That means more Cillian Murphy and Tom Hardy on our screens.
BBC gangster drama ‘Peaky Blinders’ has been renewed for another two series, Deadline has confirmed. The drama, which is currently airing its third season in the UK, received a double order from BBC Two thanks to its massive success at home and aboard.
‘Peaky Blinders’ has been renewed by the BBC for another two series.
‘Peaky Blinders’ also airs in the US on Netflix, with season three set to begin airing on May 31st. There’s currently no word on wether Netflix will also pick up seasons four and five, but it’s unlikely that the streaming service would let this big hit go.
Continue reading: 'Peaky Blinders' Gets Renewed For Another Two Series
The late musician was a big fan of the BBC series, which stars Cillian Murphy.
David Bowie’s music will feature on the third series of BBC crime drama ‘Peaky Blinders’, which is set to air next month. The late musician was a big fan of the show, which stars Cillian Murphy, and had asked for his music to be featured before his death in January.
David Bowie’s music will feature in series three of ‘Peaky Blinders’.
Speaking to the Radio Times, show creator Steven Knight said that the musician had sent a picture of himself wearing a cap with razor blades to Cillian Murphy last year, as a homage to the series, .
Continue reading: David Bowie's Music Will Feature In New Series Of 'Peaky Blinders'
With a huge budget and a relatively small story, this is an intriguingly offbeat blockbuster that might struggle to find an audience. Basically, it's aimed at fans of more thoughtful, personal stories of tenacity and survival, but it's shot with a massive special effects budget that sometimes seems to swamp the drama. Still, it's involving and moving. And it's also fascinatingly based on the true events that inspired Moby Dick.
The story is framed in 1850 as novelist Herman Melville (Ben Whishaw) visits an ageing sailor named Tom (Brendan Gleeson) to quiz him about a momentous event in his past that he has never spoken of. Flash back to 1820 Nantucket, and Tom (Tom Holland) is a rookie crew member on the whaling ship Essex, working under the posh, privileged Captain George (Benjamin Walker) and his able but low-class first mate Owen (Chris Hemsworth). As these these two leaders clash against each other, the ship sails off for what will be a very long journey. Eventually they head into the Pacific in search of a mythical pod of whales. But when they find it, they run afoul of a gigantic white whale that takes their arrival personally, sinking their ship and pursuing the survivors in their lifeboats.
All of this is staged as an epic battle between humanity and nature, with layers of interest in the way these men strain to survive against unimaginable odds. It's a riveting story, beautifully shot and rendered with immersive effects. And the cast members create complex characters who are profoundly changed by their experience. Not only is there mammoth action, but there's plenty of barbed interaction and even some strongly emotional moments that bring the themes home to a modern audience. Sometimes this aspect feels a bit corny, as clearly whalers at the time wouldn't feel remorse about killing one of these majestic creatures. But we would.
Continue reading: In The Heart Of The Sea Review
Jamie Dornan will play Czech resistance fighter Jan Kubis in the upcoming film ‘Anthropoid’. Dornan revealed how he feels about his upcoming role at a press conference on Thursday (9th July).
Jamie Dornan, best known for his role as Christian Grey in Fifty Shades of Grey, is turning his attention back to more serious roles. It’s easy to forget Dornan is actually an accomplished actor considering his performance in Fifty Shades. Yet hopefully Dornan will have the opportunity to show he’s back on form, as he was in the BBC’s The Fall, in the upcoming film Anthropoid.
Jamie Dornan will star in Anthropoid opposite Cillian Murphy.
Cillian Murphy - Cillian Murphy films scenes for the second series of crime drama 'Peaky Blinders' on location at the Black Country Museum - Dudley, West Midlands, United Kingdom - Wednesday 5th March 2014
Tom (Murphy) is a physicist who works with psychologist Margaret (Weaver) to expose fake psychics. They don't believe that the supernatural exists, much to the annoyance of psychic studies proferssor Paul (Jones). Assisted by students Sally and Ben (Olsen and Roberts), Tom and Margaret debunk noted mentalist Palladino (Sbaraglia) by looking for "red lights", anything that seems suspicious. But when Margaret's old nemesis Simon (De Niro) makes a comeback, she backs down from going after the famed blind showman. And Tom's secret investigation takes some bizarre turns.
