In the wake of his friend Clark Kent's monumental sacrifice, Bruce Wayne and Diana Prince are determined to recruit the most powerful superheroes on the planet to help them fight a new menace that Lex Luthor predicted was coming to the Earth. They are the intrepid Arthur Curry or Aquaman, king of the sea; the young but lightning-fast Barry Allen, also known as The Flash; and the half-man half-machine known as Victor Stone or Cyborg. Together they must fight an army of parademons that have descended upon them, apparently in search of the Mother Box that transformed Victor Stone into the biomechanical creature he is. They are serving the villainous extra-terrestrial Steppenwolf, who will stop at nothing to get what he wants and take over the world. But as you can probably work out, these heroes have an advantage in that Superman is far from dead as they initially suspected.
Continue: Justice League Teaser Trailer
Faith is a topic Martin Scorsese can't quite shake, courting controversy with complex films like The Last Temptation of Christ (1988) and Kindun (1997). And now he has adapted the Shusaku Endo novel into this profound exploration of religion. As seen through the eyes of a 17th century Jesuit priest in Japan, it's a dark, contemplative film that sometimes feels a bit too murky for its own good. But it also has bracing insight into our need to believe.
At the centre of the story is the disappearance of Father Ferreira (Liam Neeson) as Japan cracks down on foreign religions in 1640, brutally persecuting local converts. Back in Portugal, two of Ferreira's proteges, Rodrigues (Andrew Garfield) and Garrpe (Adam Driver), volunteer to go in search of him. But the journey is dangerous, requiring them to trust exiled Japanese drunk Kichijiro (Yosuke Kubozuka) to sneak them into a rural village near Nagasaki. There they find an underground group of devout Catholics who are hiding from the cruel Inquisitor Inoue (Issei Ogata). After they split up to search for Ferreira, Rodrigues is captured by Inoue and interrogated by his interpreter (Tadanobu Asano), who is determined to show him that Christianity can never take root in Japan.
The film has an eerie resonance in today's divisive global climate, where everyone seems determined to protect their own culture from any outside influence, especially a religion that seems to run counter to long-held traditions. But the film's deeper themes explore the idea that we all have a yearning to understand the world and our existence in a way that makes sense to us. So debating the relative benefits of Christianity and Buddhism is actually beside the point. When the movie lets these ideas simmer under the surface, it has real power, especially in Rodrigues' experiences, which are gruelling both physically and emotionally.
Continue reading: Silence Review
This is such a ripping true story that it can't help but grab hold of the audience, even if the film never quite breaks through the surface. A story of tenacious triumph in the face of seemingly impossible odds, it also offers Miles Teller a terrific against-type role as a beefy young boxer who simply won't take no for an answer. And the entire cast is just as surprising, adding textures to a movie that's a bit too straightforward for its own good.
This is the story of Vinny Pazienza (Teller), a young boxer who wins two world championships in two weight classes with the help of his father Angelo (Ciaran Hinds) and his trainer Kevin (Aaron Eckhart). Then at the top of his game, he breaks his neck in a car crash and is told he may never walk again, let alone fight. But Vinny is determined to remain the champ, so he returns to training, even though an injury could leave him permanently disabled. Kevin reluctantly agrees to train him, pushing him up into yet another weight class. And seeing the publicity possibilities, father-and-son promoters (Ted Levine and Jordan Gelber) set up a massive Vegas comeback match.
Writer-director Ben Younger shoots this with a steady authenticity, charging inexorably through the story in a way that echoes Vinny's singleminded determination. Along the way, there are strained relationships, a variety of physical and emotional obstacles, intense boxing matches and, of course, a few emotive training montage sequences. The story is so strong that the film can't help but be engaging and even rousing, even if there are very few shadings along the way. Vinny never seems to doubt himself at all, his family only barely objects to his potentially life-threatening decisions, and his opponents are clearly going down for the count.
