Claudia Christian

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Emmanuelle Vaugier , Claudia Christian - 2015 'The Fluffball' Fundraiser hosted by Emmanuelle Vaugier at The Little Door at The Little Door - Los Angeles, California, United States - Saturday 3rd October 2015

Emmanuelle Vaugier and Claudia Christian
Gary Hudson, Emmanuelle Vaugier and Guests
Anna Silk and Emmanuelle Vaugier
Gary Hudson, Emmanuelle Vaugier and Guests
Marc Ching and Emmanuelle Vaugier
Emmanuelle Vaugier and Guests

Claudia Christian - The Fluffball 2015 at The Little Door - Arrivals - Los Angeles, California, United States - Saturday 3rd October 2015

Claudia Christian
Claudia Christian

Claudia Christian and Joanna Cassidy - BritWeek 2015: 9th Annual Brit Week Launch at British Consul Generals Residence - Arrivals - Los Angeles, California, United States - Tuesday 21st April 2015

Claudia Christian and Joanna Cassidy
Claudia Christian and Joanna Cassidy

Claudia Christian and Adam Schomer - "Trust Me" - Los Angeles Premiere - Hollywood, California, United States - Friday 23rd May 2014

Claudia Christian and Adam Schomer
Claudia Christian and Adam Schomer
Claudia Christian
Claudia Christian
Claudia Christian
Claudia Christian

Claudia Christian - 8th Annual BritWeek Launch Party - Los Angeles, California, United States - Wednesday 23rd April 2014

Claudia Christian
Claudia Christian

Atlantis: The Lost Empire Review


Excellent
The song-and-dance numbers are out. The cheery sidekicks are nowhere to be seen. The predictable villains in black are nonexistent. This summer, Disney comes out with both guns blazing, literally, in its newest animated feature Atlantis: The Lost Empire, an imaginative and eye-popping mix of action, adventure, and sweeping vision landscapes filled with gorgeous computer enhanced animation.

Continuing on its recent arc of solid storylines in its animation and quality visuals, Atlantis is successful in both being a wide-eyed roller-coaster ride for kids and is interesting enough to keep adults from passing out from boredom. The film follows the adventures of Milo Thatch (Michael J. Fox), a bookworm/boiler room attendant/linguistics expert who probably hasn't had a date in years. Milo's grandfather was an explorer looking for Atlantis who knew where to discover the location of the lost city -- in a hidden journal. With the help of eccentric billionaire Preston Whitmore (John Mahoney), the lost journal is recovered, providing new clues to Atlantis's whereabouts. Milo then joins a group of rag-tag explorers -- including a 200-person Navy, enough surplus to take over a small county, and no cute sidekicks -- in the search for the city of Atlantis.

Continue reading: Atlantis: The Lost Empire Review

The Hidden Review


Very Good
Fun yet predictable spin on the evil-alien-jumping-from-human-body-to-body-and-the-good-alien-out-to-kill-it genre. Kyle MacLachlan is engaging as the unsure-in-a-human-body alien, and the series of hosts our villain inhabits are also a lot of fun -- notably including Claudia Christian as "a zoned-out stripper." Good, clean, Sunday-afternoon fun.

Snide And Prejudice Review


Weak
Quite an assembly of talent is ultimately wasted in this near-pointless look at a mental patient (that guy from the TV remake of Jason and the Argonauts) who thinks he's Hitler. A bunch of his fellow patients seem to think they're members of his staff, too. Essentially this is a re-imagining of Marat/Sade, adding in a head shrink (that guy from one of the Star Trek shows) who may be crazy too. Hitler's psychosis (the real Hitler, I mean) has been examined with substantially more depth and to a more powerful effect numerous times before.

Atlantis: The Lost Empire Review


Excellent
The song-and-dance numbers are out. The cheery sidekicks are nowhere to be seen. The predictable villains in black are nonexistent. This summer, Disney comes out with both guns blazing, literally, in its newest animated feature Atlantis: The Lost Empire, an imaginative and eye-popping mix of action, adventure, and sweeping vision landscapes filled with gorgeous computer enhanced animation.

