Is marriage really so important? One could take that as being the surprisingly modern theme of Preston Sturges' manic, brilliant 1942 farce The Palm Beach Story, or one could simply take it as screwball comedy of the highest order. Fortunately both interpretations are completely valid.
One of the few truly great writer/directors of American film, Sturges had more ideas than he knew what to do with; witness the film's credits sequence showing the main characters (Joel McCrea and a wonderful Claudette Colbert) getting married. There's a race to the altar, mistaken identity, a woman in a bridal gown locked in a closet, and general fast-paced madcappery, all done with music only -- it's an abbreviated précis of what could have made an entirely separate film. Then it's largely forgotten: The whole story is only alluded to near the end of the film, with one character referencing it only to say, "Well, that's a whole other plot."
Continue reading: The Palm Beach Story Review