Of course, this being Arrested Development and all, there are more laughs in those 13 episodes than a lifetime of just about any another live-action show. Hurwitz's show chronicles the twists and turns of the formerly wealthy, currently imperiled (and morally impaired) Bluth family, led by good son Michael (Jason Bateman). The show moves like a soap opera, cramming an hour's worth of bizarre plots into 20 minutes or so. Season three contains the most ambitious story arc of the show's run, wherein lovelorn Michael finds a new relationship with Rita (guest star Charlize Theron, appearing in five of the baker's dozen), a charming English woman harboring a deep secret. You may guess the twist ahead of the climactic revelation, but even if you do, it's just as much fun to notice the many clues that start to seem hilariously obvious.
Continue reading: Arrested Development: Season Three Review
It goes down pleasantly enough as you watch. In fact, Brother Bear is rife with wonderful details. A prologue establishes only that the story takes place "a long time ago"; this allows the artists a certain freedom in their creation of a vaguely North American environment. There are rustling trees, blocks of ice, and swirls of light, all with an unfussy natural flow, not to mention gorgeous colors (it's not for nothing that the frame switches to a wider aspect ratio once the lead character turns into a bear).
Continue reading: Brother Bear Review
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