Continue reading: Red Lights Review
Two sceptics, psychologist Dr. Margaret Matheson and physicist Dr. Tom Buckley, are partners in investigating the paranormal. Having exposed a mass of so-called psychics, mediums, faith healers and ghost hunters throughout their career by discovering 'red lights' (clues to how the deceptions are engineered), Buckley wants to turn his attention to the most celebrated psychic of all time, the blind and mystifying Simon Silver, when he comes out of his 30 year retirement. Matheson is quick to dismiss Buckley's case telling him that he doesn't need to be investigated as he was already investigated prior to his retirement. However, the real reason is that she suspects he was behind the death of his most notable critic all those years ago. Buckley ignores Matheson's warnings and enlists his talented student Sally to help him with his investigations, but soon things start to take a sinister turn as Silver becomes increasingly angered at the people questioning his mysterious powers.
Continue: Red Lights Trailer
Kate and Martin are having problems in their marriage. Kate miscarried recently and both of them feel that their marriage is going nowhere. Still, they decide together to go on an island retreat in order to save their marriage. They travel to a location that's familiar to both of them: an island cut off from the rest of civilisation with plenty of happy memories from the years when they were in love.
Continue: Retreat Trailer
We have an excellent featurette about Chris Nolan's (The Dark Knight, Batman Begins, Momento) latest movie Inception. In the video both Chris Nolan, the director, and Leonardo Dicaprio (Shutter Island, The Departed, Gangs of New York), plays Dom Cobb the lead role, are interviewed about making the film, it's many locations in different countries around the world, the challenges of transferring the dreams of a human mind to the cinema screen and how it was working with each other.
Continue: Inception Feature Trailer
So begins Dylan Thomas' "In my Craft or Sullen Art," a poem about the elusiveness of the inner muse, which resists being easily understood. Though its words never show up in John Maybury's The Edge of Love, an absurdly stylized and utterly feeble supposition on the events that shaped the incomparable Welsh poet in war-stricken London, it points at the very heart of the film's artful damage.
Continue reading: The Edge Of Love Review
Despite the presence of indie darling Cillian Murphy and teen lust subject Lucy Liu in the leading roles, Detectives is pretty much dead from frame one. Even mega-fans of either of the headliners will have trouble muddling through it.
Continue reading: Watching The Detectives Review
Sienna Miller and Cillian Murphy - Sienna Miller and Cillian Murphy London, England - finish a days filming on the set of their latest film 'Hippie Hippie Shake' and head to the pub to unwind over a pint with friends Tuesday 30th October 2007
Cillian Murphy and Sienna Miller - Cillian Murphy and Sienna Miller London, England - on location filming the 60's inspired movie 'Hippie Hippie Shake'. Sienna is wearing a limp brown wig and dowdy clothes to get into character, a far cry from her own blonde and fashionable appearance Wednesday 10th October 2007
Sienna Miller and Cillian Murphy Thursday 4th October 2007 filming on the set of her new movie "Hippy Hippy Shake", which also features Cillian Murphy. The film is set in 1960's London and Sienna looked the part in a flowery summer dress London, England
Working sci-fi here with the same ease with which he handled horror in 28 Days Later, Boyle recasts the genre far from the sheen of Lucas' most recent space visions. It is gritty, dark, and thrilling. You can see the grease on the ship's walls. Much as with his zombie film, the outlandish story here greatly benefits from Boyle's grounding treatment. Set in 2057, Sunshine follows the flight of Icarus II, a massive, shielded space ship sent to revive our dying sun and prevent the extinction of earth and humanity. No light task. Captain Kaneda (Hiroyuki Sanada) leads a dedicated crew, among them physicist Capa (Cillian Murphy), pilot Cassie (Rose Byrne), biologist Corazon (Michelle Yeoh), and engineer Mace (Chris Evans). Their mission is to deliver the "payload," a mammoth nuke, into the sun, set it off, and jet. Icarus I, missing for seven years, never managed.
