The old proverb 'there's no honour among thieves' rings a little too close to home in the plot for Precious Cargo. Karen, and Jack are two of the best thieves in the business but when Karen crosses Eddie, a gangster with a vicious side, he begins hunting Karen down.
Once Eddie captures Karen she is forced to involve her ex-partner Jack and he must carry out a dangerous yet profitable heist in order to pay Eddie back and save Karen's life. As allegiances are broken, everyone is out for themselves in this action packed thriller.
Precious Cargo is written and directed by Max Adams who previously wrote Extraction and Heist.
Claire Forlani - Various stars of film and television were photographed on the red carpet as they arrived for the the EE British Academy of Film and Television Awards which were held at The Opera House in London, United Kingdom - Sunday 8th February 2015
Claire Forlani and Dougray Scott - Various stars of film and television were photographed on the red carpet as they arrived for the the EE British Academy of Film and Television Awards which were held at The Opera House in London, United Kingdom - Sunday 8th February 2015
After his wife dies, rising-star chef Rob (Scott) lets his career slide. His celebrity friend Gordon Ramsay urges him to get back in the game, as does his preteen daughter (Gibbs). So he buys the country pub his wife had her eye on and sets out to turn it into a home for honest British cuisine, including his signature trifle. The disgruntled village is also home to snooty-sexy American food critic Kate (Forlani), whose wannabe suitor, swishy landowner James (Hepworth), sets out to sabotage the pub. And then drunken TV critic Guy (Callow) pays a visit.
Continue reading: Love's Kitchen Review
Once in town, Hallam lines up a dishwashing job at a big hotel and instantly falls in love with Kate (Sophia Myles), the woman who hired him. Using the spying skills he developed in his treehouse, Hallam is able to peep as Kate has hot assignations with her married boss, and his knowledge of the affair will get him into much hot water, even as he busies himself with trying to solve the mystery of his mother's death once and for all. Did someone put sleeping pills in her coffee and toss her in the loch? He must find out.
Continue reading: Mister Foe Review
We go to the movies to enjoy ourselves, and who's to say that if we are having fun, it should only last for one hour and 40 minutes and then we're out of there. Do we really have so many better things to do? If I'm watching a movie I enjoy, I don't even really want it to end, just maybe give me a fifteen minute bathroom break and I'm good.
Continue reading: Meet Joe Black Review
With heavy cynicism on the brain, I sat down to watch AntiTrust with a smirk on my face. Here's the story: A young computer geek Milo Hoffman (Ryan Phillippe) lands a dream job with a large computer conglomerate, N.U.R.V. -- which stands for Never Underestimate Radical Vision. The company is run by eccentric, power-hungry Gary Winston (Tim Robbins) who needs Milo on his team to complete a new worldwide satellite communication program called Synapse, which will link all communication devices -- pagers, PDAs, and cell phones -- into one universal system. Leaving behind his dot-com family, Milo joins N.U.R.V. but gets suspicious when Gary keeps giving him discs full of code with no apparent author on staff. When Milo's friend is killed in a supposed hate crime, Milo begins investigating the inner workings of N.U.R.V. with the help of his girlfriend, Alice Poulson (Claire Forlani). During his investigation, Milo discovers exactly how Gary disposes of the competition, when of course, the dream job begins the nightmare he can't wake up from.
Continue reading: Antitrust Review
The smart script for Boys and Girls, written by the humbly-credited "Drews", succeeds in part because Ryan and Jennifer nurture their unique friendship for nearly all of the film. While the inevitable Hollywood ending may be in viewers' minds from the get-go, The Drews and director Robert Iscove keep us guessing if this pair might ever connect with each other, and the sweet performances by Prinze and Forlani keep us interested.. The couple's interplay, and the machinations of their separate, frustrating lovelives, are satisfying enough that a sunshiny ending is not required.
Continue reading: Boys And Girls Review
The proposition is that a village, in 1955, sits on a natural basin of land that will be flooded by a new dam. The inhabitants have to move. The upside is that power will be provided for those above the new waterline. The downer is that the last few stragglers don't wanna go but are doomed to do so, like it or not.
Continue reading: Northfork Review
Just about the time the fur was really flying between Microsoft and the Justice Department in 1999, screenwriter Howard Franklin ("The Man Who Knew Too Little") seized the day and scurried over to MGM with the kind of pitch that integrity-free studio execs love to hear: 25 words or less and based on an earlier, successful movie.
It must have gone something like this: What if we ripped off "The Firm," except instead of having a company full of evil lawyers trying to corrupt the hero, we'll feature a monopolizing Microsoft clone? We could get a low-rent, pretty boy matinee idol to play the college grad geek (he'll have no credibility, but what the hell? he'll bring in the teenage girls!) and he'll stumble on to a giant technology conspiracy masterminded by a very thinly veiled Bill Gates surrogate!
And thus was born "Antitrust," a transparent thriller from the recycle bin, transcribed into a laptop computer and retrofitted with an MP3 soundtrack, MTV editing and a cast of beautiful people where the nerds should be.
Continue reading: Antitrust Review
When Jackie Chan was in his low-budget, Hong Kong action-comedy prime, it was easy to forgive his better movies for simplistic plots and mediocre (sometimes downright bad) acting because enjoying them came down to two things: Chan's comedic charm and the dangerous, awe-inspiring, ingeniously choreographed fights and stunts that he always performed himself.
When Chan started making $60- to $100- million Hollywood films, it was reasonable to begin expecting more, but the star just hasn't lived up to those higher expectations except when sharing the load with ad-libbing, scene-stealing Owen Wilson in the buddy pictures "Shanghai Noon" and "Shanghai Knights."
But "The Medallion," which is a Hong Kong production made with Hollywood money, feels like the return of good ol' cheesy, charismatic, pardonably haphazard Jackie Chan -- even if the daredevil actor has finally begun accepting the inevitable ravages of age and injury.
Continue reading: The Medallion Review
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