Plot-wise, very little actually happens. Or, rather, small things pile up: As Milan takes up residence for a week in Mansquier's dowdy-yet-noble country house, the two share chit-chat about their pasts and their plans. But unlike My Dinner With André, the conversations have their feet on the ground and a sense of humor (Mansquier proudly notes that "not one pupil was molested in 30 years on the job" as a teacher). Milan plots out his Saturday heist with some hesitance, and we learn that Mansquier has his own anxieties to work through: He has a triple bypass planned for the same time as well. Students, relatives, and mistresses pass through the country house, and it slowly becomes clear that each man wants the other's life: Mansquier's house is the home Milan never had, and the rootless life of Milan is what Mansquier has always lusted for.
Continue reading: Man On The Train Review
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