Part of the problem is Hartley's distinct style, which, if you're a fan, you already know well. Characters often speak slowly, pausing pensively for dramatic or comedic effect. Conversations -- and camera angles -- are unexpectedly funny and skewed, dabbling in established genres. When this approach has purpose or emotion (as in Henry Fool), it works. When it runs in circles, as in the second-half of Fay Grim, it exists only for the "art" and can be annoying as hell.
Continue reading: Fay Grim Review
The plot is this: Sofia is fed up with Thomas, so she tries to kill him. He doesn't die--he just cracks his head and develops amnesia. Isabelle finds him and takes him under her already fragile wing. Throw in an extortion plot wherein the old Thomas was trying to blackmail a nameless entity, and add the thugs trying to kill him. Eventually, everyone gets sucked into this scheme, and nothing works out for any of them.
Continue reading: Amateur Review