Continue reading: Sunshine (2007) Review
Loach casts the narrative birth of the IRA at the feet of two brothers: Damien and Teddy O'Donovan (Cillian Murphy and Padraic Delaney, respectively). Damien's passive-aggressive nature towards the Black and Tans (the British Army) quickly gets sucked into Teddy's volatile rage when he witnesses a beating at a train station, moments before he was to leave for med school. Through torture (nail-pulling that makes Syriana look like a Friday afternoon in the Hamptons), shootouts, and political ebb and flow, the IRA fights dirty for independence. When the Anglo-Irish Treaty is signed (giving Ireland Free State/Dominion status), the IRA splits into the Old IRA (Damien's boys) and the National Army (Teddy's Treaty-friendly pack).
Continue reading: The Wind That Shakes The Barley Review
This rather bleak entry into the rapidly expanding genre of "mental institution" movies (a la Girl, Interrupted) has newcomer Cillian Murphy sent to a clinic after driving a convertible off a cliff... and ending up with a broken pinky.
Continue reading: On The Edge (2000) Review
The recipe for 28 Days Later is quite simple: half Outbreak, half Night of the Living Dead, and maybe a dash or two of Planet of the Apes. While the ingredients are familiar, thankfully, director Danny Boyle, who also helmed the bizarre Trainspotting, contributes his own unique seasonings, turning this acidic dish into a journey through hell-on-earth; it's one of the most frightening movies of the year.
Continue reading: 28 Days Later Review
The franchise was left for dead, revived only by speculation of an absurd Batman vs. Superman movie in 2002. Most moviegoers seem to have bid good riddance to the series, which in its later years was notable only for generating more discussion about the nipples on the batsuit than anything else.
Continue reading: Batman Begins Review
The film begins with Lisa (Rachel McAdams), a driven professional, on her way to board the eponymous flight from Dallas to Miami. When the flight is delayed, she meets Jackson (Cillian Murphy), who, after some clumsy flirting, gains her trust. By apparent coincidence, they end up seated together when the flight finally takes off. Unfortunately, Jackson turns out to be part of a conspiracy to kill a Homeland Security bigwig and Lisa is a key to their plans. Jackson tells her that if she doesn't help, a man is waiting outside her father's house, ready to kill him.
Continue reading: Red Eye Review
What Intermission resembles just as handily, though, is an Irish Love Actually, which is to say it's like Love Actually with a lot more drinking and violence. This is unlikely to placate anyone who truly hated Love Actually and, as such, would require something on the order of a soccer riot to feel fully cleansed. But if you (like me) merely thought a few of those charmingly stammering Englishmen could use a good deck, Intermission is the punch-throwing, rock-chucking romantic comedy for you.
Continue reading: Intermission Review
Revolving around the self-destructive relationship between two Irish lads named Runt (Elaine Cassidy) and Pig (Cillian Murphy), there are flashbacks, voice-overs, dream sequences, and weepy music, as these two morose teens dally about in what I guess passes for a romance.
Continue reading: Disco Pigs Review
The same holds true for his latest, Breakfast on Pluto, starring the ever-impressive chameleon Cillian Murphy (28 Days Later, Batman Begins) as an orphaned transvestite in Ireland during the 1960s and '70s. After seeing brief passages of his playful struggle to maintain his identity from one boarding school to the next in working class suburbia, we're swept up in the journey of Patrick, a.k.a. "Kitten," as he heads to the wilds of London in search of the mother who left him behind.
Continue reading: Breakfast On Pluto Review
Long-time horror maven Wes Craven tries his hand at Hitchcockian suspense in "Red-Eye," and turns in a modest B-movie thriller that's just as invigorating as it is easy to pick apart.
Earning its suspension of disbelief through keen performances and tight storytelling, the movie stars the talented Rachel McAdams ("Wedding Crashers," "Mean Girls") as a balls-in-the-air young manager of a luxury Florida hotel who is taking an overnight flight home from a trip. Standing in line to check in, she meets a handsome, friendly fellow (Cillian Murphy, "28 Days Later," "Batman Begins") and winds up sitting with him on the plane, making slightly awkward, slightly flirtatious small talk that actually keeps the film afloat for a good 20 minutes.
Once their flight is in the air, however, Murphy's charmingly evasive demeanor suddenly turns dark (as do his penetrating blue eyes) as he explains their encounter is no coincidence: A honcho from Homeland Security is about to check into her hotel, and if she doesn't keep quiet and help arrange an assassination, Murphy has a man outside her father's house ready to kill on his command.
