Chris Hemsworth and Tom Hiddleston talk about the upcoming 'Thor: The Dark World' in a short featurette revealing a snippet of what the film will bring to the Marvel film franchise on its release on October 30th 2013.
'Thor is the God of Thunder, he's from a place called Asgard which is within the nine realms in another universe', Chris explains, with Tom adding, 'Thor's brother, Loki, is this mischievous prince. At the end of 'Avengers', Thor takes them back to Asgard.' They explain that the movie picks up from events that happened in 'Avengers Assemble', but this time they are 'bound together on the same journey with the same goal'.
Marvel's Thunder God, Thor returns in the latest superhero blockbuster, Thor: The Dark World (sequel to self titled film: Thor) where he must face his greatest battle to save Earth and all nine realms 'from a Darkness known only to one' lead by the feared Malekith. Thor must risk everything by reuniting with his brother and Avengers Villian: Loki in order to protect his beloved Jane Foster in what promises to be the most thrilling Thor adventure yet.
The film see's the Return of stars: Chris Hemsworth, Natalie Portman and Tom Hiddleston with the introduction of acclaimed actor Christopher Eccleston as Malekith and Alan Taylor replacing Kenneth Branagh as director. Stan Lee remains Executive Producer alongside Alan Fine, Nigel Gostelow, Louis D'Esposito, Victoria Alonso and Craig Kyle.
Following the dramatic events of 'Thor' and 'The Avengers' which saw Thor battling not only his double-crossing adoptive brother Loki but a series of other nemeses, the hammer wielding hero returns to Earth to reunite with his beloved Jane Foster and whisk her away to his home in Asgard. Unfortunately, he ends up bringing her towards terrible danger that he himself could not fathom. A dark race that predates even the oldest corners of the universe; a race of elves led by the ruthless Malekith who plans to plunge the entire universe back into oblivion in a vengeful pursuit that will destroy everything that Thor and Odin have fought to protect. In desperation, Thor confronts his imprisoned brother and asks for help in exchange for his freedom with the promise that he will destroy Loki if he dares betray him again. Can Thor and the rest of Asgard defeat the latest dark force that threatens them? Or will such a primitive power prove impossible to overcome?
Here is the new sequel to Kenneth Branagh's 2011 movie 'Thor' that is set some time after the events of Joss Whedon's 'The Avengers'. 'Thor: The Dark World' is based on the comic books by Stan Lee, Larry Lieber and Jack Kirby and sees a new director, Alan Taylor ('Game Of Thrones', 'Mad Men', 'The Emperor's New Clothes'), with the return of screenwriter Don Payne ('Fantastic 4: Rise of the Silver Surfer') alongside Christopher Yost ('The Avengers: Earth's Mightiest Heroes') and Stephen McFeely ('The Chronicles of Narnia', 'Captain America: The First Avenger'). It is set to hit the UK on October 30th 2013.
Game of Thrones season 3 is on it’s way, and if the dark television adverts aren’t enough to convince you, then the new trailer will have to do. And it’s good; oh it’s good. If you thought seasons 1 and 2 were big, then it’s about to get bigger.
We’ve only got around a month to go before the season three premiere, so HBO have really made us wait for this trailer. But now it’s here, we can’t wait to see some epic sword sinking action. This new season will see 14 – that’s right – 14 new cast members for the show.
Continue reading: Game Of Thrones Season 3 Trailer Finally Hits (Watch)
Ritchie, Downey and Law are back with another manic romp that feels more like a Victorian James Bond adventure than anything about the famed Conan Doyle characters. While it has the same comical energy, it's not quite as fun as the first go-round.
Brilliant Cambridge professor Moriarty (Harris) is up to no good, taking on Holmes (Downey) by messing with those around him, including his girlfriend-nemesis Irene (McAdams) and his partner Watson (Law), who plans to retire after his upcoming wedding to Mary (Reilly). But nothing goes as planned, and Holmes and Watson are propelled into a vicious game of intrigue that sends them to Paris where they team up with a sexy gypsy (Rapace). They also get help from Holmes' brother Mycroft (Fry) as they head to a climactic showdown in Switzerland.
