Christopher Isherwood was one of the most prominent publicly homosexual personalities of his era. A successful writer from the 1920s on (he wrote the Berlin stories that evolved into Cabaret), he left his native England before World War II and crafted a nice life as a screenwriter and novelist in Santa Monica. It was there on a beach where Isherwood, age 48, came across 18-year-old local boy Don Bachardy and his older brother Ted. Both were gay, and both were quite ready to be welcomed into Isherwood's glamorous life. Don was the one who really captivated Isherwood, and they were soon living together with no secrets. If some observers thought they were actually father and son, then so be it.
Continue reading: Chris & Don. A Love Story Review
And what jokes they are! The very American Robert Morse stars as a British visitor to L.A., a wannabe poet who gets caught up in the machinations of a cemetary owner (Jonathan Winters) and his top mortician (Rod Steiger in the role of a lifetime). It's more cult than cemetary, and Morse soon becomes enchanted with one the cemetary's guide/beautician/chanteuse (a dippy Anajette Comer). The film haphazardly careens from subplot to subplot, eventually settling into a set piece about a kid obsessed with rockets, which Winters sees as the solution to the problem of running out of space for "loved ones" in the cemetary (aka corpses).
Continue reading: The Loved One Review
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