Continue reading: Red Eye Review
Returning to the dark roots of the character, half themovie takes place before the stoic young billionaire even dons the now-bulletproofBatsuit, which Wayne eventually fashions from experimental body-armor builtby Wayne Industries, the war-profiteering conglomerate once owned by hismore altruistic late father.
Played with portentous, anguished magnetism by ChristianBale ("TheMachinist," "AmericanPsycho"), and still haunted by his parents'murder when he was a child, Wayne begins the film the last place Batmanfans would expect -- lost to the world in a Chinese prison after disappearingfrom a crime-gripped Gotham City. But he is sprung from this hoosegow bya shadowy ninja organization with a noble yet unrelenting master (LiamNeeson), who trains Wayne to channel his anger and defeat opponents withsilent deftness and dexterity in beautifully photographed scenes (thinkswordfights on Tibetan glaciers) that pay homage to traditions of the samuraigenre.
Then a staggering betrayal puts Wayne on a path back toGotham -- a vast industrial metropolis in the throes of a modern Depressionand in the grips of the mafia -- with a determination to "turn fearon those who prey on the fearful." Bale and Nolan make their Batmanalmost like a slasher-movie stalker in the eyes of the city's villains,and you feel their panic as he attacks from the shadows or strings a thugupside-down off the edge of a building to interrogate him for informationin a chillingly gravelly voice.
Continue reading: Batman Begins Review
From the very first words of its opening voice-over, inwhich a detectable trace of Aussie inflection invades Nicole Kidman's affectedSouthern accent, there's something amiss with "Cold Mountain,"a two-and-a-half-hour Civil War epic built around a lackluster love story,written and directed by an Englishman, starring half a dozen British actorsand shot in Romania.
Sweeping in scope, the picture's earnest intentions, periodatmosphere and cinematic beauty are above reproach as it portrays brutal,bloody, brother-against-brother battlefields and a North Carolina home-fronthamlet where prim, city-bred newcomer Ada Monroe (Nicole Kidman) waitsfor the return of her soldier sweetheart while struggling to survive onher dead father's farm.
And yet, the emotional investment in the characters issomething less than sweeping. The passionless decorum of Ada's first-reelcourtship by the adoring but reticent Inman (Jude Law), the declarationof war which cuts short their time together, and the questionable castingof Kidman -- who at 36 is too old to be credible as a bashful unmarriedbelle in 1864 Dixie -- result in a lack of validity and vitality that isn'tremedied until the invigorating second-act arrival of Renee Zellweger.
Continue reading: Cold Mountain Review
The eerily and utterly empty streets of a looted London in the early scenes of "28 Days Later" are a perfectly chilling primer for the gritty neo-B-movie horror to follow in this incisive, underground-styled revival of the zombie flick genre.
Seen through the eyes of Jim (Cillian Murphy), an injured bicycle messenger who has just awoken from a coma in a deserted hospital, it seems as if he's the last person alive as he stumbles alone down street after echoing street in stolen scrubs and tennis shoes, bellowing "Helllloooo!" and getting no response except from frightened pigeons.
But he's not alone. Oh, boy is he not alone.
Continue reading: 28 Days Later Review
Director Peter Webber has such a mesmerizing command over the emotional resonance of "Girl With a Pearl Earring" -- a masterpiece film that imagines the story behind Johannes Vermeer's masterpiece painting -- that there are several moments in the picture so evocative, so stunning that they literally make you hold your breath.
One such moment comes as the Dutch master, played with alluring, untamed gravitas by the solemnly magnetic Colin Firth, cajoles his tentative, spellbound model -- a modest, reticent young housemaid (the extraordinary Scarlett Johansson) who has slowly become his muse and artistic confidant -- to wet her lips (and then wet them again, and again) as he readies her to pose for his most famous, most exquisitely lifelike and certainly most emotionally enigmatic portrait.
This scene is the culmination of an unspoken, unattainable desire between them and is a magnificent fusion of performance, intimacy and sudden, startling silences in Alexandre Desplat's stirring musical score -- the combination of which is a demonstrative potency that Webber manipulates at will.
Continue reading: Girl With A Pearl Earring Review
Date of birth
25th May, 1976
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