An erratically emotional saga of a young Russian refugee's sidetracked search for her father, Sally Potter's "The Man Who Cried" presents such a haunting and moving first act that the balance of the story seems steadily to decline.
After its flash-forward title sequence that unnecessarily reveals a pivotal moment of the last act, story proper opens in a Jewish farming village in 1927 Russia, where a beautiful little girl is playing hide-and-seek in the tall grass with her adoring father, unaware that he is about to leave for America, hoping to find work then send for his family.
The girl's life soon changes from blithe to melancholy, as she doesn't understand why her father is going away. Then her life becomes downright terrifying as the village is attacked and burned, and to save her life the girl's mother forces her to run away.
Continue reading: The Man Who Cried Review
The film is almost half an hour longer than 'The Force Awakens'.
The film is expected to continue without Mendes' involvement.