Continuing on its recent arc of solid storylines in its animation and quality visuals, Atlantis is successful in both being a wide-eyed roller-coaster ride for kids and is interesting enough to keep adults from passing out from boredom. The film follows the adventures of Milo Thatch (Michael J. Fox), a bookworm/boiler room attendant/linguistics expert who probably hasn't had a date in years. Milo's grandfather was an explorer looking for Atlantis who knew where to discover the location of the lost city -- in a hidden journal. With the help of eccentric billionaire Preston Whitmore (John Mahoney), the lost journal is recovered, providing new clues to Atlantis's whereabouts. Milo then joins a group of rag-tag explorers -- including a 200-person Navy, enough surplus to take over a small county, and no cute sidekicks -- in the search for the city of Atlantis.

Continue reading: Atlantis: The Lost Empire Review

Half Past Dead Review


Unbearable

No, the title of "Half Past Dead" isn't meant to describe the state of one-note, whisper-tough action star Steven Seagal's movie career -- but it wouldn't be far off. The guy has never had the best taste in scripts -- let's face it, any good movies he's made have been flukes -- but this gangsta-styled, ammo-fueled, prison break-in Z-movie could well be the dumbest flick he's ever anchored.

Taking place on a high-tech "New Alcatraz" prison island, where a guard's hand print and voice identification are required to get into cell blocks but the armory doesn't even have a screen door, the plot revolves around prisoner (and deep-cover FBI agent) Seagal leading the inmates in a battle against leather-clad bad-ass invaders from Central Casting who've come to snatch a death row resident -- during his execution -- so he can lead them to a secret stash of gold.

Nothing more than feeble, imitation-John-Woo style slow-mo shoot-outs and kung fu clashes set to a rap and hard-rock soundtrack, this movie has no standards beyond achieving the loudest possible visual volume. Writer-director Don Michael Paul (whose only credits are the script for the insufferable sci-fi motorcycle movie "Harley Davidson and the Marlboro Man" and episodes of trash TV like "Silk Stalkings" and "Pacific Blue") couldn't care less about wooden acting, scenery chewing or gaping chasms in common sense, just as long as the guns stay a-blazin' and the obligatory babe baddie (Nia Peeples) shows a lot of midriff (because tight leather tummy tops are just so practical when parachuting into a penitentiary full of hardened rapists and murderers).

Continue reading: Half Past Dead Review

Atlantis: The Lost Empire Review


OK

Disney animated features have never been known for their originality, but their creators almost always craft delightful entertoonment from threadbare grab bags of clichés and contrived plot devices.

This year's regularly scheduled summer cartoon release is a perfect example of this principle. "Atlantis: The Lost Empire" is a grand-scale archeological adventure that, if it were live-action, would be the kind of campy, glossy, bottom-rung syndicated stuff you find padding the prime-time schedules of the UPN and WB networks.

It's populated with an unlikely racial balance of stock characters -- a muscle-man African-American doctor (voice of Phil Morris), a sassy teenage Latina tomboy mechanic (Jacqueline Obradors) -- most of whom are mercenaries ("adventure capitalists," one proffers) on a quest for the legendary ancient city in the title. The catalyst for the endeavor is, of course, an eccentric millionaire (voiced by John Mahoney) who funds the expedition.

Continue reading: Atlantis: The Lost Empire Review

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Claudia Christian Movies

Atlantis: The Lost Empire Movie Review

Atlantis: The Lost Empire Movie Review

The song-and-dance numbers are out. The cheery sidekicks are nowhere to be seen....

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Half Past Dead Movie Review

Half Past Dead Movie Review

No, the title of "Half Past Dead" isn't meant to describe the state of one-note,...

Atlantis: The Lost Empire Movie Review

Atlantis: The Lost Empire Movie Review

Disney animated features have never been known for their originality, but their creators almost always...

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