm which he soon finds is no longer a safe haven. In a moment of curiosity, Steven talks a walk into the high, expansive corn field but is given a fright when he discovers the body of a dead woman. He tells his grandparents who don't believe him at first, and he is approached by some unsavoury characters when he is briefly left alone in the car. Soon, the family become the victims of some terrifying disturbances at their home caused by some hidden perpetrators that use the corn fields as a hiding place and Steven begins to realise that he has less to fear from the dead than the living.
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All of these stories take place in Manhattan, with only one or two brief forays into other boroughs, and they all centre around relatively well-off people, mainly white or Asian. They're also quite serious and emotional, with only brief moments of humour dotted here and there, although some make us smile more than others. Each is about a male-female relationship--marriages, brief encounters, possibilities, life-long companionship. Most have a somewhat gimmicky twist, and a few are intriguingly oblique.
Continue reading: New York, I Love You Review