Who needs logic when the action is this wildly exhilarating? And much of it is drastically slowed-down so Ritchie can show us Holmes' powers of deduction as well as whizzing bullets, explosions and other cool-looking things. The dialog is the same mix of faux intelligent banter and shameless innuendo, which gives the actors something to play with, especially as Downey and Law amusingly move beyond bromance into Brokeback territory.
But we do need some logic. This plot is so messy that it never engages us. And as it builds to a climax in a crazy cliff-perched Alpine castle, we begin to lose interest. Even with the bigger action, zingy dialog and colourful characters, this film barely works up any steam. Whenever Holmes isn't being mischievous, Downey actually looks bored. And Rapace is so sidelined that it's difficult to understand why she's here at all; the filmmakers never give her anything interesting to do.
It's a shame the screenwriters never push the characters further. But at least Ritchie keeps things moving briskly, filling the screen with comical nuttiness and big-gun mayhem. Even if Moriarty makes no sense (would someone this intelligent resort to such a ridiculous plan to make his fortune?), Harris adds heft in the role, including some jagged chemistry with Downey. Let's just hope that the requisite third film lets us in on the joke.
In 1892, the Crown Prince of Austria is found dead; his death is ruled as suicide, according to Scotland Yard detective Inspector Lestrade. But Sherlock Holmes knows that this isn't true: all the evidence suggests that the Crown Prince was murdered, by one Professor Moriarty, whose genius is matched only by Holmes'.
The uptight Mark (Mangan) and laid-back Brian (Thomas) are university mates who decide to set a world record for the first carbon-neutral, organic, vegetarian, unassisted trek to the North Pole. They set off with their cameraman (Russell), while smiley pal Graham (Benton), Brian's girlfriend Sandra (Cavaleiro) and TV producer Becky (Baxendale) track their progress back home. But they're unprepared to the challenge, which gets trickier when they meet a pair of Norwegians (Skarsgard and Arentz-Hansen) who look likely to steal their record.
And then there are the polar bears.
Continue reading: Beyond The Pole Review
Raucous, rough energy infuses this film from start to finish, carrying us along even when the slightly over-egged script starts to feel somewhat slender. And it's the terrific chemistry between Downey and Law that makes the film worth seeing.
In Victorian London, private investigator Sherlock Holmes (Downey) is about to lose his partner John Watson (Law), who's moving out to marry his fiancee (Reilly). But the case they've just finished, involving a series of secret-society murders carried out by Lord Blackwood (Strong), just won't end.
Now Holmes' ex Irene (McAdams) is on the scene as well, and things are getting increasingly freaky with more murders and a conspiracy that could lead to a takeover of the whole government. But Holmes' fierce powers of observation are on the case.
The producers blast new life into fusty cinematic stalwarts with their canny choice of director and stars. In many ways this feels more faithful to Arthur Conan Doyle's stories than the dry, cerebral films we're used to. Downey perfectly combines the character's edgy physicality, brainy powers of deduction and sardonic wit. And he and Law are like an hilarious bickering married couple that has lived together just a little too long.
No one else in the cast quite registers. McAdams and Reilly at least play strong-minded women, while Strong glowers satanically from the shadows and Marsan (as the chief inspector) tuts amusingly. The script is mostly smoke and mirrors, weaving in all manner of Holmes' lore, from the original story details to playful references to previous film incarnations (although Holmes never says "elementary", and he never wears a deerstalker).
And if the script isn't nearly as smart as it thinks it is, at least it contains a few nifty twists, including one of the more enjoyable resolutions in recent blockbuster memory. But what we're here for are the fireworks between Downey and Law, a couple of feisty-sexy women and Ritchie-isms like nasty slo-mo fight sequences, witty editing and suggestive lighting. He also offers plenty of refreshingly abrasive vigour to go with the cool effects and a zingy Hans Zimmer score. Bring on the next case.
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