Continue reading: Bleed For This Review
Father Sebastião Rodrigues (Andrew Garfield) and Father Francisco Garrpe (Adam Driver) are Portuguese Jesuit priests who set out on a dangerous mission to Japan in a bid to find their mentor Father Cristóvão Ferreira (Liam Neeson) who has been missing for sometime. It's the seventeenth century, and despite what the Bible might say about the importance of spreading the Christian word of God throughout the world, there are just some places on this Earth that brutally forbid it. Needless to say, Ferreira has been ousted from the church to which he belongs after publicly denouncing his faith to save his own life. Rodgrigues and Garrpe are about to discover just how violent the world can be towards everything that they've ever worked for when they arrive in Japan. Surely there is no test of faith that can match the journey that lies ahead for them.
Continue: Silence Trailer
Vinny Paz always had the passion and drive to be the best boxer in which ever division he turned his hand to, he trained rigorously and his whole life revolved around winning the next title. Cheeky in nature Vinny immediately caught the attention of the sporting press earning himself the nickname 'The Pazmanian Devil' for his speed and ability to run circles around his competition in.
Continue: Bleed For This Trailer
Ewan McGregor is cast as both Jesus and the devil in this imagined chapter which depicts Jesus' journey during the period of his 40 days of fasting and praying in the desert. In this American Drama film Jesus has to battle with the binary oppositions of good vs evil whilst existing in a state of desperation as he has only been surviving on water and praying. He comes in to contact with the Devil and becomes taunted by him as he wants him to make a decision over a family that are in a crisis.
Continue: Last Days In The Desert Trailer
Cory Monteith relished his role in the hard-hitting 'McCanick.'
Cory Monteith's final role before his untimely death was as a "lost soul on the streets of Philadelphia," in Josh Waller's drama McCanick. The Glee star - who was found dead in a Vancouver hotel room over the weekend - convinced the filmmaker to give him a chance at the gritty role.
Simon Weeks. by @wallerjoshc
"He said he wanted the role so badly because he had a very jaded past and he'd never been able to tap into that as an actor and kind of purge his system," the McCanick director told Entertainment Tonight Canada this week, adding, "the character Simon Weeks was the perfect vessel for him to get it all out."
Continue reading: Why Cory Monteith's Final Role As 'Lost Soul' Was His Very Best
At the end of the American Civil War, John Carter (Kitsch) is in Arizona looking for gold when a strange artefact in a cave transports him to Mars, known locally as Barsoom. Getting used to the lower gravity is one thing, but he's soon captured by green, 15-foot-tall Tharks, who have four limbs plus tusks on the sides of their faces. He earns the respect of leader Tars Tarkas (Dafoe), but when he rescues Helium's Princess Dejah (Collins), he ends up in the middle of the war between red human kingdoms Helium and Zodanga.
Continue reading: John Carter Review
In early 1900s London, single dad Arthur (Radcliffe) is a young lawyer in trouble with his boss (Allam), so his next case is make-or-break. To settle an estate, he heads to an isolated Northeast village that gives him a cold-shouldered welcome. And when he gets to the abandoned seaside mansion, he sees the spectre of a woman (White) lurking in the corners. A friendly local (Hinds) is cynical about this, even though it also haunts his wife (McTeer), who is grieving over their son's death. And dying children are a theme in this village.
Continue reading: The Woman In Black Review
Johnny Blaze was only seventeen years old when he accidentally signed his soul away in exchange for curing his father's cancer. His father is cured of cancer the day after but dies the same day in a motorcycle crash. From then on, Johnny is now the Ghost Rider, who will be at the beck and call of Mephisto, who had approached the young man with the contract.
Continue: Ghost Rider Spirit of Vengeance Trailer
Arthur Kipps is a young yet successful lawyer who loves his work. One day, he is asked to travel to a small, remote village to sort out the affairs of a recently deceased client. However, it does mean leaving his young son behind. Arthur is reluctant to leave his son but he does so anyway.
Continue: The Woman In Black Trailer
Especially when it shows as much audacious skill as this British thriller does.
