The New York Film Festival offered a double bill of savory morsels in this succulent vein, presided over master chef Martin Scorsese and his restoration outfit, The Film Foundation. On the bill-of-fare at The New York Film Festival were two 20th Century Fox three-strip Technicolor sweetmeats -- John Ford's Drums Along the Mohawk and John Stahl's Leave Her To Heaven.
Continue reading: Drums Along The Mohawk Review
One of the few truly great writer/directors of American film, Sturges had more ideas than he knew what to do with; witness the film's credits sequence showing the main characters (Joel McCrea and a wonderful Claudette Colbert) getting married. There's a race to the altar, mistaken identity, a woman in a bridal gown locked in a closet, and general fast-paced madcappery, all done with music only -- it's an abbreviated précis of what could have made an entirely separate film. Then it's largely forgotten: The whole story is only alluded to near the end of the film, with one character referencing it only to say, "Well, that's a whole other plot."
Continue reading: The Palm Beach Story Review
Continue reading: Imitation of Life (1934) Review