Claire Trevor

Claire Trevor

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Stagecoach Review


Good
Stagecoach is the archetypical Western -- a stagecoach full of crazies has to make it through Indian country in one piece. Though it was his 80th film (of nearly 200), Stagecoach made John Wayne into the superstar he eventually became. Mitchell won Best Supporting Actor for his role as the drunken Doc Boone, and the rest of the cast, notably Trevor as a hooker being run out of town, are memorable. The film has some amazing gaffes, including guns that kick but don't actually go "bang" and, again most notably, one rear-projected shot from the stagecoach where the Indian outside is riding the wrong way. Classic, yet hopelessly dated.

Continue reading: Stagecoach Review

Key Largo Review


Good
Bogart is always a pleasure to watch, and Key Largo is no exception, despite its rather overly dramatic -- yet simplistic -- plot structure involving a gangster (Robinson) who takes over a Florida hotel during a deadly hurricane. It ultimately pales next to other Bogart and Bacall work, though it's still a reasonably good watch that has stood up well over the last 50 years.

Texas Review


Excellent
With a name like Texas, one expects a grand, sweeping film about the old west, one of those epics about settlers and claim stakers and, ah, you get the drift. Texas is really none of that. At its core it's a relatively straightforward genre movie, and a small one: Two ex-Confederate soldiers (Glenn Ford and William Holden) head to Texas to make their fortune, and soon they're on opposite sides of the law. (The plot eventually revolves around a cattle drive, a corrupt beef baron, and a plot to derail the whole thing.) Throw in Edgar Buchanan as the town dentist -- also of questionable morals -- and you've got a tiny hit that's surprisingly very, very funny. On purpose.

Key Largo Review


Good
Bogart is always a pleasure to watch, and Key Largo is no exception, despite its rather overly dramatic -- yet simplistic -- plot structure involving a gangster (Robinson) who takes over a Florida hotel during a deadly hurricane. It ultimately pales next to other Bogart and Bacall work, though it's still a reasonably good watch that has stood up well over the last 50 years.

The High and the Mighty Review


OK
In 1954, zipping off to Hawaii by plane must have been a far different experience than any of us can imagine today. The experience was so terrifying -- at least according to The High and the Mighty, a best-selling book in its era -- that the captain had to come out and talk to each passenger personally to explain that they weren't going to crash and die. And that's just after takeoff, before the plane has any problems!

Newcomers to this story may see John Wayne in a military uniform and an airplane on the cover of this DVD (with a title that evokes the air force) and assume, understandably, that they're going to be watching another military drama. Not so: Wayne's Dan Roman is a commercial pilot, and he's working the Honolulu-San Francisco route years after surviving a crash that killed everyone in his family except himself. (Also in the cockpit is Robert Stack, playing the role he would ape years later in Airplane!)

Continue reading: The High and the Mighty Review

Murder, My Sweet Review


OK
Dick Powell stars as Raymond Chandler's Philip Marlowe in this oft-considered-classic film noir, based on Chandler's Farewell, My Lovely. Unfortunately, too many arbitrary plot twists and turns serve merely to complicate matters without much reason. Ultimately the movie doesn't make a lot of sense, nor does it build up much suspense along the way.

Stagecoach Review


Good
Stagecoach is the archetypical Western -- a stagecoach full of crazies has to make it through Indian country in one piece. Though it was his 80th film (of nearly 200), Stagecoach made John Wayne into the superstar he eventually became. Mitchell won Best Supporting Actor for his role as the drunken Doc Boone, and the rest of the cast, notably Trevor as a hooker being run out of town, are memorable. The film has some amazing gaffes, including guns that kick but don't actually go "bang" and, again most notably, one rear-projected shot from the stagecoach where the Indian outside is riding the wrong way. Classic, yet hopelessly dated.
Claire Trevor

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