In the Cold War paranoia of 1973, there's a Russian mole in British intelligence. And the top boss Control (Hurt) has narrowed it down to four top colleagues (Firth, Jones, Hinds and Dencik). He asks faithful George Smiley (Oldman) to root out the spy, so he and Peter (Cumberbatch) begin a complex investigation that involves a discredited agent (Hardy) and a murdered operative (Strong). But the truth only seems to get more elusive the further they descend into the rabbit hole.
Continue reading: Tinker Tailor Soldier Spy Review
Arthur Kipps is a lawyer whose work takes him to tend to the affairs of the recently deceased owner of Eel Marsh house, a building the village residents try to avoid. Leaving his infant son behind, he sets off through the snow on his horse and cart, unaware of the terror he's abnout to face.
Continue: The Woman in Black Trailer
Harry Potter and his friends, Ron Weasley and Hermione Granger, continue their search for Voldemort's Horcruxes - dark magical objects that help the user gain immortality. Having found and destroyed one Horcrux - a locket belonging to Hogwarts founder Salazar Slytherin - the three friends travel from Ron's older brother Bill Weasley's house by the sea to the wizarding bank, Gringotts and then to Hogwarts to look for the final remaining Horcruxes.
Michael Kovak is a young man who's studying to become a priest, his faith is strong but he's not convinced in demonic possession, instead he believes people who claim to be possessed should be treated for psychosis by a doctor. Still unable to truly believe in what the he's being taught, Kovak attends an exorcism school at the Vatican.
Continue: The Rite Trailer
Make no mistake: Amazing Grace is not a complex movie. The good guys are good and the bad guys aren't so much bad as they are yet to become good. Such a simple and optimistic moral vision may seem antiquated to some, but Amazing Grace doesn't apologize for its old-fashioned piety. As the action starts, Wilberforce (Ioan Gruffudd) undergoes a religious conversion. His long-abandoned childhood faith has once again stirred his heart and moved him to commit to doing whatever he can to improve the world. Already a member of Parliament, he asks several of his friends -- including the clergyman John Newton (Albert Finney), who wrote the hymn "Amazing Grace" -- if he should continue his political career or move on to a more spiritual pursuit. At all of his friends' urging, Wilberforce chooses politics and not long after takes an unpopular stand on the issue that will dominate his political career thereafter: the slave trade.
Continue reading: Amazing Grace Review
An ostensible Nazi-hunting thriller that's far too impressed with its supposed moral ambiguity, The Statement is about former Vichy militia Pierre Brossard (Michael Caine) who, back in 1944, helped the Nazis round up and execute seven Jews in a small French town. It's based on the true story of Paul Touvier, who ordered such an execution on June 29, 1944 in southwestern France, and was sentenced to life in prison in 1995.
Continue reading: The Statement Review
Andrew Lloyd Webber's musicals are garish, puerile melodramas with all the elegance and sincerity of a Super Bowl halftime show -- and his brash, brassy songs have the depth and nuance of action-movie explosions.
When this pair teamed up to bring Webber's "The Phantom of the Opera" to the big screen, it was a match made in hell.
Continue reading: Andrew Lloyd Webber's The Phantom Of The Opera Review
Of all the movies I've seen depicting The Troubles in Northern Ireland -- and there have been some powerful films on the subject -- "Titanic Town" is the first one that really drove home to this outsider what it must have been like to live in a neighborhood where sniper fire is an everyday occurrence, where the hulks of bombed-out cars sit in the town square and where a quiet residential street can be invaded at any moment by columns of soldiers, armed to the teeth and coming to drag away one or more of your neighbors.
The most visceral moment in this tense but hopeful film, about an Irish Catholic mother of four who takes it upon herself to stop the undeclared war, comes in the middle of the night when the teenage daughter of this housewife-activist wakes up to the sight of paramilitary guerillas taking up attack positions in her front yard. The scene gave me chills, plain and simple.
Our passport into this perilous world is Bernie McPhelimy, a real-life woman of dogged determination who in the 1970s jumped headlong into the quagmire that was (and still is) the bitter, violent, terrorizing clash between Catholic Irish Republicans and Protestant, Britain-backed Unionists.
Continue reading: Titanic Town Review
Date of birth
9th February, 1953
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