The opening scenes are a barrage of fight sequences strung together by flash cuts, snapshots, blurs, tilts, whirls, and colors that bleed into one another like paintings. And those first ten minutes are all you need to see (and, not surprisingly, were used extensively in the American trailer). Choreographed to a fast paced, melancholy rock ballad, an assassin slices some businessman up and escapes the police. Meanwhile, a rogue cop jumps on a table and starts opening fire randomly on a group of thugs. It makes absolutely no sense, but it hardly matters. No plot, no character development, just pure carnage in full throttle.
Continue reading: Nowhere To Hide Review
He'll also be on board as a producer for the book to screen adaptation.
Gendry has been living under Cersei Lannister's nose for quite some time now.
The director would love to take the films in a different direction.